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Text Identifier:"^o_living_god_whose_voice_of_old$"

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O living God, whose voice of old

Author: J. H. Ellison Appears in 2 hymnals Hymnal Title: Calvin Hymnary Project

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GOLDEN SHEAVES

Appears in 42 hymnals Composer and/or Arranger: A. S. Sullivan (1842-1900) Hymnal Title: A Missionary Hymn Book Incipit: 53554 32112 34671 Used With Text: O living God, Whose voice of old

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O living God, Whose voice of old

Author: J. H. Ellison Hymnal: A Missionary Hymn Book #204 (1922) Hymnal Title: A Missionary Hymn Book Languages: English Tune Title: GOLDEN SHEAVES

O living God, whose voice of old

Hymnal: Hymns Ancient and Modern, New Edition #531 (1904) Meter: 8.7.8.7 D Hymnal Title: Hymns Ancient and Modern, New Edition Languages: English

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J. H. Ellison

Hymnal Title: A Missionary Hymn Book Author of "O living God, Whose voice of old" in A Missionary Hymn Book

Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan (1842-1900) Hymnal Title: A Missionary Hymn Book Composer of "GOLDEN SHEAVES" in A Missionary Hymn Book Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandĀ­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he comĀ­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman