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Dios todo lo sabe
Author: J. B. Cabrera Appears in 13 hymnals Matching Instances: 13 First Line: Cuanto soy y cuanto encierro Used With Tune: MOZART
Dios todo lo sabe
[Cuanto soy y cuanto encierro]
Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: Felipe Cohen Tune Key: G Major Incipit: 12331 33271 22123 Used With Text: Cuanto soy y cuanto encierro
[Cuanto soy y cuanto encierro]
Cuanto Soy Y Cuanto Encierro
Author: Juan B. Cabrera, 1837-1916 Hymnal: The Cyber Hymnal #13662 Lyrics: 1 Cuanto soy y cuanto encierro
Manifiesto es para ti;
Pues tu vista escrutadora,
O Señor, penetra en mí.
2 Si se agita mi conciencia,
Tú percibes su emoción;
Razonar ves a la mente,
Meditar al corazón.
3 Ves mis dudas o esperanzas,
Mi sosiego o mi inquietud,
Mis tristezas o alegrías,
Mi dolencia o mi salud.
4 Y hasta el íntimo deseo
Que en mi pecho se abrigó,
Sin que el labio lo expresara,
En tu oído resonó.
5 ¡Oh gran Dios! si yo contemplo
Tu infinita perfección,
El asombro llena mi alma,
¡Se confunde mi razón! Languages: Spanish Tune Title: [Cuanto soy y cuanto encierro]
Cuanto Soy Y Cuanto Encierro
Cuanto soy y cuanto encierro
Author: Juan Bautista Cabrera Hymnal: Himnos de la Iglesia #447 (1995) Languages: Spanish Tune Title: [Cuanto soy y cuanto encierro]
Cuanto soy y cuanto encierro
Cuanto Soy y Cuanto Encierro
Author: Juan Bautista Cabrera, 1837-1916 Hymnal: Cántico Nuevo #310 (1962) Languages: Spanish Tune Title: STUTTGART
Cuanto Soy y Cuanto Encierro
Juan Bautista Cabrera Ivars
1837 - 1916 Person Name: J. B. Cabrera Author of "Cuanto soy y cuanto encierro" in Himnario Cristiano para uso de las Iglesias Evangélicas Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns.
Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)
Juan Bautista Cabrera Ivars
Christian Friedrich Witt
1660 - 1717 Composer of "[Cuanto soy y cuanto encierro]" in The Cyber Hymnal Christian F. Witt (b. Altenburg, Germany, d. 1660; d. Altenburg, 1716) was an editor and compiler of Psalmodia Sacra (1715); about 100 (of the 774) tunes in that collection are considered to be composed by him, including STUTTGART, which was set to the text "Sollt' es gleich." Witt was chamber organist and later Kapellmeister at the Gotha court. He composed vocal and instrumental music, including some sixty-five cantatas.
Bert Polman
Christian Friedrich Witt
Henry J. Gauntlett
1805 - 1876 Person Name: Henry Gauntlett Arranger of "STUTTGART" in Himnario Bautista Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
