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Text Identifier:"^not_by_far_famed_deeds_alone$"

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Not by far-famed deeds alone

Author: Charles Stanley Phillips Meter: 7.6.8.6 Appears in 3 hymnals Matching Instances: 3

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VALLEY

Meter: 7.6.8.6 Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: Gerald Hocken Knight, 1908-1979 Tune Key: D Major Incipit: 13455 11556 53455 Used With Text: Not by far-famed deeds alone

JERUSALEM (DYKES)

Meter: 7.6.8.6 Appears in 3 hymnals Matching Instances: 1 Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: D Major Incipit: 54323 42134 5662 Used With Text: Not by far-famed deeds alone

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Published text-tune combinations (hymns) from specific hymnals
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Not by far-famed deeds alone

Author: Charles Stanley Phillips, 1883-1949 Hymnal: CPWI Hymnal #805a (2010) Meter: 7.6.8.6 Lyrics: 1 Not by far-famed deeds alone God's kingdom comes to birth; the memory of countless saints has perished from the earth. 2 John and Peter, James and Paul, have left a mighty fame: another of their company is nothing but a name. 3 Yet for him no less the call and gallant course to run; his too to hear at journey's end the Master's glad 'Well done!' Topics: Saints' and Other Holy Days St. Bartholomew Languages: English Tune Title: VALLEY
Text

Not by far-famed deeds alone

Author: Charles Stanley Phillips, 1883-1949 Hymnal: CPWI Hymnal #805b (2010) Meter: 7.6.8.6 Lyrics: 1 Not by far-famed deeds alone God's kingdom comes to birth; the memory of countless saints has perished from the earth. 2 John and Peter, James and Paul, have left a mighty fame: another of their company is nothing but a name. 3 Yet for him no less the call and gallant course to run; his too to hear at journey's end the Master's glad 'Well done!' Topics: Saints' and Other Holy Days St. Bartholomew Languages: English Tune Title: JERUSALEM (DYKES)

Not by far-famed deeds alone

Hymnal: Hymns Ancient and Modern, Revised #562 (1950) Languages: English

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Authors, composers, editors, etc.

Charles Stanley Phillips

1883 - 1949 Person Name: Charles Stanley Phillips, 1883-1949 Author of "Not by far-famed deeds alone" in CPWI Hymnal

Gerald H. Knight

1908 - 1979 Person Name: Gerald Hocken Knight, 1908-1979 Composer of "VALLEY" in CPWI Hymnal Gerald Hocken Knight CBE (1908–1979) was an cathedral organist, who served at Canterbury Cathedral. Gerald Hocken Knight was born on 27 July 1908 in Par, Cornwall, and was educated at Truro Cathedral School and Peterhouse, Cambridge. He was an articled organ pupil of Hubert Stanley Middleton at Truro Cathedral. He was appointed a Fellow of the Royal School of Church Music in 1964. He published the following compositions and books: The Treasury of English Church Music. Volume one. 1100-1545. Edited by Denis Stevens, etc. 1965 Accompaniments for unison Hymn-singing. 1971 Christ whose Glory fills the Skies. [Anthem for treble voices and organ.] Words by Charles Wesley, etc. 1957 The Coventry Mass. Adapted from medieval sources. Accompaniment by G. H. Knight. 1966 Incidental Vocal Music to "The Devil to pay," Play by Dorothy L. Sayers. 1939 Incidental Music to The Zeal of Thy House, Dorothy L. Sayers. 1938 Twenty Questions on Church Music. Answered by G. H. Knight (Series. no. 3.), 1950 R.S.C.M. The first forty years. 1968 --en.wikipedia.org/

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes, 1823-1876 Composer of "JERUSALEM (DYKES)" in CPWI Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman