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Dios todo lo sabe
Author: J. B. Cabrera Appears in 13 hymnals Hymnal Title: Himnario de la Iglesia Metodista Episcopal First Line: Cuanto soy y cuanto encierro Used With Tune: MOZART
Dios todo lo sabe
[Cuanto soy y cuanto encierro]
Appears in 691 hymnals Composer and/or Arranger: H. M. Gottschalk Hymnal Title: Himnario Cristiano para uso de las Iglesias Evangélicas Tune Key: A Major Incipit: 56513 32111 171 Used With Text: Cuanto soy y cuanto encierro
[Cuanto soy y cuanto encierro]
Cuanto Soy y Cuanto Encierro
Author: Juan Bautista Cabrera, 1837-1916 Hymnal: Cántico Nuevo #310 (1962) Hymnal Title: Cántico Nuevo Languages: Spanish Tune Title: STUTTGART
Cuanto Soy y Cuanto Encierro
Cuanto Soy y Cuanto Encierro
Hymnal: El Himnario Bautista de la Gracia #33 (2000) Meter: 8.7.8.7 Hymnal Title: El Himnario Bautista de la Gracia Topics: Culto Consagracion Scripture: Psalm 139 Languages: Spanish
Cuanto Soy y Cuanto Encierro
Cuanto soy y cuanto encierro
Author: J. B. Cabrera Hymnal: El Himnario Evangelico #46 (1893) Hymnal Title: El Himnario Evangelico Languages: Spanish Tune Title: MIDDLETON
Cuanto soy y cuanto encierro
Henry J. Gauntlett
1805 - 1876 Person Name: Henry Gauntlett Hymnal Title: Himnario Bautista Arranger of "STUTTGART" in Himnario Bautista Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
Juan Bautista Cabrera Ivars
1837 - 1916 Person Name: J. B. Cabrera Hymnal Title: Himnario Cristiano para uso de las Iglesias Evangélicas Author of "Cuanto soy y cuanto encierro" in Himnario Cristiano para uso de las Iglesias Evangélicas Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns.
Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)
Juan Bautista Cabrera Ivars
Louis M. Gottschalk
1829 - 1869 Person Name: H. M. Gottschalk Hymnal Title: Himnario Cristiano para uso de las Iglesias Evangélicas Composer of "[Cuanto soy y cuanto encierro]" in Himnario Cristiano para uso de las Iglesias Evangélicas Louis Moreau Gottschalk USA 1829-1869. Born in New Orleans, LA, to a Jewish father and Creole mother, he had six siblings and half-siblings. They lived in a small cottage in New Orleans. He later moved in with relatives (his grandmother and a nurse). He played the piano from an early age and was soon recognized as a prodigy by new Orleans bourgeois establishments. He made a performance debut at the new St. Charles Hotel in 1840. At 13 he left the U.S. And went to Europe with his father, as they realized he needed classical training to fulfill his musical ambitions. The Paris Conservatory rejected him without hearing him play on the grounds of his nationality. Chopin heard him play a concert there and remarked, “Give me your hand, my child, I predict that you will become the king of pianists. Franz Liszt and Charles Valentin Alkan also recognized his extreme talent. He became a composer and piano virtuoso, traveling far and wide performing, first back to the U.S., then Cuba, Puerto Rico, Central and South America. He was taken with music he heard in those places and composed his own. He returned to the States, resting in NJ, then went to New York City. There he mentored a young Venezuelan student, Carreno, and became concerned that she succeed. He was only able to give her a few lessons, yet she would remember him fondly and play his music the rest of her days. A year after meeting Gottschalk, she performed for President Lincoln and went on to become a renowned concern pianist, earning the nickname “Valkyrie of the Piano”. Gottschalk was also interested in art and made connections with notable figures of the New York art world. He traded one of his compositions to his art friend, Frederic Church, for one of Church's landscape paintings. By 1860 Gootschalk had established himself as the best known pianist in the New World. He supported the Union cause during the Civil War and returned to New Orleans only occasionally for concerts. He traveled some 95,000 miles and gave 1000 concerts by 1865. He was forced to leave the U.S. later that year as a result of a scandelous affair with a student at Oakland Female Seminary in Oakland, CA. He never came back to the U.S. He went to South America giving frequent concerts. At one, in Rio de Janeiro, Brazil, he collapsed from yellow fever as he played a concert. He died three weeks later, never recovering from the collapse, possibly from an overdose of quinine or an abdominal infection. He was buried in Brooklyn, NY. Though some of his works were destroyed or disappeared after his death, a number of them remain and have been recorded by various artists.
John Perry
Louis M. Gottschalk
