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Text Identifier:"^behold_a_stranger_at_the_door$"

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At the Door

Author: Anon. Appears in 603 hymnals Matching Instances: 600 First Line: Behold the Saviour at the door! Lyrics: 1 Behold the Saviour at the door! He gently knocks, has knocked before, Has waited long is waiting still, You treat no other friend so ill. 2 He counsels thee to buy of him Gold tried by fire, and raiment clean; Anoint thine eyes, that thou may'st see, And put away thy stains from thee. 3 O, hear the faithful Witness' voice, He offers now a final choice; Thou art offensive, O lukewarm! Therefore be zealous and reform. 4 His mission now is almost o'er, Before the throne he'll plead no more; The filthy must his filth retain, He that is holy, so remain. 5 His locks with dews of night are wet, But at thy heart he ling'reth yet. Awake! and open wide the door; Bid thy Beloved wait no more. 6 Yes, bring him in, a welcome guest; So shalt thou in his presence rest, And in communion sweet and free, Shalt sup with him and he with thee. Topics: Invitation and Repentance; Invitation and Repentance; Invitation and Repentance Call Accepted Used With Tune: HARTEL

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[Behold a stranger at the door]

Appears in 72 hymnals Matching Instances: 60 Composer and/or Arranger: T. C. O'Kane Incipit: 51117 66665 11171 Used With Text: The Stranger at the Door
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FEDERAL STREET

Appears in 633 hymnals Matching Instances: 57 Composer and/or Arranger: Henry K. Oliver Incipit: 33343 55434 44334 Used With Text: Behold! a stranger's at the door!
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BERA

Appears in 184 hymnals Matching Instances: 50 Composer and/or Arranger: John E. Gould Incipit: 33215 52343 11653 Used With Text: Behold a Stranger at the door

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Behold a stranger at the door

Hymnal: Congregational Hymn and Tune Book; containing the Psalms and Hymns of the General Association of Connecticut, adapted to Suitable Tunes #1220 (1856) Languages: English
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Behold! a Stranger's at the door!

Author: Grigg Hymnal: The Voice of Praise #848 (1873) Meter: 8.8.8.8 Lyrics: 1 Behold! a Stranger's at the door! He gently knocks, has knocked before; Has waited long, is waiting still; You treat no other friend so ill. 2 Oh, lovely attitude! he stands With melting heart and laden hands; Oh, matchless kindness! and he shows This matchless kindness to his foes. 3 Admit him; for the human breast Ne'er entertained so kind a guest; Admit him; or the hour's at hand When at his door denied you'll stand. 4 Art thou a weeper? grief shall fly; For who can weep with Jesus by? No terror shall thy hopes annoy; No tear, except the tear of joy. 5 Sovereign of souls! thou Prince of peace! Oh, may thy gentle reign increase; Throw wide the door, each willing mind! And be his empire all mankind! Topics: Provisions of the Gospel Invitations and Promises; The Stranger at the Door Scripture: Ephesians 4:30
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Behold! a stranger's at the door

Author: J. Grigg Hymnal: In Excelsis #847 (1897) Languages: English

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J. Grigg

1720 - 1768 Person Name: Joseph Grigg Author of "Behold! a stranger's at the door" in The Hymnal Grigg, Joseph, was born in 1728, according to the D. Sedgwick’s Manuscript," but this date seems to be some six or eight years too late. He was the son of poor parents and was brought up to mechanical pursuits. In 1743 he forsook his trade and became assistant minister to the Rev. Thomas Bures, of the Presbyterian Church, Silver Street, London. On the death of Mr. Bures in 1747, he retired from the ministry, and, marrying a lady of property, look up his residence at St. Albans. He died at Walthamstow, Essex, Oct. 29, 1768. As a hymnwriter Grigg is chiefly known by two of his hymns, "Behold a stranger at the door"; and "Jesus, and can it ever be?" His hymnwriting began, it is said, at ten years of age. His published works of various kinds number over 40. Those in which his hymns are found are:— (1) Miscellanies on Moral and Religious Subjects, &c, London, Elizabeth Harrison, 1756. (2) The Voice of Danger, the Voice of God. A Sermon Preached at St. Albans, and at Box-Lane, Chiefly with a View to the apprehended Invasion. By J. Grigg. London, J. Buckland, 1756. To this is appended his hymn, "Shake, Britain, like an aspen shake." (3) Four Hymns on Divine Subjects wherein the Patience and Love of Our Divine Saviour is displayed, London, 1765. (4) Hymns by the late Rev. Joseph Grigg, Stourbridge, 1806. (5) During 1765 and 1766 he also contributed 12 hymns to The Christians Magazine. In 1861 D. Sedgwick collected his hymns and poems, and published them with a memoir as: Hymns on Divine Subjects, * * * * London, 1861. This volume contains 40 "Hymns," and 17 "Serious Poems." In the “S. MSS." Sedgwick notes that in 1861 he omitted three hymns by Grigg, which were then unknown to him, viz.:—l) On "The National Fast," appended to a sermon preached at Northampton, Feb. 13, 1761, by W. Warburton, and published in London, 1761. (2) "A Harvest Hymn by the late Rev. Joseph Grigg," in 6 stanzas, in the Evangelical Magazine, July, 1822; and (3) On the Parable of Dives and Lazarus, dated "Feb. 15, 1767." -- John Julian, Dictionary of Hymnology (1907)

T. C. O'Kane

1830 - 1912 Person Name: T. C. O. Author of "The Stranger at the Door" in Songs of Faith and Hope O'Kane, Tullius Clinton, an American writer, born March 10, 1830, is the author of "O sing of Jesus, Lamb of God" (Redemption); and "Who, who are these beside the chilly wave?" (Triumph in Death), in I. D. Sankey's Sacred Songs and Solos, 1878 and 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =========================== Tullius Clinton O'Kane was born in Fairfield County, Ohio, March 10, 1830. He resided with his parents in this vicinity until the spring of 1849, when he went to Delaware, Ohio, and entered the Ohio Wesleyan University, from which he graduated in 1852, with the degree A. B., and received his A. M. degree three years later from his Alma Mater. Immediately upon his graduation, he was tendered a position in the Faculty as Tutor of Mathematics, which he accepted and successfully filled for five years. The students always called him "Professor," by which title he is known to the present day. His musical abilities were early recognized in the University, and for years he was the musical precentor in the daily chapel devotions. He organized and maintained a Choral Society in the College, and was the first musical instructor in the Ohio Wesleyan Female College, which a few years ago was incorporated into the University. In 1857 he was elected to a principalship in the Cincinnati public schools, and served in that capacity until 1861, when he resigned his position to accept a place in the piano establishment of Philip Phillips & Co. He remained with this house until its removal to New York City in 1867, when, although urged to be transferred with the house to that city, he preferred to remove with his family back to Delaware, Ohio. For the ensuing six years he traveled over the state of Ohio as the general agent for the Smith American Organ Co., of Boston, Mass. During this time he visited conferences, Sunday-school conventions, both State and County, introducing his Sunday-school singing books, and in this way became well known throughout his native state, and quite extensively in some of the adjoining states. His musical compositions were first published in Philip Phillips' Musical Leaves, in 1865, and since then but few Sunday-school singing books have appeared without one or more of his compositions. His first music book, Fresh Leaves, was issued in 1868. This was followed at intervals by Dew Drops, Songs of Worship, Every Sabbath, Jasper and Gold, Redeemer's Praise, Glorious Things and Morning Stars. In connection with his son, Edward T. O'Kane, who is himself a most excellent composer and a very skillful organist, in 1882 he issued Selected Anthems, a book designed for use by the more advanced choirs. In association with J. R. Sweney and "Chaplain" McCabe, he issued Joy to the World, a song book for prayer-meetings, and the same editors, with the addition of W. J. Kirkpatrick, compiled Songs of Redeeming Love, No. 1, in 1882, and No. 2 in 1884. He also issued Songs of Praises, Unfading Treasures and Forward Songs. Some of Professor O'Kane's best known songs are Glorious Fountain, The Home Over There, On Jordan's Stormy Banks, Say, are You Ready? and many others. With Mr. O'Kane, music and musical composition have ever been a recreation, rather than a profession. He is an excellent leader of choirs, but his forte seems to be in leading large congregations, Sunday-schools and social religious meetings in sacred song. He sings "with the spirit and the understanding also " — with a due appreciation of both words and music — and very naturally infuses his enthusiasm into his audiences so that they cannot "keep from singing." In his music he endeavors to catch the spirit of the hymn, and then give it expression in the music he composes for it. This sometimes seems to have been almost an inspiration, and could be illustrated by a reference to the circumstances under which many of his compositions have been made. One of his earlier and more widely known pieces is that entitled, Over There. He says he cut this hymn out of some newspaper and put it with others in his portfolio, intending some time when he felt like it to give it a musical setting. One Sunday afternoon, after studying his lesson for the next session of his Sunday-school, he opened his portfolio, and turning over the selections, found these words, and something seemed to say, "Now's your time." He sat down at the organ, studied the hymn intently for a few moments, and then, as his fingers touched the keys of the instrument, melody and harmony were in every movement, and when the stanza was ended, melody and harmony found their expression in the chorus, and Over There was finished. Another of his well known songs is Sweeping Through the Gates. One cold, blustery day he had occasion to go from his residence to the railroad depot, about a mile distant, and in his route had to cross the river on a suspension foot-bridge. As he came down to the bridge, he thought of the "river of death," so cold, with no bridge, and then the words of the dying Cookman came to his mind, and he exclaimed to himself: 'Who, who are these beside the chilly wave? " Words, melody and refrain seemed to come all at once and all together, so that by the time he arrived back at his home, the composition was complete. Professor O'Kane is a genial, modest Christian gentleman, who carries sunshine wherever he goes. His greatest joy comes from the consciousness that his music has cheered and comforted the hearts of Christian people all over the world, and has been the means of winning thousands from the pleasures of the world to the higher enjoyments of the Christian religion. His song, Sweeping Through the Gates, will be sung till all the ransomed are gathered Over There. -Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company. ======================== O'Kane, Tullius Clinton. Died 10 February 1912, Delaware, Ohio. Buried in Oak Grove Cemetery, Delaware, Ohio. --DNAH Archives

Henry K. Oliver

1800 - 1885 Person Name: Henry Kemble Oliver, 1800 - 1885 Composer of "FEDERAL STREET" in The Hymnary for use in Baptist churches Henry Kemble Oliver (b. Beverly, MA, 1800; d. Salem, MA, 1885) was educated at Harvard and Dartmouth. He taught in the public schools of Salem (1818-1842) and was superintendent of the Atlantic Cotton Mills in Lawrence, Massachusetts (1848-1858). His civic service included being mayor of Lawrence (1859­1861) and Salem (1877-1880), state treasurer (1861-1865), and organizer of the Massachusetts Bureau of Statistics and Labor (1867-1873). Oliver was organist at several churches, including Park Street Congregational Church in Boston, North Church in Salem, and the Unitarian Church in Lawrence. A founder of the Mozart Association and several choral societies in Salem, he published his hymn tunes in Hymn and Psalm Tunes (1860) and Original Hymn Tunes (1875). Bert Polman