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Grant to this child the inward grace

Appears in 3 hymnals Hymnal Title: Calvin Hymnary Project

Meter: 8.8.8.8 Appears in 4 hymnals Composer and/or Arranger: William Henry Monk Hymnal Title: The Cyber Hymnal Tune Sources: Hymns Ancient and Modern, 1875 Tune Key: D Major Incipit: 51565 44351 17566 Used With Text: Grant to This Child the Inward Grace

Instances

Published text-tune combinations (hymns) from specific hymnals

Grant to this child the inward grace

Hymnal: Hymns Ancient and Modern (Standard ed.) #725 (1924) Meter: 8.7.8.7.8.8.7 Hymnal Title: Hymns Ancient and Modern (Standard ed.) Languages: English

Grant to this child the inward grace

Hymnal: Hymns Ancient and Modern, New Edition #289 (1904) Meter: 8.8.8.8 Hymnal Title: Hymns Ancient and Modern, New Edition Languages: English

Grant to This Child the Inward Grace

Author: John Marriott Hymnal: The Cyber Hymnal #2065 Meter: 8.8.8.8 Hymnal Title: The Cyber Hymnal Lyrics: 1. Grant to this child the inward grace, While we the outward sign impart; The cross we on his forehead trace Do Thou engrave upon his heart. 2. May it his pride and glory be, Beneath Thy banner fair unfurled, To march to certain victory O’er sin, o’er Satan, o’er the world. Languages: English Tune Title: WELLS (Monk)

People

Authors, composers, editors, etc.

John Marriott

1780 - 1825 Hymnal Title: The Cyber Hymnal Author of "Grant to This Child the Inward Grace" in The Cyber Hymnal Marriott, John, M.A, son of E. Marriott, D.D., Rector of Cottesbach, near Lutterworth, was born at Cottesbach, in 1780, and educated at Rugby, and Christ Church, Oxford. He was the second of two who obtained honours in the schools in 1802, the first year in which there was a public examination for honours at Oxford. He was also Student of Christ Church, and for about two years a private tutor in the family of the Duke of Buccleuch. The Duke presented him to the Rectory of Church Lawford, Warwickshire. This he retained to his death, although his wife's health compelled him to reside in Devonshire, where he was successively curate of St. Lawrence and other parishes in Exeter, and of Broadclyst, near Exeter, where he died March 31, 1825. His published works include a volume of Sermons which he issued in 1818, and a posthumous volume of Sermons, published by his sons in 1838. His hymns were never published by himself, nor in book form by any one. A few appeared in print during his lifetime, but without his permission. These include:— 1. A saint? 0 would that I could claim. Holiness desired. "Written off almost at the moment, on hearing the name applied in a scornful way at a party, about 1813." It was printed in The Friendly Visitor, 1834. 2. Thou, Whose Almighty word. Missions. Written, his son says, "about 1813." It was printed in The Friendly Visitor, July, 1825, in 4 st. of 11., with the Title "Missionary Hymn," and without signature. This text differs only in two or three words from the original as supplied by the author's son to Dr. Rogers and published by him in his Lyra Brittanica, 1867, p. 395. Two texts are known which are received as original, the first the undoubted text in Lyra Brittanica, and the second that given by Lord Selborne from the Collection of Dr. Baffles, Congregational Minister of Liverpool. 3. When Christ our human form did bear. Christ's love of Children. “Written in 1816 for the Parochial Schools, Upottery, Devon." -- John Julian, Dictionary of Hymnology (1907) ================= Marriott, J. , p. 715, i., No. 1, is in the Fuller-Maitland Hymns for Private Devotion, 1827. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William Henry Monk

1823 - 1889 Hymnal Title: The Cyber Hymnal Composer of "WELLS (Monk)" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman