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Text Identifier:"^gods_holy_ways_are_just_and_true$"

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God's Holy Ways Are Just and True

Author: Barbara Woollett Meter: 8.8.8.8 with alleluias Appears in 4 hymnals Hymnal Title: The Worshiping Church Lyrics: 1 God's holy ways are just and true, his promises are ever new, O praise him, alleluia! Let every heart with praises sing and make this house with voices ring: O praise him, O praise him! Alleluia, alleluia, alleluia! 2 Bring back to mind his grace and love, our needs provided from above; O praise him, alleluia! He kept his word and Jesus came to make a people for his name; O praise him, O praise him! Alleluia, alleluia, alleluia! 3 Tell once again his deeds of old, the story of our mighty God, O praise him, alleluia! For all his glorious works and ways we shall rejoice through endless days; O praise him, O praise him! Alleluia, alleluia, alleluia! Topics: God Mighty Acts; God Promises; Adoration of God; God Justice; God Mighty Acts; God Promises; God Providence; Psalms Scripture: Psalm 111 Used With Tune: LASST UNS ERFREUEN

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LASST UNS ERFREUEN

Meter: 8.8.8.8 with alleluias Appears in 480 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Worship and Rejoice Tune Sources: Geistliche Kirchengesang, Cologne, 1623 Tune Key: D Major Incipit: 11231 34511 23134 Used With Text: God's Holy Ways Are Just and True

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Psalm 111: God's Holy Ways are Just and True

Author: Barbara Woollett Hymnal: Renew! Songs and Hymns for Blended Worship #115 (1995) Meter: 8.8.8.8 with alleluias Hymnal Title: Renew! Songs and Hymns for Blended Worship First Line: God's holy ways are just and true Lyrics: 1 God's holy ways are just and true, his promises are ever new, O praise him, alleluia! Let every heart with praises sing and make this house with voices ring: O praise him, O praise him! Alleluia, alleluia, alleluia! 2 Bring back to mind his grace and love, our needs provided from above; O praise him, alleluia! He kept his word and Jesus came to make a people for his name; O praise him, O praise him! Alleluia, alleluia, alleluia! 3 Tell once again his deeds of old, the story of our mighty God, O praise him, alleluia! For all his glorious works and ways we shall rejoice through endless days; O praise him, O praise him! Alleluia, alleluia, alleluia! Topics: Service of the Word Songs from the Psalms; Praise and Thanksgiving Songs for Praising the Father Scripture: Psalm 111 Languages: English Tune Title: LASST UNS ERFREUEN

God's holy ways are just and true

Author: Barbara Woollett Hymnal: The Covenant Hymnal #836 (1996) Hymnal Title: The Covenant Hymnal Tune Title: [God's holy ways are just and true]
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God's Holy Ways Are Just and True

Author: Barbara Woollett Hymnal: The Worshiping Church #328 (1990) Meter: 8.8.8.8 with alleluias Hymnal Title: The Worshiping Church Lyrics: 1 God's holy ways are just and true, his promises are ever new, O praise him, alleluia! Let every heart with praises sing and make this house with voices ring: O praise him, O praise him! Alleluia, alleluia, alleluia! 2 Bring back to mind his grace and love, our needs provided from above; O praise him, alleluia! He kept his word and Jesus came to make a people for his name; O praise him, O praise him! Alleluia, alleluia, alleluia! 3 Tell once again his deeds of old, the story of our mighty God, O praise him, alleluia! For all his glorious works and ways we shall rejoice through endless days; O praise him, O praise him! Alleluia, alleluia, alleluia! Topics: God Mighty Acts; God Promises; Adoration of God; God Justice; God Mighty Acts; God Promises; God Providence; Psalms Scripture: Psalm 111 Languages: English Tune Title: LASST UNS ERFREUEN

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Barbara Woollett

b. 1937 Hymnal Title: Renew! Songs and Hymns for Blended Worship Paraphraser of "Psalm 111: God's Holy Ways are Just and True" in Renew! Songs and Hymns for Blended Worship Barbara Woollett-- Born on 30 January 1937 in Southampton, where she has lived ever since. Educated at Sholing Secondary School for Girls; married David Woollett, an engineer; they have three children and six grandchildren. She has been a full-time housewife and mother, a volunteer ward assistant in a large city hospital, and a mature student for a GCSE in Drama, as well as being active in a local amateur dramatic group. She is a member of the Jubilate Group. She has written several hymn texts, Psalm versions and other verses. Publications featuring her work include Church Family Worship (1988); Come, Rejoice (1989); Songs from the Psalms (1990); Psalms for Today (1990) which has four of her paraphrases; "Let's Praise" 2 (1994); "Sing Glory" (1999); and "Praise!" (2000). Appearing in several books are her versions of Psalm 13, "How long, O Lord, will your forget an answer to my prayer"; and Psalm 84, "How lovely is your dwelling-place, O Lord most high". Among North American hymnals, The Worshiping Church (1990) has three of her texts and Worship and Rejoice (2001) has two, all of these from the Psalms. --www.jubilate.co.uk/about

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Worship and Rejoice Arranger of "LASST UNS ERFREUEN" in Worship and Rejoice Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangeĀ­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman