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God of Freedom, God of Justice
Author: Shirley Erena Murray Meter: 8.7.8.7.8.7 Appears in 12 hymnals Hymnal Title: Calvin Hymnary Project
God of Freedom, God of Justice
God of freedom, God of justice
Author: Shirley Murray Hymnal: Alleluia Aotearoa #50 (1999) Hymnal Title: Alleluia Aotearoa Topics: Family; Justice; Refugees; Service/Servanthood Languages: English Tune Title: [God of freedom, God of justice]
God of freedom, God of justice
God of freedom, God of justice
Author: Shirley Erena Murray (b. 1931) Hymnal: Ancient and Modern #559 (2013) Meter: 8.7.8.7.8.7 Hymnal Title: Ancient and Modern Lyrics: 1 God of freedom, God of justice,
you whose love is strong as death,
you who saw the dark of prison,
you who knew the price of faith —
touch our world of sad oppression
with your Spirit's healing breath.
2 Rid the earth of torture's terror,
you whose hands were nailed to wood,
hear the cries of pain and protest,
you who shed the tears and blood —
move in us the power of pity
restless for the common good.
3 Make in us a captive conscience
quick to hear, to act, to plead;
make us truly sisters, brothers
of whatever race or creed —
teach us to be fully human,
open to each other's need. Topics: Church Universal; Church Year Good Friday; Compassion; Freedom and Liberation; God in judgement and justice; God Love of; Human Dignity; Justice; Justice and Peace; Nation and Society; Sharing and Caring; Social Concern Scripture: Song of Solomon 8:6-7 Languages: English Tune Title: RHUDDLAN
God of freedom, God of justice
God of Freedom, God of Justice
Author: Shirley Erena Murray Hymnal: Chalice Hymnal #656 (1995) Meter: 8.7.8.7.8.7 Hymnal Title: Chalice Hymnal Lyrics: 1 God of freedom, God of justice,
you whose love is strong as death,
you who saw the dark of prison,
you who knew the price of faith--
touch our world of sad oppression
with your Spirit's healing breath.
2 Rid the earth of torture's terror,
you whose hands were nailed to wood;
hear the cries of pain and protest,
you who shed the tears and blood;
move in us the power of pity,
restless for the common good.
3 Make in us a captive conscience
quick to hear, to act, to plead;
make us truly sisters, brothers,
of whatever race or creed:
teach us to be fully human,
open to each other's need. Topics: God's World Justice and Righteousness; Dignity and Equality; God: Righteousness; Justice; Righteousness Languages: English Tune Title: TREDEGAR
God of Freedom, God of Justice
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams (1872-1958) Hymnal Title: Church Hymnary (4th ed.) Harmonizer of "PICARDY" in Church Hymnary (4th ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Shirley Erena Murray
1931 - 2020 Person Name: Shirley Erena Murray, b. 1931 Hymnal Title: New Wine In Old Wineskins Author of "God of Freedom, God of Justice" in New Wine In Old Wineskins Shirley Erena Murray (b. Invercargill, New Zealand, 1931) studied music as an undergraduate but received a master’s degree (with honors) in classics and French from Otago University. Her upbringing was Methodist, but she became a Presbyterian when she married the Reverend John Stewart Murray, who was a moderator of the Presbyterian Church of New Zealand. Shirley began her career as a teacher of languages, but she became more active in Amnesty International, and for eight years she served the Labor Party Research Unit of Parliament. Her involvement in these organizations has enriched her writing of hymns, which address human rights, women’s concerns, justice, peace, the integrity of creation, and the unity of the church. Many of her hymns have been performed in CCA and WCC assemblies. In recognition for her service as a writer of hymns, the New Zealand government honored her as a Member of the New Zealand Order of Merit on the Queen’s birthday on 3 June 2001. Through Hope Publishing House, Murray has published three collections of her hymns: In Every Corner Sing (eighty-four hymns, 1992), Everyday in Your Spirit (forty-one hymns, 1996), and Faith Makes the Song (fifty hymns, 2002). The New Zealand Hymnbook Trust, for which she worked for a long time, has also published many of her texts (cf. back cover, Faith Makes the Song). In 2009, Otaga University conferred on her an honorary doctorate in literature for her contribution to the art of hymn writing.
I-to Loh, Hymnal Companion to “Sound the Bamboo”: Asian Hymns in Their Cultural and Liturgical Context, p. 468, ©2011 GIA Publications, Inc., Chicago
Shirley Erena Murray
