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William Walker
1809 - 1875 Arranger of "LAND OF PLEASURE" in The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.)
William Walker
Ananias Davisson
1780 - 1857 Person Name: Davison Composer of "LAND OF PLEASURE" in The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) Ananias Davisson (February 2, 1780 – October 21, 1857) was a singing school teacher, printer and compiler of shape note tunebooks.
Davisson was born February 2, 1780 in Shenandoah County, Virginia. He spent his last years living on a farm at Weyer's Cave, about 14 miles from Dayton, Virginia, and died October 21, 1857. He is buried in the Massanutten-Cross Keys Cemetery, Rockingham County, Virginia. Davisson was a member and ruling elder of the Presbyterian Church.
He is best known for his 1816 compilation the Kentucky Harmony (Harrisonburg, Virginia), which is generally considered the first Southern shape-note tunebook. Composer and publisher William B. Blake said it was "a book characteristic of that period, abounding in minor tunes." Other books published by Davisson were A Supplement to the Kentucky Harmony (Harrisonburg, Virginia: 1820), Introduction to Sacred Music, Extracted from the Kentucky Harmony and Chiefly Intended for the Benefit of Young Scholars, (Harrisonburg, Virginia: 1821), and A Small Collection of Sacred Music (Harrisonburg, Virginia: 1825). According to musicologist George Pullen Jackson, Davisson's compilations are "pioneer repositories of a sort of song that the rural South really liked." Perhaps his best-known tune is "Idumea," a minor tune very popular in Southern shape note circles and featured in the movie Cold Mountain.
In addition to his own tunebooks, Davisson also printed Songs of Zion by James P. Carrell (1821)
--en.wikipedia.org/wiki/
Ananias Davisson
William B. Bradbury
1816 - 1868 Person Name: William Batchelder Bradbury Composer of "[There is a land of pleasure]" in The Cyber Hymnal William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Anonymous
Author of "There is a land of pleasure" In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Alexander Campbell
1788 - 1866 Author of "Land of Pleasure" in The Cyber Hymnal Campbell, Alexander. (Ballymena, County Antrim, Ireland, September 12, 1788--March 4, 1866, Bethany, West Virginai). Disciple. Grew up in the Irish branch of the splinter-group off of the Church of Scotland (Anti-burgher Seceder Church); studied a year at the University at Glasgow, while en route to the U.S. to join his father, Thomas Campbell. Both men having individually left the Seceder group (1809), and subsequently having accepted the necessity of immersion as the proper mode of baptism, they and their growing group of "Reformers" were accepted into membership in a Baptist association in the (West) Virginia-Pennsylvania-Ohio area in 1813; they were separated from the Baptists in 1830; in 1832, the Campbell group merged with a Kentucky group known simply as "Christians;" out of the Campbell-Stone merger came the mid-twentieth-century denomination know as the International Convention of Christian Churches (Disciples of Christ) as well as the non-instrumental-music Churches of Christ. Campbell compiled Psalms, Hymns, and Spiritual Songs for his followers in 1828; after the merger mentioned above he helped combine the various existing books, contributing six original hymns to the resulting Christian Hymn Book of 1835. (None of these original hymns has survived in 20th-century Disciple collections.) Elected president of the first national Disciple convention, 1849. He maintained direct control over the Brotherhood's official hymnal until 1864, when he turned it over to the Convention, with the understanding that the committee to revise the next edition (dated 1865) be approved by him and the convention. Although as a hymn-writer he seems to have had little permanent success, he must have exerted a strong stabilizing influence on the hymnody of the Disciples well beyond his own lifetime.
--George Brandon, DNAH Archives
Alexander Campbell
