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Christians, lift your hearts and voices
Author: John E. Bowers Meter: 8.7.8.7.8.7 Appears in 7 hymnals Matching Instances: 7 Topics: liturgical Communion Songs
Christians, lift your hearts and voices
WEBBE'S ST THOMAS
Meter: 8.7.8.7.8.7 Appears in 190 hymnals Matching Instances: 1 Composer and/or Arranger: Samuel Webbe, the elder (1740-1816) Tune Sources: From A Collection of Motetts or Antiphons, 1792 Tune Key: D Major Incipit: 12312 34365 43221 Used With Text: Christians, lift your hearts and voices
WEBBE'S ST THOMAS
PANIS VITAE
Meter: 8.7.8.7.8.7 Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: Walter MacNutt, 1910-1996 Tune Key: G Major or modal Incipit: 56713 62175 17136 Used With Text: Christians, lift your hearts and voices
PANIS VITAE
Christians, lift your hearts and voices
Author: John Edward Bowers, 19230 Hymnal: Together in Song #540 (1999) Meter: 8.7.8.7.8.7 Topics: Jesus Christ Priesthood and Intercession; Worship Gathering Scripture: 1 Corinthians 11:23-26 Languages: English Tune Title: TRIUMPH
Christians, lift your hearts and voices
Christians, lift your hearts and voices
Author: John E. Bowers, 1923- Hymnal: The Book of Praise #536 (1997) Meter: 8.7.8.7.8.7 Topics: Jesus Christ Intercessor / High Priest; Joy; Maundy Thursday; Repentance; Sacraments and Ordinances Communion; Welcome / Acceptance Scripture: Psalm 34:8 Languages: English Tune Title: PANIS VITAE
Christians, lift your hearts and voices
Christians, lift your hearts and voices
Hymnal: Hymns Ancient and Modern, New Standard Edition #447 (1983) Languages: English
Christians, lift your hearts and voices
John E. Bowers
1923 - 2019 Person Name: John E. Bowers, b. 1923 Author of "Christians, lift your hearts and voices" in Common Praise
John E. Bowers
Samuel Webbe
1740 - 1816 Person Name: Samuel Webbe the elder, 1740-1816 Composer of "WEBBE'S ST THOMAS" in Common Praise Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
Henry J. Gauntlett
1805 - 1876 Person Name: Henry John Gauntlett, 1805-76 Composer of "TRIUMPH" in Together in Song Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
