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Beneath the Cross of Jesus
Author: Elizabeth Cecilia Clephane Meter: 7.6.8.6.8.6.8.6 Appears in 519 hymnals Matching Instances: 515 First Line: Beneath the cross of Jesus I fain would take my stand Topics: Christ Cross of; Cross of Christ; Repentance; liturgical Gospel Acclamation Songs
Beneath the Cross of Jesus
ST. CHRISTOPHER
Meter: 7.6.8.6.8.6.8.6 Appears in 370 hymnals Matching Instances: 287 Composer and/or Arranger: Frederick C. Maker, 1844-1927 Tune Key: D Flat Major Incipit: 55546 53123 443 Used With Text: Beneath the Cross of Jesus
ST. CHRISTOPHER
[Beneath the cross of Jesus]
Appears in 40 hymnals Matching Instances: 16 Composer and/or Arranger: Ira D. Sankey Incipit: 55545 15355 42355 Used With Text: The Cross of Jesus
[Beneath the cross of Jesus]
CRUCIS UMBRA
Meter: 7.6.8.6.8.6.8.6 Appears in 3 hymnals Matching Instances: 2 Composer and/or Arranger: Joseph Barnby Tune Key: A Flat Major Incipit: 51177 66663 21771 Used With Text: Beneath the cross of Jesus
CRUCIS UMBRA
Beneath the Cross of Jesus
Author: Elizabeth C. Clephane Hymnal: Small Church Music #5906 Tune Title: [Beneath the cross of Jesus]
Beneath the Cross of Jesus
Beneath the Cross of Jesus
Author: Elizabeth C. Clephane Hymnal: The Book of Common Praise #767a (1939) Meter: Irregular Topics: Evangelistic Missions Tune Title: BENEATH THE CROSS
Beneath the Cross of Jesus
Beneath the Cross of Jesus
Author: Elizabeth C. Clephane Hymnal: The Book of Common Praise #767b (1939) Meter: Irregular Topics: Evangelistic Missions Tune Title: ST. CHRISTOPHER
Beneath the Cross of Jesus
Elizabeth Cecilia Clephane
1830 - 1869 Person Name: Elizabeth Cecilia Douglas Clephane Author of "Beneath the Cross of Jesus" in The Presbyterian Hymnal Clephane, Elizabeth Cecilia, third daughter of Andrew Clephane, Sheriff of Fife, was born at Edinburgh, June 18, 1830, and died at Bridgend House, near Melrose, Feb. 19, 1869. Her hymns appeared, almost all for the first time, in the Family Treasury, under the general title of Breathings on the Border. In publishing the first of these in the Treasury, the late Rev. W. Arnot, of Edinburgh, then editor, thus introduced them:—
"These lines express the experiences, the hopes, and the longings of a young Christian lately released. Written on the very edge of this life, with the better land fully, in the view of faith, they seem to us footsteps printed on the sands of Time, where these sands touch the ocean of Eternity. These footprints of one whom the Good Shepherd led through the wilderness into rest, may, with God's blessing, contribute to comfort and direct succeeding pilgrims."
The hymns, together with their dates,are:—
1. Beneath the cross of Jesus. Family Treasury, 1872, p. 398,
2. Mine eyes for ever closed. Family Treasury, 1872, p. 398.
3. Who climbeth up too nigh. Family Treasury, 1872, p. 552.
4. Into His summer garden. Family Treasury, 1873, p. 245.
5. From my dwelling midst the dead. Family Treasury, 1873, p. 365.
6. The day is drawing nearly done. Family Treasury, 1873, p. 389.
7. Life-light waneth to an end. Family Treasury, 1874, p. 595.
8. There were ninety and nine that safely lay. Family Treasury, 1874, p. 595.
Of these Nos. 1 and 8 are in common use. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Elizabeth Cecilia Clephane
Frederick C. Maker
1844 - 1927 Person Name: Frederick Charles Maker Composer of "ST. CHRISTOPHER" in The Presbyterian Hymnal Frederick C. Maker (b. Bristol, England, August 6, 1844; d. January 1, 1927) received his early musical training as a chorister at Bristol Cathedral, England. He pursued a career as organist and choirmaster—most of it spent in Methodist and Congregational churches in Bristol. His longest tenure was at Redland Park Congregational Church, where he was organist from 1882-1910. Maker also conducted the Bristol Free Church Choir Association and was a long-time visiting professor of music at Clifton College. He wrote hymn tunes, anthems, and a cantata, Moses in the Bulrushes.
Bert Polman
Frederick C. Maker
Ira David Sankey
1840 - 1908 Person Name: Ira D. Sankey Composer of "BENEATH THE CROSS" in The Book of Common Praise Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
