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My Master
Author: Harry Lee Meter: 8.8.8.8 Appears in 19 hymnals First Line: My master was so very poor Lyrics: 1. My master was so very poor,
A manger was His cradling place;
So very rich my master was
Kings came from far to gain His grace.
2. My master was so very poor,
And with the poor He broke the bread;
So very rich my master was
That multitudes by Him were fed.
3. My master was so very poor,
They nailed Him naked to a cross;
So very rich my master was
He gave His all and knew no loss. Used With Tune: BROCKHAM
My Master
My Master was so very poor
Author: Harry Lee Hymnal: The Hymnal #497 (1950) Meter: 8.8.8.8 Lyrics: 1 My Master was so very poor,
A manger was His cradling place;
So very rich my Master was,
Kings came from far to gain His grace.
2 My Master was so very poor,
And with the poor He broke the bread;
So very rich my Master was
That multitudes by Him were fed.
3 My Master was so very poor,
They nailed Him naked to a cross;
So very rich my Master was
He gave His all and knew no loss.
Amen. Topics: Atonement; Christ Beauty of; Christ Love of; Christ Master; Orisons Tune Title: MY MASTER
My Master was so very poor
My Master
Author: Harry Lee Hymnal: The Cyber Hymnal #4433 Meter: 8.8.8.8 First Line: My master was so very poor Lyrics: 1. My master was so very poor,
A manger was His cradling place;
So very rich my master was
Kings came from far to gain His grace.
2. My master was so very poor,
And with the poor He broke the bread;
So very rich my master was
That multitudes by Him were fed.
3. My master was so very poor,
They nailed Him naked to a cross;
So very rich my master was
He gave His all and knew no loss. Languages: English Tune Title: BROCKHAM
My Master
My Master Was So Very Poor
Author: Harry Lee, 1877-1942 Hymnal: A Hymnal for Friends #22 (1955) Tune Title: MY MASTER
My Master Was So Very Poor
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughn Williams, 1872- Arranger of "HERONGATE" in Christian Worship Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Bartholomäus Gesius
1555 - 1613 Person Name: Bartholomaeus Gesius, c. 1555-c. 1613 Composer of "HERRNHUT" in Hymnbook for Christian Worship Bartholomaeus Gesius; b. 1555, Muencheberg, near Frankfort; d. 1613 or 14, Wittenberg
Evangelical Lutheran Hymnal, 1908
Bartholomäus Gesius
