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The Lord my pasture shall prepare

Author: Joseph Addison Meter: 8.8.8.8.8.8 Appears in 552 hymnals Matching Instances: 546 Topics: Christian Experience Trust Scripture: Psalm 23 Used With Tune: PATER OMNIUM

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CAREYS

Meter: 8.8.8.8.8.8 Appears in 123 hymnals Matching Instances: 20 Tune Key: G Major Incipit: 54361 71432 33256 Used With Text: The Lord my pasture shall prepare
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BROWNELL

Appears in 62 hymnals Matching Instances: 9 Composer and/or Arranger: Francis Joseph Haydn Incipit: 53511 72524 43513 Used With Text: The Lord my pasture shall prepare
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ST. FINBAR

Appears in 9 hymnals Matching Instances: 5 Composer and/or Arranger: Anonymous Incipit: 53565 15354 56575 Used With Text: The Lord my pasture shall prepare

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The Lord My Pasture Shall Prepare

Author: Joseph Addison Hymnal: The Cyber Hymnal #3865 Meter: 8.8.8.8.8.8 Lyrics: 1. The Lord my pasture shall prepare And feed me with a shepherd’s care; His presence shall my wants supply And guard me with a watchful eye; My noonday walks He shall attend And all my midnight hours defend. 2. When in the sultry glebe I faint Or on the thirsty mountain pant, To fertile vales and dewy meads My weary, wandering steps He leads, Where peaceful rivers, soft and slow, Amid the verdant landscape flow. 3. Though in the paths of death I tread, With gloomy horrors overspread, My steadfast heart shall fear no ill, For Thou, O Lord, art with me still; Thy friendly crook shall give me aid And guide me through the dreadful shade. 4. Though in a bare and rugged way, Through devious lonely wilds, I stray, Thy bounty shall my pains beguile; The barren wilderness shall smile, With sudden greens and herbage crowned, And streams shall murmur all around. Languages: English Tune Title: CAREY'S SURREY

The Lord my pasture shall prepare, and feed me with a shepherd's care

Author: Joseph Addison Hymnal: Hymns for Use in Divine Worship ... Seventh-Day Adventists #d1046 (1886) Languages: English

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Joseph Addison

1672 - 1719 Author of "The Lord my pasture shall prepare" in The Hymnal Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time. i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :— 1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:— "David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.) 2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:— “I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum) Then follows the hymn:—"When all Thy mercies, 0 my God." 3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:— “For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum

Henry Carey

1687 - 1743 Composer of "CAREY" in The Hymnal Henry Carey, b. 1685 (?); d. London, 1743 Evangelical Lutheran Hymnal, 1908

Joseph Haydn

1732 - 1809 Person Name: Fr. Jos. Haydn Composer of "BROWNELL" in The National Hymn Book of the American Churches Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman