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Awake, Jerusalem, Awake!
Author: Charles Wesley Meter: 8.8.8.8 Appears in 115 hymnals Matching Instances: 113 First Line: Awake, Jerusalem, awake Lyrics: 1. Awake, Jerusalem, awake!
No longer in thy sins lie down;
The garment of salvation take,
Thy beauty and thy strength put on.
2. Shake off the dust that blinds thy sight,
And hides the promise from thine eyes;
Arise, and struggle into light,
The great Deliverer calls: Arise!
3. Shake off the bands of sad despair;
Zion, assert thy liberty;
Look up, thy broken heart prepare,
And God shall set the captive free.
4. Vessels of mercy, sons of grace,
Be purged from every sinful stain,
Be like your Lord, His Word embrace,
Nor bear His hallowed name in vain. Used With Tune: LUTON Text Sources: Psalms and Hymns, 1741
Awake, Jerusalem, Awake!
HEBER (Barnes)
Meter: 8.8.8.8 Appears in 6 hymnals Matching Instances: 1 Composer and/or Arranger: Edwin Barnes Tune Key: B Flat Major Incipit: 11111 17122 22176 Used With Text: Awake! Jerusalem, Awake!
HEBER (Barnes)
[Awake, O church of God, awake]
Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: D. B. Towner Used With Text: Awake! O Church of God, Awake!
[Awake, O church of God, awake]
Awake! Jerusalem, awake!
Author: Charles Wesley Hymnal: The Seventh-Day Adventist Hymn and Tune Book #1011 (1886) Lyrics: 1 Awake! Jerusalem, awake!
No longer in thy sins lie down;
The garment of salvation take,
Thy beauty and thy strength put on.
2 Shake off the dust that blinds thy sight,
And hides the promise from thine eyes;
Arise, and struggle into light;
The great Deliverer calls, Arise!
3 Shake off the bands of sad despair;
Zion, assert thy liberty;
Look up, thy broken heart prepare,
And God shall set the captive free.
4 Vessels of mercy, sons of grace,
Be purged from every sinful stain;
Be like your Lord, his word embrace,
Nor bear his hallowed name in vain. Topics: The Church Zeal and Union Tune Title: HEBER
Awake! Jerusalem, awake!
Awake, Jerusalem, awake!
Author: C. Wesley Hymnal: Hymns for the Sanctuary and Social Worship #896 (1874) Languages: English
Awake, Jerusalem, awake!
Awake, Jerusalem, awake!
Author: Charles Wesley Hymnal: Hymnal of the Methodist Episcopal Church #775 (1878) Languages: English
Awake, Jerusalem, awake!
Charles Wesley
1707 - 1788 Author of "Awake, Jerusalem, Awake!" in The Cyber Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Edwin Barnes
1864 - 1930 Composer of "HEBER (Barnes)" in The Church Hymnal Edwin Barnes was born on March 15, 1864 in Shirley, Southampton, England. In 1881, Barnes moved to Battle Creek, Michigan, to attend Battle Creek College and play the organ at the Seventh-day Adventist church there. He eventually served as head of the Battle Creek College music department for almost 20 years. He also formed an amateur music club, helped found an annual spring music festival in Battle Creek, ran the Battle Creek Conservatory of Music (until 1926), and was organist and choir director at the First Congregational Church in Battle Creek. Hillsdale College, Michigan, awarded him an honorary doctorate degree in 1920. He died on April 11, 1930 in Battle Creek, Michigan.
© The Cyber Hymnal™ (www.hymntime.com/tch)
Edwin Barnes
George Burder
1752 - 1832 Composer of "LUTON" in The Cyber Hymnal Burder, George, born in London, June 5, 1752, and trained as an engraver. At the age of 24 he commenced preaching with the Calvinist Methodists, but subsequently joined the Congregationalists,and was pastor sucessively at Lancaster, Coventry, and Fetter Lane, London. He was one of the active founders of the Religious Tract, the London Missionary, and the British and Foreign Bible Societies, and some time editor of the Evangelical Magazine. He died May 29, 1832. His works include Village Sermons, 1704; Sea Sermons, 1821; Cottage Sermons, 1826, and others. He is known to hymnology by his Collection of Hymns from various Authors, intended as a Supplement to Dr. Watts, &c, 1784. (Preface dated Nov. 20, 1784.) It had attained to the 25th edition in 1827. To this collection he contributed 4 hymns, the best known being, "Sweet the time, exceeding sweet" (q.v.), sometimes altered to "Great the joy when Christians meet." The remaining three, all from the 1st edition 1784, are:—
1. Come, dear Desire of nations, come. Missions.
2. Come ye that know and fear the Lord. Love of God. In Dr. Hatfield's Church H. Bk., N.Y., 1872, 5 st. out of 9 are given as No. 236.
3. Lord, solemnize our trifling minds. Before Sermon. Altered to "Great God, impress our trifling minds," in the New Congregational Hymn Book, No. 786, &c.
Burder's Collection is of importance in the history of Congregational hymnody. The 1st edition, 1784, contained 187 hymns; 2nd edition, 1784, 211; 9th edition, 1803, 257 hymns; 18th edition, 1820, 277; and the last, the 25th edition, 1827, 294. His son, Henry Foster Burder, published a Collection of Ps. & Hymns, 1826; and another son, the Rev. John Burder, also compiled a Collection published without date. To the 18th edition, 1820, of G. Burder's Collection, the wife of his son H. F. Burder contributed "And will the God Who reigns on high " (Sunday Schools), under the signature “S. M. Burder" [Sophia Maria].
-- John Julian, Dictionary of Hymnology (1907)
George Burder
