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Text Identifier:"^amo_al_senor_porque_escucha_mi_voz$"

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Alma Mía

Appears in 7 hymnals Hymnal Title: Calvin Hymnary Project First Line: Amo al Señor porque escucha mi voz suplicante Refrain First Line: Caminaré en presencia del Señor

Tunes

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Tune authorities

[Amo al Señor, porque escucha mi voz suplicante]

Appears in 3 hymnals Composer and/or Arranger: Miguel Manzano Hymnal Title: Cantemos al Señor Tune Key: a minor or modal Incipit: 57111 32711 57111 Used With Text: Alma Mia, Recobra Tu Calma

[Amo al Señor, porque escucha mi voz suplicante]

Appears in 4 hymnals Composer and/or Arranger: Juan A. Espinosa, n. 1940 Hymnal Title: Flor y Canto (3rd ed.) Tune Key: e minor or modal Incipit: 33311 17777 175 Used With Text: Caminaré

Instances

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Published text-tune combinations (hymns) from specific hymnals

Caminare

Hymnal: Cantemos al Señor #143 (1986) Hymnal Title: Cantemos al Señor First Line: Amo al Señor, porque escucha mi voz suplicante Refrain First Line: Caminaré en presencia del Señor Scripture: Psalm 114 Languages: Spanish Tune Title: [Amo al Señor, porque escucha mi voz suplicante]

Alma Mia, Recobra Tu Calma

Hymnal: Cantemos al Señor #154 (1986) Hymnal Title: Cantemos al Señor First Line: Amo al Señor, porque escucha mi voz suplicante Refrain First Line: Alma mía, recobra tu calma Languages: Spanish Tune Title: [Amo al Señor, porque escucha mi voz suplicante]

Caminaré

Author: Juan A. Espinosa Hymnal: Flor y Canto #305 (1989) Hymnal Title: Flor y Canto First Line: Amo al Señor, porque escucha mi voz suplicante Refrain First Line: Caminaré en presencia del Señor Topics: Cantos de Comunión Languages: Spanish Tune Title: [Amo al Señor, porque escucha mi voz suplicante]

People

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Authors, composers, editors, etc.

Juan A. Espinosa

b. 1940 Hymnal Title: Flor y Canto Author of "Caminaré" in Flor y Canto Born: 1940, Badajoz, Spain. Internationally recognized as one of the leading composers of Spanish liturgical music, Juan Antonio Espinosa composes songs that emphasize hope for the oppressed, social justice, and the power of faith. Currently, he directs the Association for the Promotion of Religious Music (APROMUR) in Spain and serves as a liturgical musician at San Estanislao Parish in Madrid. After living for a time in Peru, Juan published music reflecting the Andes style and Latin American social realities. Hispanic assemblies in the U.S. are familiar with Juan's uplifting music through his songs in the OCP collections Pescador de Hombres and Resucitó, and in Cánticos, Segunda Edición, Misal Del Día, Unidos En Cristo Música and Flor y Canto, Segunda Edición. His first collection for OCP was Al Señor del Nuevo Siglo. --www.ocp.org/artists/358

Miguel Manzano

b. 1934 Person Name: Miguel Manzano, n. 1934 Hymnal Title: Flor Y Canto (2nd ed.) Composer of "[Amo al Señor porque escucha mi voz suplicante]" in Flor Y Canto (2nd ed.) Miguel Manzano is a Spanish composer and singer. He was born in Aillamor de Cardozo near the border with Portugal. Miguel began his religious musical career at the age of 8 as cantor at the Cathedral of Zamora, Spain. He studied solfeg, piano, organ and harmonium with the renowned teacher, Gaspar Arabaolaza. Later on, he began studies at the Higher School of Sacred Music in Madrid, where he studied Rhythm and Gregorian Modality, as well as Harmony and Religious Polyphony. He furthered his studies of language and musical rhythm at the Catholic Institute of Paris. Miguel's internationally recognized music has been chosen to complete the repertoire of the National Liturgical Hymnal of the Espicopal Committee of Spanish Liturgy. At present he is Professor of Ethnic Music at the Higher Conservatory of Music in Salamanca. --www.ocp.org/artists/1987