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Why Do Heathen Nations Rage?
Meter: 7.7.7.7 D Appears in 4 hymnals Matching Instances: 4 First Line: Why do heathen nations rage? Why do peoples plot in vain? Text Sources: OPC/URCNA 2016
Why Do Heathen Nations Rage?
MONSEY CHAPEL
Meter: 7.7.7.7 D Appears in 4 hymnals Matching Instances: 1 Composer and/or Arranger: Dick L. Van Halsema Tune Key: F Major or modal Incipit: 11151 23555 13221 Used With Text: Why Do Heathen Nations Rage?
MONSEY CHAPEL
Why do heathen nations rage?
Hymnal: Treasury of Psalms and Hymns #4 (2022) Languages: English Tune Title: SALZBURG (Hintze)
Why do heathen nations rage?
Why Do Heathen Nations Rage?
Hymnal: Trinity Psalter Hymnal #2A (2018) Meter: 7.7.7.7 D Topics: Danger of Delay; Fear of God; Nations; Prosperity; Punishment of Wicked; Wrath Of God Scripture: Psalm 2 Languages: English Tune Title: MONSEY CHAPEL
Why Do Heathen Nations Rage?
Why Do Heathen Nations Rage?
Hymnal: Trinity Psalter Hymnal #2B (2018) Meter: 7.7.7.7 D Topics: Danger of Delay; Fear of God; Prosperity; Punishment of Wicked; Wrath Of God Scripture: Psalm 2 Languages: English Tune Title: SALZBURG
Why Do Heathen Nations Rage?
Jakob Hintze
1622 - 1702 Composer of "SALZBURG " in Trinity Psalter Hymnal Partly as a result of the Thirty Years' War and partly to further his musical education, Jakob Hintze (b. Bernau, Germany, 1622; d. Berlin, Germany, 1702) traveled widely as a youth, including trips to Sweden and Lithuania. In 1659 he settled in Berlin, where he served as court musician to the Elector of Brandenburg from 1666 to 1695. Hintze is known mainly for his editing of the later editions of Johann Crüger's Praxis Pietatis Melica, to which he contributed some sixty-five of his original tunes.
Bert Polman
Jakob Hintze
Johann Sebastian Bach
1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Harmonizer of "SALZBURG " in Trinity Psalter Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
