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His cheering message from the grave
Author: T. A. L. Appears in 6 hymnals Hymnal Title: The English Hymnal Used With Tune: SOLEMNIS HAEC FESTIVITAS Text Sources: 4th or 5th cent.
His cheering message from the grave
MONT RICHARD
Appears in 5 hymnals Composer and/or Arranger: P. C. Buck Hymnal Title: Songs of Praise Incipit: 51232 17555 123 Used With Text: His cheering message from the grave
MONT RICHARD
[His cheering message from the grave]
Appears in 5 hymnals Hymnal Title: The English Hymnal Incipit: 11234 32144 43124 Used With Text: His cheering message from the grave
[His cheering message from the grave]
His cheering message from the grave
Author: T. A. Lacey Hymnal: Songs of Praise #92a (1925) Hymnal Title: Songs of Praise Languages: English Tune Title: [His cheering message from the grave]
His cheering message from the grave
His cheering message from the grave
Author: T. A. Lacey Hymnal: Songs of Praise #92b (1925) Hymnal Title: Songs of Praise Languages: English Tune Title: MONT RICHARD
His cheering message from the grave
His Cheering Message from the Grave
Author: Ambrose of Milan, 340-397; Thomas A. Lacey Hymnal: The Cyber Hymnal #2429 Meter: 8.8.8.8 Hymnal Title: The Cyber Hymnal Lyrics: 1. His cheering message from the grave
An angel to the women gave:
Full soon your Master ye shall see;
He goes before to Galilee.
2. But while with flying steps they press
To bear the news, all eagerness,
Their Lord, the living Lord, they meet,
And prostrate fall to kiss His feet.
3. So when His mourning followers heard
The tidings of that faithful word,
Quick went they forth to Galilee,
Their loved and lost once more to see.
4. On that fair day of Paschal joy
The sunshine was without alloy,
When to their very eyes restored
They looked upon the risen Lord.
5. The wounds before their eyes displayed
They see in living light arrayed,
And that they see they testify
In open witness fearlessly.
6. O Christ, the King of gentleness,
Our several hearts do Thou possess,
They we may render all our days
Thy meed of thankfulness and praise.
7. Maker of all, to Thee we pray,
Fulfill in us Thy joy today;
When death assails, grant, Lord, that we
May share Thy Paschal victory.
8. To Thee who, dead, again dost live,
All glory, Lord, Thy people give;
All glory, as is ever meet,
To Father and to Paraclete. Languages: English Tune Title: APPLETON
His Cheering Message from the Grave
Percy C. Buck
1871 - 1947 Person Name: P. C. Buck Hymnal Title: Songs of Praise Composer of "MONT RICHARD" in Songs of Praise
Percy C. Buck
St. Ambrose
340 - 397 Person Name: Ambrose of Milan, 340-397 Hymnal Title: The Cyber Hymnal Author (attributed to) of "His Cheering Message from the Grave" in The Cyber Hymnal Ambrose (b. Treves, Germany, 340; d. Milan, Italy, 397), one of the great Latin church fathers, is remembered best for his preaching, his struggle against the Arian heresy, and his introduction of metrical and antiphonal singing into the Western church. Ambrose was trained in legal studies and distinguished himself in a civic career, becoming a consul in Northern Italy. When the bishop of Milan, an Arian, died in 374, the people demanded that Ambrose, who was not ordained or even baptized, become the bishop. He was promptly baptized and ordained, and he remained bishop of Milan until his death. Ambrose successfully resisted the Arian heresy and the attempts of the Roman emperors to dominate the church. His most famous convert and disciple was Augustine. Of the many hymns sometimes attributed to Ambrose, only a handful are thought to be authentic. Bert Polman =====================
Ambrosius (St. Ambrose), second son and third child of Ambrosius, Prefect of the Gauls, was born at Lyons, Aries, or Treves--probably the last--in 340 A.D. On the death of his father in 353 his mother removed to Rome with her three children. Ambrose went through the usual course of education, attaining considerable proficiency in Greek; and then entered the profession which his elder brother Satyrus had chosen, that of the law. In this he so distinguished himself that, after practising in the court of Probus, the Praetorian Prefect of Italy, he was, in 374, appointed Consular of Liguria and Aemilia. This office necessitated his residence in Milan. Not many months after, Auxentius, bishop of Milan, who had joined the Arian party, died; and much was felt to depend upon the person appointed as his successor. The church in which the election was held was so filled with excited people that the Consular found it necessary to take steps fur preserving the peace, and himself exhorted them to peace and order: when a voice suddenly exclaimed, "Ambrose is Bishop," and the cry was taken up on all sides. He was compelled to accept the post, though still only a catechumen; was forthwith baptized, and in a week more consecrated Bishop, Dec. 7, 374. The death of the Emperor Valentinian I., in 375, brought him into collision with Justina, Valentinian's second wife, an adherent of the Arian party: Ambrose was supported by Gratian, the elder son of Valentinian, and by Theodosius, whom Gratian in 379 associated with himself in the empire. Gratian was assassinated in 383 by a partisau of Maximus, and Ambrose was sent to treat with the usurper, a piece of diplomacy in which he was fairly successful. He found himself, however, left to carry on the contest with the Arians and the Empress almost alone. He and the faithful gallantly defended the churches which the heretics attempted to seize. Justina was foiled: and the advance of Maximus on Milan led to her flight, and eventually to her death in 388. It was in this year, or more probably the year before (387), that Ambrose received into the Church by baptism his great scholar Augustine, once a Manichaean heretic. Theodosius was now virtually head of the Roman empire, his colleague Valentinian II., Justina's son, being a youth of only 17. In the early part of 390 the news of a riot at Thessalonica, brought to him at Milan, caused him to give a hasty order for a general massacre at that city, and his command was but too faithfully obeyed. On his presenting himself a few days after at the door of the principal church in Milan, he was met by Ambrose, who refused him entrance till he should have done penance for his crime. It was not till Christmas, eight months after, that the Emperor declared his penitence, and was received into communion again by the Bishop. Valentinian was murdered by Arbogastes, a Frank general, in 392; and the murderer and his puppet emperor Eugenius were defeated by Theodosius in 394. But the fatigues of the campaign told on the Emperor, and he died the following year. Ambrose preached his funeral sermon, as he had done that of Valentinian. The loss of these two friends and supporters was a severe blow to Ambrose; two unquiet years passed, and then, worn with labours and anxieties, he himself rested from his labours on Easter Eve, 397. It was the 4th of April, and on that day the great Bishop of Milan is remembered by the Western Church, but Rome commemorates his consecration only, Dec. 7th. Great he was indeed, as a scholar, an organiser, a statesman; still greater as a theologian, the earnest and brilliant defender of the Catholic faith against the Arians of the West, just as Athanasius (whose name, one cannot but remark, is the same as his in meaning) was its champion against those of the East. We are now mainly concerned with him as musician and poet, "the father of Church song" as he is called by Grimm. He introduced from the East the practice of antiphonal chanting, and began the task, which St. Gregory completed, of systematizing the music of the Church. As a writer of sacred poetry he is remarkable for depth and severity. He does not warm with his subject, like Adam of St. Victor, or St. Bernard. "We feel," says Abp. Trench, "as though there were a certain coldness in his hymns, an aloofness of the author from his subject. "A large number of hymns has been attributed to his pen; Daniel gives no fewer than 92 called Ambrosian. Of these the great majority (including one on himself) cannot possibly be his; there is more or less doubt about the rest. The authorities on the subject are the Benedictine ed. of his works, the Psalterium, or Hymnary, of Cardinal Thomasius, and the Thesaurus Hymnologicus of Daniel. The Benedictine editors give 12 hymns as assignable to him, as follows:—1. Aeterna Christi munera. 2. Aeterne rerum Conditor. 3. Consors Paterni luminii. 4. Deus Creator omnium. 5. Fit porta Christi pervia, 6. Illuminans Altissimus. 7. Jam surgit hora tertia. 8. 0 Lux Beata Trinitas. 9. Orabo mente Dominum. 10. Somno refectis artubus. 11. Splendor Paternae gloriae. 12. Veni Redemptor gentium. Histories of these hymns, together with details of translations into English, are given in this work, and may be found under their respective first lines. The Bollandists and Daniel are inclined to attribute to St. Ambrose a hymn, Grates tibi Jesu novas, on the finding of the relics of SS. Gervasius and Protasius. These, we know, were discovered by him in 386, and it is by no means unlikely that the bishop should have commemorated in verse an event which he announces by letter to his sister Marcellina with so much satisfaction, not to say exultation.A beautiful tradition makes the Te Deum laudamus to have been composed under inspiration, and recited alternately, by SS. Ambrose and Augustine immediately after the baptism of the latter in 387. But the story rests upon a passage which there is every reason to consider spurious, in the Chronicon of Dacius, Bishop of Milan in 550. There is no hint of such an occurrence in the Confessions of St. Augustine, nor in Paulinue's life of St. Ambrose, nor in any authentic writing of St. Ambrose himself. The hymn is essentially a compilation, and there is much reason to believe, with Merati, that it originated in the 5th century, in the monastery of St. Honoratus at Lerins. [Te Deum.] -- John Julian, Dictionary of Hymnology (1907)
Also known as: Ambrotio, Ambrosio de Milán Ambrosius Mediolanensis Ambrosius Saint, Bp. of Milan Ambrosius von Mailand Aurelio Ambrogio, Saint, Bishop of Milan Aurelius Ambrosius, Saint, Bishop of Milan Milan, d. 397
St. Ambrose
William Boyce
1711 - 1779 Person Name: William Boyce, 1710-1779 Hymnal Title: The Cyber Hymnal Composer of "APPLETON" in The Cyber Hymnal William Boyce (baptised 1711 – d. 7 February 1779) was an English composer and organist.
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William Boyce
