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Cuando leo en la Biblia, cómo llama Jesús

Author: Sebastián Cruellas; Jemima Luke, 1813-1906 Meter: 13.10.7.7.10 Appears in 31 hymnals Hymnal Title: Culto Cristiano Lyrics: 1 Cuando leo en la Biblia, cómo llama Jesús, Y bendice a los niños con amor, Yo también quisiera estar, Y con ellos descansar En los brazos del tierno Salvador. 2 Los que son redimidos y salvados por Él, En el cielo le canta sin cesar; Allí voces mil y mil Se oyen del coro infantil, Porque es de ellos el reino celestial. 3 ¡Cuántos hay que no saben de esa bella mansión, Y no quieren a Cristo recibir! Les quisiera yo mostrar Que para ellos hay lugar En el cielo do los convida a ir. 4 Yo espero aquel día venturoso sin fin, El más grande, el más lúcido, el mejor, Cuando de cualquier nación Niños mil sin distinción A los brazos acudan del Señor. Topics: Himnos y Cantos Para Los Niños; Hymns and Songs for Children Used With Tune: SWEET STORY

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SWEET STORY

Meter: 13.10.14.10 Appears in 243 hymnals Composer and/or Arranger: William B. Bradbury Hymnal Title: Mil Voces para Celebrar Tune Sources: Cántico folklórico de Grecia Tune Key: D Major Incipit: 12333 32346 5554 Used With Text: Cuando leo en la Biblia

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Cuando leo en la Biblia, cómo llama Jesús

Author: Sebastián Cruellas; Jemima Luke, 1813-1906 Hymnal: Culto Cristiano #376 (1964) Meter: 13.10.7.7.10 Hymnal Title: Culto Cristiano Lyrics: 1 Cuando leo en la Biblia, cómo llama Jesús, Y bendice a los niños con amor, Yo también quisiera estar, Y con ellos descansar En los brazos del tierno Salvador. 2 Los que son redimidos y salvados por Él, En el cielo le canta sin cesar; Allí voces mil y mil Se oyen del coro infantil, Porque es de ellos el reino celestial. 3 ¡Cuántos hay que no saben de esa bella mansión, Y no quieren a Cristo recibir! Les quisiera yo mostrar Que para ellos hay lugar En el cielo do los convida a ir. 4 Yo espero aquel día venturoso sin fin, El más grande, el más lúcido, el mejor, Cuando de cualquier nación Niños mil sin distinción A los brazos acudan del Señor. Topics: Himnos y Cantos Para Los Niños; Hymns and Songs for Children Languages: Spanish Tune Title: SWEET STORY

Cuando leo en la Biblia

Author: Jemima T. Luke; Sebastián Cruellas Hymnal: Cáliz de Bendiciones #72 (1996) Meter: 13.10.14.10 Hymnal Title: Cáliz de Bendiciones First Line: Cuando leo en la Biblia, cómo llama Jesús Topics: Jesucristo redentor Alabanza y graditud; Worship and Praise; Adoración y alabanza; Gratitude; Jesus Christ; Niñez; Childhood Scripture: Mark 10:13-15 Languages: Spanish Tune Title: SWEET STORY
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Cuando Oigo la Historia de Jesús

Author: Jemima Luke, 1813-1906; Sebastián Cruellas Hymnal: Cántico Nuevo #460 (1962) Hymnal Title: Cántico Nuevo First Line: Cuando oigo la historia del querido Jesús Languages: Spanish Tune Title: LUKE

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Sebastián Cruellas

1789 - 1889 Hymnal Title: Culto Cristiano Translator of "Cuando leo en la Biblia, cómo llama Jesús" in Culto Cristiano One of the promoters of Spanish hymnody was Spaniard Pedro Castro y Sebastián Cruellas. He participated not only as a compiler or publisher of hymnals, but with hymns composed, translated or adapted by him. -- from "Evangelicals in Mexico: Their Hymnody and Its Theology", p. 204

Jemima Luke

1813 - 1906 Person Name: Jemima Luke, 1813-1906 Hymnal Title: Culto Cristiano Author of "Cuando leo en la Biblia, cómo llama Jesús" in Culto Cristiano Luke, Jemima Thompson, the wife of Rev. Samuel Luke, an Independent minister of England, was the daughter of Thomas 422 Thompson, a philanthropist, and was born at Colebrook Terrace, Islington, August 19, 1813. When only thirteen years of age she began writing for the Juvenile Magazine. She published a volume titled The Female Jesuit in 1851 and A Memoir of Eliza Ann Harris, of Clifton, in 1859, but her name is known to the Christian world almost wholly through the one hymn found in this volume. Mrs. Luke died February 2, 1906. I think when I read that sweet 682 Hymn Writers of the Church, 1915, Charles Nutter =============== Luke, Jemima, née Thompson, daughter of Thomas Thompson, sometime of Bath, was born at Colebrooke Terrace, Islington, Aug. 19, 1813, and was married to the late Samuel Luke, a Congregational Minister, in 1843. She was an anonymous contributor to The Juvenile Magazine at the age of 13, and subsequently pub. several works, including The Female Jesuit, 1851; A Memoir of Eliza Ann Harris, of Clifton, 1859, &c. Mrs. Luke is known to hymnody through her hymn:— I think when I read that sweet story of old. [The Love of Jesus.] It is recorded that this hymn was composed in a stage coach in 1841, and was designed for use in the village school, near her father's seat, Poundsford Park. It was published anonymously in the Leeds Hymn Book, 1853, No. 874, in 3 stanzas of 8 lines, and has since come into use through children's hymn-books in most English-speaking countries. --John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Person Name: G. B. Bradbury Hymnal Title: Himnario Adventista Composer of "[Cuando leo in la Biblia]" in Himnario Adventista William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry