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Text Identifier:"^we_walk_by_faith_and_not_by_sight$"

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We Walk By Faith

Author: Henry Alford Meter: 8.6.8.6 Appears in 72 hymnals Matching Instances: 72 First Line: We walk by faith, and not by sight, No gracious words we hear

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SHANTI

Meter: 8.6.8.6 Appears in 32 hymnals Matching Instances: 21 Composer and/or Arranger: Marty Haugen, b. 1950; Randall Sensmeier, b. 1948 Tune Key: A Major Incipit: 53455 61551 71322 Used With Text: We Walk by Faith and Not by Sight
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DUNLAP'S CREEK

Meter: 8.6.8.6 Appears in 34 hymnals Matching Instances: 6 Composer and/or Arranger: Samuel McFarland, fl. 1816; Richard Proulx, b. 1937 Tune Key: D Major Incipit: 13532 16115 1765 Used With Text: We Walk by Faith
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ARLINGTON

Meter: 8.6.8.6 Appears in 1,017 hymnals Matching Instances: 5 Composer and/or Arranger: Thomas A. Arne Tune Key: G Major Incipit: 13332 11123 54332 Used With Text: We walk by faith, and not by sight

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We Walk By Faith (Alford)

Author: Henry Alford Hymnal: The Cyber Hymnal #7726 Meter: 8.6.8.6 First Line: We walk by faith, and not by sight Lyrics: 1. We walk by faith, and not by sight; No gracious words we hear From Him who spake as man ne’er spake; But we believe Him near. 2. We may not touch His hands and side, Nor follow where He trod; But in His promise we rejoice, And cry, My Lord and God! 3. Help then, O Lord, our unbelief; And may our faith abound, To call on Thee when Thou art near, And seek where Thou art found. 4. That, when our life of faith is done, In realms of clearer light We may behold Thee as Thou art, With full and endless sight. Languages: English Tune Title: BEATI IMMACULATI
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We Walk by Faith

Author: Henry Alford Hymnal: Sing the Faith #2196 (2003) Meter: 8.6.8.6 First Line: We walk by faith, and not by sight Lyrics: 1 We walk by faith, and not by sight: No gracious words we hear of him who spoke as none e'er spoke, but we believe him near. 2 We may not touch his hands and side, nor follow where he trod; but in his promise we rejoice, and cry, "My Lord and God!" 3 Help then, O Lord, our unbelief, and may our faith abound; to call on you when you are near, and seek where you are found. 4 That when our life of faith is done in realms of clearer light may we behold you as you are in full and endless sight. Languages: English Tune Title: MARTYRDOM
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We Walk by Faith

Author: Henry Alford Hymnal: The Faith We Sing #2196 (2001) Meter: 8.6.8.6 First Line: We walk by faith, and not by sight Lyrics: 1 We walk by faith, and not by sight; with gracious words we hear of him who spoke as none e'er spoke, but we believe him near. 2 We may not touch his hands and side, nor follow where he trod; yet in his promise we rejoice, and cry, "My Lord and God!" 3 Help then, O Lord, our unbelief, and may our faith abound; to call on you when you are near, and seek where you are found: 4 That when our life of faith is done in realms of clearer light may we behold you as you are, in full and endless sight. 5 We walk by faith, and not by sight; with gracious words we hear of him who spoke as none e'er spoke, but we believe him near. Topics: Grace Prayer, Trust, Hope Scripture: Mark 9:24 Languages: English Tune Title: MARTYRDOM

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Henry Alford

1810 - 1871 Author of "We walk by faith, and not by sight" in The Hymnal Alford, Henry, D.D., son of  the Rev. Henry Alford, Rector of Aston Sandford, b. at 25 Alfred Place, Bedford Row, London, Oct. 7, 1810, and educated at Trinity College, Cambridge, graduating in honours, in 1832. In 1833 he was ordained to the Curacy of Ampton. Subsequently he held the Vicarage of Wymeswold, 1835-1853,--the Incumbency of Quebec Chapel, London, 1853-1857; and the Deanery of Canterbury, 1857 to his death, which took. place  at  Canterbury, Jan. 12, 1871.  In addition he held several important appointments, including that of a Fellow of Trinity, and the Hulsean Lectureship, 1841-2. His literary labours extended to every department of literature, but his noblest undertaking was his edition of the Greek Testament, the result of 20 years' labour.    His hymnological and poetical works, given below, were numerous, and included the compiling of collections, the composition of original hymns, and translations from other languages.    As a hymn-writer he added little to his literary reputation. The rhythm of his hymns is musical, but the poetry is neither striking, nor the thought original.   They are evangelical in their teaching,   but somewhat cold  and  conventional. They vary greatly in merit, the most popular being "Come, ye thankful  people, come," "In token that thou  shalt  not fear," and "Forward be our watchword." His collections, the Psalms and Hymns of 1844, and the Year of Praise, 1867, have not achieved a marked success.  His poetical and hymnological works include— (1) Hymns in the Christian Observer and the Christian Guardian, 1830. (2) Poems and Poetical Fragments (no name), Cambridge, J.   J.  Deighton, 1833.  (3) The School of the Heart, and other Poems, Cambridge, Pitt Press, 1835. (4) Hymns for the Sundays and Festivals throughout the Year, &c.,Lond., Longman ft Co., 1836. (5) Psalms and Hymns, adapted for the Sundays and Holidays throughout the year, &c, Lond., Rivington, 1844. (6) Poetical Works, 2 vols., Lond., Rivington, 1845. (7) Select Poetical Works, London, Rivington, 1851. (8) An American ed. of his Poems, Boston, Ticknor, Reed & Field, 1853(9) Passing away, and Life's Answer, poems in Macmillan's Magazine, 1863. (10) Evening Hexameters, in Good Words, 1864. (11) On Church Hymn Books, in the Contemporary Review, 1866. (12) Year of Praise, London, A. Strahan, 1867. (13) Poetical Works, 1868. (14) The Lord's Prayer, 1869. (15) Prose Hymns, 1844. (16) Abbot of Muchelnaye, 1841. (17) Hymns in British Magazine, 1832.   (18) A translation of Cantemus cuncti, q.v. -- John Julian, Dictionary of Hymnology (1907) ================== Alford, Henry, p. 39, ii. The following additional hymns by Dean Alford are in common use:— 1. Herald in the wilderness. St. John Baptist. (1867.) 2. Let the Church of God rejoice. SS. Simon and Jude. (1844, but not in his Psalms & Hymns of that year.) 3. Not in anything we do. Sexagesima. (1867.) 4. O Thou at Whose divine command. Sexagesima. (1844.) 5. 0 why on death so bent? Lent. (1867.) 6. Of all the honours man may wear. St. Andrew's Day. (1867.) 7. Our year of grace is wearing to a close. Close of the Year. (1867.) 8. Saviour, Thy Father's promise send. Whit-sunday. (1844.) 9. Since we kept the Saviour's birth. 1st Sunday after Trinity. (1867.) 10. Thou that art the Father's Word. Epiphany. (1844.) 11. Thou who on that wondrous journey. Quinquagesima. (1867.) 12. Through Israel's coasts in times of old. 2nd Sunday after Epiphany. (1867.) 13. Thy blood, O Christ, hath made our peace. Circumcision . (1814.) 14. When in the Lord Jehovah's name. For Sunday Schools. (1844.) All these hymns are in Dean Alford's Year of Praise, 1867, and the dates are those of their earliest publication, so far as we have been able to trace the same. --Excerpts from John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Marty Haugen

b. 1950 Person Name: Marty Haugen, b. 1950 Composer of "SHANTI" in Gather Comprehensive Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink

Samuel McFarland

Person Name: Samuel McFarland, fl. 1816 Composer of "DUNLAP'S CREEK " in With One Voice