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My Master Was So Very Poor
Author: Harry Lee Appears in 19 hymnals Hymnal Title: Christian Worship Topics: Life and Ministry Used With Tune: HERONGATE
My Master Was So Very Poor
My Master Was So Very Poor
Author: Harry Lee, 1877-1942 Hymnal: A Hymnal for Friends #22 (1955) Hymnal Title: A Hymnal for Friends Tune Title: MY MASTER
My Master Was So Very Poor
My Master Was So Very Poor
Author: Harry Lee Hymnal: Baptist Hymnal (1975 ed) #103 (1975) Hymnal Title: Baptist Hymnal (1975 ed) Topics: Jesus Christ Birth; Jesus Christ Life and Ministry Languages: English Tune Title: DUNWODY
My Master Was So Very Poor
My Master Was So Very Poor
Author: Harry Lee Hymnal: Christian Worship #216 (1941) Hymnal Title: Christian Worship Topics: Life and Ministry Languages: English Tune Title: HERONGATE
My Master Was So Very Poor
George Henry Day
1883 - 1966 Hymnal Title: A Hymnal for Friends Composer of "MY MASTER" in A Hymnal for Friends George Henry Day (1883-1966) was a choirboy at Trinity Chapel, New York City, where he studied with G. Edward Stubbs. Day was appointed choirmaster at St. Peter’s in Chelsea Square (1911) but maintained his position as an assistant auditor of the Gorham Manufacturing Company for two more years. He resigned as assistant auditor, took special courses at Columbia University, and in 1915 graduated from New York College of Music. He served as organist and choirmaster in churches in Youngstown, Ohio; Wilmington, Delaware, where he studied with Edward Shippen Barnes; and Rochester, New York, before going to Trinity Church. He was awarded a Doctor of Music degree from Lincoln-Jefferson University (1923).
--The Presbyterian Hymnal Companion, 1993
George Henry Day
Alta C. Faircloth
1911 - 1983 Hymnal Title: Baptist Hymnal (1975 ed) Composer of "DUNWODY" in Baptist Hymnal (1975 ed)
Alta C. Faircloth
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughn Williams, 1872- Hymnal Title: Christian Worship Arranger of "HERONGATE" in Christian Worship Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
