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Light of the World! Faint Were Our Weary Feet

Author: Laura O. D. Chant Meter: 10.4.10.4.10.10 Appears in 13 hymnals Matching Instances: 13 Lyrics: 1. Light of the world! Faint were our weary feet With wand’ring far; But Thou didst come, our lonely heart to greet, Our Morning Star; And Thou didst bid us lift our gaze on high And see the glory of the glowing sky. 2. In days long past we missed our homeward way, We could not see; Blind were our eyes, our feet were bound to stray, How blind to Thee! But Thou didst pity, Lord, our gloomy plight, And Thou didst touch our eyes and give them sight. 3. Where is death’s sting, where, grave, thy victory? Where all the pain, Now that thy King the veil that hung o’er thee Hath rent in twain? Light of the world, we hear Thee bid us come To light and love, in Thine eternal home. Used With Tune: SANDON

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[Light of the world, faint were our weary feet]

Appears in 174 hymnals Matching Instances: 5 Composer and/or Arranger: Charles H. Purday Incipit: 33343 32123 12713 Used With Text: Light of the World
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LUX BEATA

Appears in 38 hymnals Matching Instances: 1 Composer and/or Arranger: Dr. A. L. Peace, 1844-1912 Tune Key: A Flat Major Incipit: 56555 55671 76755 Used With Text: Light of the world, faint were our weary feet
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BARTON

Meter: 10.4.10.4.10.10 Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: J. T. Lightwood, 1856-1944 Tune Key: A Flat Major Incipit: 35676 57322 11171 Used With Text: Light of the world, faint were our weary feet

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Light of the World! Faint Were Our Weary Feet

Author: Laura O. D. Chant Hymnal: The Cyber Hymnal #4000 Meter: 10.4.10.4.10.10 Lyrics: 1. Light of the world! Faint were our weary feet With wand’ring far; But Thou didst come, our lonely heart to greet, Our Morning Star; And Thou didst bid us lift our gaze on high And see the glory of the glowing sky. 2. In days long past we missed our homeward way, We could not see; Blind were our eyes, our feet were bound to stray, How blind to Thee! But Thou didst pity, Lord, our gloomy plight, And Thou didst touch our eyes and give them sight. 3. Where is death’s sting, where, grave, thy victory? Where all the pain, Now that thy King the veil that hung o’er thee Hath rent in twain? Light of the world, we hear Thee bid us come To light and love, in Thine eternal home. Languages: English Tune Title: SANDON
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Light of the World

Author: Mrs. Ormiston Chant Hymnal: Celestial Songs #696 (1921) First Line: Light of the world, faint were our weary feet Languages: English Tune Title: [Light of the world, faint were our weary feet]

Light of the world, faint were our weary feet

Author: Laura Ormiston Chant, 1848-1923 Hymnal: The Methodist Hymn-Book with Tunes #636 (1933) Meter: 10.4.10.4.10.10 Topics: The Christian Life Pilgrimage, Guidance, Perseverance Languages: English Tune Title: BARTON

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Laura Ormiston Chant

1848 - 1923 Person Name: Mrs. Ormiston Chant, 1848 Author of "Light of the world, faint were our weary feet" in Methodist Hymn and Tune Book Chant, Laura Ormiston, née Dibdin, daughter of F. W. Dibdin, O.E., was bom at Woolastone, Gloucestershire, in 1848, was for some time Sister of the Sophia Wards of the London Hospital, and married to Thomas Chant, M.R.C.S., of Bridgewater, in 1877. Of Mrs. Chant's hymns, these are in common use:— 1. Beyond the far horizon. [Heaven.] Written at the request of Stopford A. Brooke for his Christian Hymns, 1891. It is also printed as a leaflet in 5 stanzas of 8 lines. 2. Light of the world, faint were our weary feet. [Christ the Light of the World.] Written in June, 1901, at the request of the Rev. S. Collier, Superintendent of the Central Wesleyan Mission in Manchester. As the hymn is regarded by many as an imitation of Cardinal Newman's "Lead, kindly light," &c, Mrs. Chant's account of its origin is worthy of attention:— Mr. Collier "said how amazingly fond the rescued men were of the tune 'Sandon,' but that 'Lead, kindly light,' though so beautiful, was not an adequate expression of their feelings, and would I try and write something as tender, but gladder than Newman's lovely hymn. I did my best to express myself, and so gave what was wanted" The hymn was first printed as a broadsheet, and then passed into The Methodist Hymn Book, 1904, and other collections. 3. Silence, 0 earth, and listen to the song. [Spring.] This hymn is of more than usual excellence, and is worthy of attention. It is printed as a broadsheet, and may be had at Albemarle House, E. Twickenham. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Charles H. Purday

1799 - 1885 Composer of "SANDON" in The Cyber Hymnal Charles H. Purday (1799-1885) A publisher, composer, lecturer, and writer, Purday had a special interest in church music. He published Crown Court Psalmody (1854), Church and Home Metrical Psalter and Hymnal (1860), which included SANDON, and, with Frances Havergal, Songs of Peace and Joy (1879). A precentor in the Scottish Church in Crown Court, London, Purday sang at the coronation of Queen Victoria. In the publishing field he is known as a strong proponent of better copyright laws to protect the works of authors and publishers. Bert Polman

James T. Lightwood

1856 - 1944 Person Name: J. T. Lightwood, 1856-1944 Composer of "BARTON" in The Methodist Hymn-Book with Tunes Born: 1856, Leeds, England. Died: 1944, Lytham, Lancashire, England. Son of Wesleyan minister Edward Lightwood, James was born and baptized while his father was on the Leeds Brunswick Circuit. He attended Kingswood School (1866-72), earned a BA from London University, and became Headmaster of Pembroke House, a private school in Lytham. He went on to serve for three years as a member of the Board of Improvement Commissioners in Lytham, on the Lytham Council for six years, and as Chairman of the Streets Committee for four years. His resolution to bring gas into Fairhaven was eventually carried by one vote. Apart from music, his other great love was cycling. He began cycling in 1874 on a "boneshaker." By 1885, he was a member of the Cyclists Touring Club (CTC), and soon gained prominence. He was Chief Consul for Lancashire, and a member of the Council of the CTC from 1887. Honorary life membership came in 1907 in recognition of his services to the club, and in particular with publication of the club’s route books and other writings. Music was his great love, though, and hymnody in particular. He was an accomplished organist, and after two years as deputy organist at the Drive Wesleyan Church, St. Annes, he was appointed Honorary Organist and Choirmaster in 1894. When the pressure of work due to his appointment as editor of the new Methodist publication The Choir and organizing the newly formed Music Department of the Methodist Publishing House, the trustees at Drive Church made him a grant of £20 to assist him in his research in hymnology. While advising Methodism on musical matters, he found the unique 1761 Snetzler organ for the New Room at Bristol. Lightwood’s works include: Hymn Tunes and Their Story (London: Charles H. Kelly, 1905) Charles Dickens and Music, 1912 Samuel Wesley, Musician: The Story of His Life Cyclists’ Touring Club: The Romance of 50 Years Cycling, 1928 The Music of the Methodist Hymn-Book (London: The Epworth Press, 1935) http://www.hymntime.com/tch/bio/l/i/g/lightwood_jt.htm