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Text Identifier:"^praise_god_from_whom_all_blessings_wren$"

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Doxology

Author: Brian Wren, 1936- Meter: 8.8.8.8 Appears in 5 hymnals Hymnal Title: Common Praise (1998) First Line: Praise God from whom all blessings flow Topics: Doxology Used With Tune: OLD 100TH

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OLD 100TH

Meter: 8.8.8.8 Appears in 1,875 hymnals Hymnal Title: Common Praise (1998) Tune Key: e minor Incipit: 11765 12333 32143 Used With Text: Doxology
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LASST UNS ERFREUEN

Meter: 8.8.8.8 with alleluias Appears in 477 hymnals Composer and/or Arranger: Hal H. Hopson Hymnal Title: Glory to God Tune Sources: Geistliche Kirchengesäng, 1623 Tune Key: D Major Incipit: 11231 34511 23134 Used With Text: Praise God, from Whom All Blessings Flow

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Published text-tune combinations (hymns) from specific hymnals

Doxology

Author: Brian Wren, 1936- Hymnal: Common Praise (1998) #672 (1998) Meter: 8.8.8.8 Hymnal Title: Common Praise (1998) First Line: Praise God from whom all blessings flow Topics: Doxology Languages: English Tune Title: OLD 100TH

Praise God from Whom All Blessings Flow

Author: Brian Wren, 1936- Hymnal: Community of Christ Sings #54 (2013) Meter: 8.8.8.8.8 with alleluias Hymnal Title: Community of Christ Sings Topics: God's Generosity; Praise; Thanksgiving; Trinity Languages: English Tune Title: LASST UNS ERFREUEN
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Praise God, from Whom All Blessings Flow

Author: Brian Wren Hymnal: Glory to God #609 (2013) Meter: 8.8.8.8 with alleluias Hymnal Title: Glory to God First Line: Praise God from whom all blessings flow Lyrics: Praise God, from whom all blessings flow. Praise God, all creatures high and low. Alleluia, alleluia! Praise God, in Jesus fully known: Creator, Word, and Spirit one. Alleluia, alleluia! Alleluia, alleluia, alleluia! Topics: Service Music Languages: English Tune Title: LASST UNS ERFREUEN

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Brian A. Wren

b. 1936 Person Name: Brian Wren, 1936- Hymnal Title: Common Praise (1998) Author of "Doxology" in Common Praise (1998) Brian Wren (b. Romford, Essex, England, 1936) is a major British figure in the revival of contemporary hymn writing. He studied French literature at New College and theology at Mansfield College in Oxford, England. Ordained in 1965, he was pastor of the Congregational Church (now United Reformed) in Hockley and Hawkwell, Essex, from 1965 to 1970. He worked for the British Council of Churches and several other organizations involved in fighting poverty and promoting peace and justice. This work resulted in his writing of Education for Justice (1977) and Patriotism and Peace (1983). With a ministry throughout the English-speaking world, Wren now resides in the United States where he is active as a freelance lecturer, preacher, and full-time hymn writer. His hymn texts are published in Faith Looking Forward (1983), Praising a Mystery (1986), Bring Many Names (1989), New Beginnings (1993), and Faith Renewed: 33 Hymns Reissued and Revised (1995), as well as in many modern hymnals. He has also produced What Language Shall I Borrow? (1989), a discussion guide to inclusive language in Christian worship. Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Community of Christ Sings Arranger of "LASST UNS ERFREUEN" in Community of Christ Sings Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Hal H. Hopson

b. 1933 Person Name: Hal H. Hopson, 1933- Hymnal Title: Worship and Rejoice Harmonizer of "LASST UNS ERFREUEN" in Worship and Rejoice Hal H. Hopson (b. Texas, 1933) is a prolific composer, arranger, clinician, teacher and promoter of congregational song, with more than 1300 published works, especially of hymn and psalm arrangements, choir anthems, and creative ideas for choral and organ music in worship. Born in Texas, with degrees from Baylor University (BA, 1954), and Southern Baptist Seminary (MSM, 1956), he served churches in Nashville, TN, and most recently at Preston Hollow Presbyterian Church in Dallas, Texas. He has served on national boards of the Presbyterian Association of Musicians and the Choristers Guild, and taught numerous workshops at various national conferences. In 2009, a collection of sixty four of his hymn tunes were published in Hymns for Our Time: The Collected Tunes of Hal H. Hopson. Emily Brink