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Text Identifier:"^o_bless_the_god_of_israel$"

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O bless the God of Israel

Author: Michael Arnold Perry, 1942-1996 Meter: 7.6.7.6.7.6.7.6 Appears in 7 hymnals Matching Instances: 7 Topics: Christ Promised His First Advent Used With Tune: MORNING LIGHT Text Sources: Benedictus

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WEBB

Meter: 7.6.7.6 D Appears in 1,509 hymnals Matching Instances: 1 Composer and/or Arranger: George J. Webb Tune Sources: The Odeon, 1837 Tune Key: B Flat Major Incipit: 51131 16151 2325 Used With Text: Bless’d Be the God of Israel
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CRÜGER

Meter: 7.6.7.6 D Appears in 67 hymnals Matching Instances: 1 Composer and/or Arranger: J. Crüger (1598-1662) Tune Key: F Major Incipit: 56543 23311 25356 Used With Text: O bless the God of Israel
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ELLACOMBE

Meter: 7.6.7.6.7.6.7.6 Appears in 595 hymnals Matching Instances: 1 Tune Sources: Gesang-Buch...der Herzogl...Hofkapelle, Würtemberg, 1784, alt. Tune Key: A Major Incipit: 51765 13455 67122 Used With Text: Blest Be the God of Israel (Benedictus-Song of Zechariah)

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O bless the God of Israel

Hymnal: Church Hymnal, Fifth Edition #706 (2000)
Text

O bless the God of Israel

Author: Michael Perry (born 1942) Hymnal: Hymns for Today's Church (2nd ed.) #599 (1987) Meter: 7.6.7.6 D Lyrics: 1 O bless the God of Israel, who comes to set us free; who visits and redeems us, with love for all to see. The prophets spoke of mercy, of rescue and release: God shall fulfill his promise and bring his people peace. 2 He comes! the Child of David, the Son whom God has given; he comes to live among us and raise us up to heaven: before him goes his servant — forerunner in the way, the prophet of salvation, the herald of the Day. 3 Where once were fear and darkness, the sun begins to rise — the dawning of forgiveness upon the sinner's eyes. He guides the feet of pilgrims along the paths of peace: O bless our God and Saviour, with songs that never cease! Topics: God's Church Doxology, Glory to God; Benedictus; Advent 1 The Advent Hope; Advent 3 The Forerunner; Last Sunday after Pentecost Citizens of Heaven Scripture: Luke 1:68-79 Languages: English Tune Title: CRÜGER

O bless the God of Israel

Hymnal: Church Family Worship #585 (1988) Meter: 7.6.7.6.7.6.7.6 Languages: English

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Michael Perry

1942 - 1996 Person Name: Michael Arnold Perry, 1942-1996 Author of "O bless the God of Israel" in The Irish Presbyterian Hymnbook Initially studying mathematics and physics at Dulwich College, Michael A. Perry (b. Beckenham, Kent, England, 1942; d. England, 1996) was headed for a career in the sciences. However, after one year of study in physics at the University of London, he transferred to Oak Hill College to study theology. He also studied at Ridley Hall, Cambridge, and received a M.Phil. from the University of Southhampton in 1973. Ordained a priest in the Church of England in 1966, Perry served the parish of St. Helen's in Liverpool as a youth worker and evangelist. From 1972 to 1981 he was the vicar of Bitterne in Southhampton and from 1981 to 1989, rector of Eversley in Hampshire and chaplain at the Police Staff College. He then became vicar of Tonbridge in Kent, where he remained until his death from a brain tumor in 1996. Perry published widely in the areas of Bible study and worship. He edited Jubilate publications such as Hymns far Today's Church (1982), Carols far Today (1986), Come Rejoice! (1989), and Psalms for Today (1990). Composer of the musical drama Coming Home (1987), he also wrote more than two hundred hymns and Bible versifications. Bert Polman

George James Webb

1803 - 1887 Person Name: George James Webb, 1803-1887 Composer of "MORNING LIGHT" in The Irish Presbyterian Hymnbook George James Webb, b. 1803,England; d. 1887, Orange, N. J. Evangelical Lutheran Hymnal, 1908

Johann Crüger

1598 - 1662 Person Name: J. Crüger (1598-1662) Composer of "CRÜGER" in Hymns for Today's Church (2nd ed.) Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accom­paniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes. Bert Polman =============================== Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:— 1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time. 2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653. The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works. In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period. 3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c. 4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck. 5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736. [Rev. James Mearns, M.A.] -- Excerpt from John Julian, Dictionary of Hymnology (1907) ======================= Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)