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Hark! The Herald Angels Sing

Author: Charles Wesley, 1707-1788 Meter: 7.7.7.7 D with refrain Appears in 1,324 hymnals Topics: Angels Lyrics: 1 Hark! The herald angels sing, “Glory to the new-born king; peace on earth, and mercy mild, God and sinners reconciled.” Joyful, all you nations, rise; join the triumph of the skies; with angelic hosts proclaim, “Christ is born in Bethlehem!” Refrain: Hark! The herald angels sing, “Glory to the new-born king!” 2 Christ, by highest heav'n adored, Christ, the ever-lasting Lord, late in time behold him come, offspring of the virgin's womb. Veiled in flesh the Godhead see! Hail, the incarnate deity! Pleased as man with us to dwell, Jesus, our Emmanuel! [Refrain] 3 Hail the heav'n-born Prince of peace! Hail the Sun of Righteousness! Light and life to all he brings, ris'n with healing in his wings. Mild he lays his glory by, born that we no more may die, born to raise each child of earth, born to give us second birth. [Refrain] Used With Tune: MENDELSSOHN
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Angel voices ever singing

Author: Francis Pott (1832-1909) Meter: 8.5.8.5.8.4.3 Appears in 378 hymnals Topics: Angels Lyrics: 1 Angel voices ever singing round your throne of light, angel harps for ever ringing, rest not day nor night; thousands only live to bless you and confess you Lord of might. 2 Lord, we know your heart rejoices in each work devine, you did ears and hands and voices for your praise design; craftsman's art and music's measure for your pleasure all combine. 3 In your house our gifts we offer from your love so free; and for your acceptance proffer all unworthily, hearts and minds and hands and voices in our choicest psalmody. 4 Honour, glory, might, and merit yours shall ever be, Father, Son, and Holy Spirit, blessèd Trinity. Earth and heaven join in praising, voices raising joyfully. Scripture: 1 Chronicles 15:16 Used With Tune: ANGEL VOICES
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Angels We Have Heard on High

Meter: 7.7.7.7 with refrain Appears in 235 hymnals Topics: Angels Refrain First Line: Glória in excélsis Deo Lyrics: 1 Angels we have heard on high Sweetly singing o'er the plains, And the mountains in reply Echo back their joyous strains. Refrain: Glória in excélsis Deo. Glória in excélsis Deo. 2 Shepherds, why this jubilee? Why your joyous strains prolong? Say what may the tidings be Which inspire your heav'nly song. [Refrain] 3 Come to Bethlehem and see Him whose birth the angels sing; Come, adore on bended knee Christ the Lord, the newborn King. [Refrain] 4 See him in a manger laid Whom the choirs of angels praise; Mary, Joseph, lend your aid, While our hearts in love we raise. [Refrain] Scripture: Luke 2:13-18 Used With Tune: GLORIA Text Sources: Les anges dans nos campagnes; French carol, c. 18th C.; tr. from Crown of Jesus Music, London, 1862

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LAUDA ANIMA

Meter: 8.7.8.7.8.7 Appears in 265 hymnals Composer and/or Arranger: John Goss Topics: Angels Tune Key: D Major Incipit: 55551 76543 65342 Used With Text: Praise, My Soul, the King of Heaven
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MENDELSSOHN

Meter: 7.7.7.7 D Appears in 621 hymnals Composer and/or Arranger: Felix Mendelssohn-Bartholdy; William H. Cummings Topics: Angels Tune Key: F Major or modal Incipit: 51171 33255 54323 Used With Text: Hark! the Herald Angels Sing
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AUSTRIA

Meter: 8.7.8.7 D Appears in 704 hymnals Composer and/or Arranger: Franz Joseph Haydn (1732-1809) Topics: Angels Tune Key: E Flat Major Incipit: 12324 32716 54323 Used With Text: Praise the Lord! Ye heavens, adore him

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Chatter with the Angels

Hymnal: Singing Our Faith #277 (2001) Topics: Saints and Angels First Line: Chatter with the angels soon in the morning Lyrics: *Chatter with the angels soon in the morning. Chatter with the angels in that land. Chatter with the angels soon in the morning. Chatter with the angels, join the band. I hope to join that band and Chatter with the angels all day long! I hope to join that band and Chatter with the angels all day long! * March with the angels. * Skip with the angels. * Dance with the angels. * Tiptoe with the angels. Languages: English Tune Title: [Chatter with the angels soon in the morning]

Bread of Angels

Author: Curtis Stephan, b. 1973; St. Thomas Aquinas, 1227-1274 Hymnal: Glory and Praise (3rd. ed.) #484 (2015) Topics: Angels; Angels; Angels; Angels; Angels; Angels First Line: Bread of angels, we receive you Languages: English; Latin Tune Title: [Bread of angels, we receive you]
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There Are Angels Hov'ring 'Round

Author: Philip P. Bliss Hymnal: Worship in Song #203 (1996) Topics: Angels Lyrics: 1 There are angels hov'ring 'round, There are angels hov'ring 'round, There are angels, angels hov'ring 'round! 2 To carry the tidings home, To carry the tidings home, To carry, carry the tidings home. 3 To the New Jerusalem, To the New Jerusalem, To the New, the new Jerusalem. 4 Let all that heareth come, Let all that heareth come, Let all who, all who heareth come, Tune Title: [There are angels hov'ring round]

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Authors, composers, editors, etc.

Winfred Douglas

1867 - 1944 Topics: Angels Harmonizer of "DIVINUM MYSTERIUM" in Worship in Song Charles Winfred Douglas (b. Oswego, NY, 1867; d. Santa Rosa, CA, 1944), an influential leader in Episcopalian liturgical and musical life. Educated at Syracuse University and St. Andrews Divinity School, Syracuse, New York, he moved to Colorado for his health. There he studied at St. Matthew's Hall, Denver, and founded the Mission of the Transfiguration in Evergreen (1897). Ordained a priest in the Episcopal Church in 1899, he also studied in France, Germany and England, where he spent time with the Benedictines of Solesmes on the Island of Wight from 1903 to 1906. For much of his life, Douglas served as director of music at the Community of St. Mary in Peekskill, New York, and had associations with cathedrals in Denver, Colorado, and Fond du Lac, Wisconsin. He promoted chanting and plainsong in the Episcopal Church through workshops and publications such as The American Psalter (1929), the Plainsong Psalter (1932), and the Monastic Diurnal (1932). His writings include program notes for the Denver Symphony Orchestra, various hymn preludes; organ, as well as the book, Church Music in History and Practice (1937). He was editor of both the Hymnal 1916 and its significant successor, Hymnal 1940, of the Episcopal Church. Douglas's other achievements include a thorough knowledge of the life and culture of Hopi and Navajo natives, among whom he lived for a number of years. Bert Polman

James Edmeston

1791 - 1867 Topics: Angels Author of "Saviour, breathe an evening blessing" in Trinity Hymnal Edmeston, James, born Sept. 10, 1791. His maternal grandfather was the Rev. Samuel Brewer, who for 50 years was the pastor of an Independent congregation at Stepney. Educated as an architect and surveyor, in 1816 he entered upon his profession on his own account, and continued to practice it until his death on Jan. 7, 1867. The late Sir G. Gilbert Scott was his pupil. Although an Independent by descent he joined the Established Church at a comparatively early age, and subsequently held various offices, including that of churchwarden, in the Church of St. Barnabas, Homerton. His hymns number nearly 2000. The best known are “Lead us, Heavenly Father, lead us” and "Saviour, breathe an evening blessing." Many of his hymns were written for children, and from their simplicity are admirably adapted to the purpose. For many years he contributed hymns of various degrees of merit to the Evangelical Magazine, His published works are:— (1) The Search, and other Poems, 1817. (2) Sacred Lyrics, 1820, a volume of 31 hymns and one poem. This was followed by a second Series, 1821, with 35; and a third Series, 1822, with 27 pieces respectively. (3) The Cottage Minstrel; or, Hymns for the Assistance of Cottagers in their Domestic Worship, 1821. This was published at the suggestion of a member of the Home Missionary Society, and contains fifty hymns. (4) One Hundred Hymns for Sunday Schools, and for Particular Occasions, 1821. (5) Missionary Hymns, 1822. (6) Patmos, a Fragment, and Other Poems, 1824. (7) The Woman of Shunam, and Other Poems, 1829. (8) Fifty Original Hymns, 1833. (9) Hymns for the Chamber of Sickness, 1844. (10) Closet Hymns and Poems, 1844. (11) Infant Breathings, being Hymns for the Young, 1846. (12) Sacred Poetry, 1847. In addition to those of his hymns which have attained to an extensive circulation, as those named above, and are annotated in this work under their respective first lines, there are also the following in common use in Great Britain and America:— 1. Along my earthly way. Anxiety. In his Sacred Lyrics, third set, 1822, in 8 stanzas of 4 lines. It is given in several collections, but usually in an abbreviated form, and generally somewhat altered. 2. Dark river of death that is [art] flowing. Death Anticipated. Given in his Sacred Lyrics, 3rd set, 1822, p. 39, in 9 stanzas of 4 lines. It is usually given in an abbreviated form, and sometimes as, "Dark river of death that art flowing." 3. Come, sacred peace, delightful guest. Peace. Appeared in his Closet Hymns, &c, 1844, in 4 stanzas of 4 lines. 4. Eternal God, before thy throne, Three nations. National Fast. 5. For Thee we pray and wait. Second Advent. 6. God intrusts to all. Parable of the Talents. This is No. 13 of his Infant Breathings, 1846, in 5 stanzas of 4 lines. It is a simple application of the parable to the life of a child. It is widely used. 7. God is here; how sweet the sound. Omnipresence. Given as No. 9 in his Sacred Lyrics, 1st set, 1820, in 6 stanzas of 4 lines. In the Baptist Hymnal, 1879, No. 45. St. i.-iii. are from this text, and iv. and v. are from another source. 8. How sweet the light of Sabbath eve. Sunday Evening. No. 10 in theCottage Minstrel, 1821, slightly altered. 9. Is there a time when moments flow. Sunday Evening. No. 5 of his Sacred Lyrics, 1st set, 1820, in 7 stanzas of 4 lines. 10. Little travellers Zionward. Burial of Children. No. 25 of his Infant Breathings, &c, 1846, in 3 stanzas of 8 lines. In the Leeds Hymn Book, 1853, it begins with stanza ii., "Who are they whose little feet?" 11. May we, Lord, rejoicing say. National Thanksgiving. Dated 1849 by the author in Spurgeon's Our Own Hymnbook, No. 1008. 12. Music, bring thy sweetest treasures. Holy Trinity. Dated 1837 by the author in Spurgeon's Our Own Hymnbook, No. 167. It is in his Sacred Poetry, 1847. 13. Roll on, thou mighty ocean. Departure of Missionaries. In his Missionary Hymns, 1822, in 4 stanzas of 4 lines. It is in common use in America. 14. Sweet is the light of Sabbath eve. Sunday Evening. In 5 stanzas of 41., from the Cottage Minstrel, 1821, where it is given as No. 10, and entitled "The Cottager's Reflections upon the Sabbath Evening." 15. The light of Sabbath eve. Sunday Evening. In 5 stanzas of 4 lines, as No. 11 in the Cottage Minstrel, 1821, p. 14, and headed, "Solemn Questions for the Sabbath Evening." 16. Wake, harp of Zion, wake again. Missions to the Jews. Dated 1846 by the author in Spurgeon's Our Own Hymnbook. It is in his Sacred Poetry, 1847. 17. When shall the voice of singing? In his Missionary Hymns, 1822. It is in a few American collections. 18. When the worn spirit wants repose. Sunday. No. 18, of his Sacred Lyrics, 1st set, 1820, in 4 stanzas of 4 lines. It is somewhat popular, and is given in several collections in Great Britain and America, as the Baptist Psalms & Hymns, 1858-80; the Church Praise Book, N. Y., 1881, &c. 19. Why should I, in vain repining? Consolation. No. 14 in the 1st set of his Sacred Lyrics, 1820, in 4 stanzas of 4 lines. -- John Julian, Dictionary of Hymnology (1907) ========================= Edmeston, James, p. 321, ii. Other hymns are:— 1. O Thou Whose mercy guides my way. Resignation. In his Sacred Lyrics, 1st set, 1820, p. 24, in 3 stanzas of 4 lines, and again in his Hymns for the Chamber of Sickness, 1844. 2. Parting soul, the flood awaits thee. Death anticipated. In his Sacred Lyrics, 1st set, 1820, p. 18, in 3 stanza of 8 lines, and based upon the passage in the Pilgrim's Progress:—"Now I further saw that betwixt them and the gate was a river, but there was no bridge to go over, and the river was very deep." 3. 'Tis sweet upon our pilgrimage. Praise. In hi3 Closet Hymns and Poems, 1846, in 3 stanzas of 4 lines, and headed "An Ebenezer Raided." 4. Welcome, brethren, enter in. Reception of Church Officers. Miller says, in his Singers and Songs, 1869, p. 420:—"This is No. 1 of five hymns supplied by Mr. Edmeston, at the request of a friend, for insertion in a provincial hymn-book, on the subject of admitting members," but he does not give the name of the book, neither have we identified It. The hymn, as given in the New Congregational Hymn Book, 1859, No. 840, is in 5 stanzas of 4 lines, of which Millet says stanza iii. is by another hand. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Oxenham

1852 - 1941 Topics: Angels Author of "'Mid All the Traffic of the Ways" in Worship in Song John Oxenham is a pseudonym for William Arthur Dunkerley, and is used as the name authority by the Library of Congress.