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Psalm 147
Author: Isaac Watts Meter: 8.6.8.6 Appears in 279 hymnals Scripture: Psalm 147:7-9 First Line: With songs and honors sounding loud Lyrics:
With songs and honors sounding loud,
Address the Lord on high;
Over the heav'ns he spreads his cloud,
And waters veil the sky.
He sends his showers of blessing down
To cheer the plains below;
He makes the grass the mountains crown,
And corn in valleys grow.
He gives the grazing ox his meat,
He hears the raven's cry;
But man, who tastes his finest wheat,
Should raise his honors high.
His steady counsels change the face
Of the declining year;
He bids the sun cut short his race,
And wintry days appear.
His hoary frost, his fleecy snow,
Descend and clothe the ground;
The liquid streams forbear to flow,
In icy fetters bound.
When from the dreadful stores on high
He pours the rattling hail,
The wretch that dares this God defy
Shall find his courage fail.
He sends his word, and melts the snow,
The fields no longer mourn;
He calls the warmer gales to blow,
And bids the spring return.
The changing wind, the flying cloud,
Obey his mighty word:
With songs and honors sounding loud,
Praise ye the sovereign Lord.
Topics: Children praising God; Creation and Providence; Grace and providence; Providence in air, earth, and sea; Attributes of God; God his being, attributes, and providence; God His perfections; Perfections of God; Providence and grace; Blessings of the country; Praise for rain; Rain from heaven; Seasons of the year; Weather; Psalm for Great Britain; God great and good; Praise for temporal blessings; Compassion of God; Works of creation and providence; Blessings of a nation; Britain's happiness; Spring and winter; Summer and winter; Winter and summer
Psalm 147
Psalm 147 Part 1
Author: Isaac Watts Meter: 8.8.8.8 Appears in 222 hymnals Scripture: Psalm 147 First Line: Praise ye the Lord; 'tis good to raise Lyrics:
Praise ye the Lord; 'tis good to raise
Our hearts and voices in his praise;
His nature and his works invite
To make this duty our delight.
The Lord builds up Jerusalem,
And gathers nations to his name;
His mercy melts the stubborn soul,
And makes the broken spirit whole.
He formed the stars, those heav'nly flames;
He counts their numbers, calls their names;
His wisdom's vast, and knows no bound,
A deep where all our thoughts are drowned.
Great is our Lord, and great his might;
And all his glories infinite:
He crowns the meek, rewards the just,
And treads the wicked to the dust.
Sing to the Lord, exalt him high,
Who spreads his clouds all round the sky;
There he prepares the fruitful rain,
Nor lets the drops descend in vain.
He makes the grass the hills adorn,
And clothes the smiling fields with corn;
The beasts with food his hands supply,
And the young ravens when they cry.
What is the creature's skill or force,
The sprightly man, the warlike horse,
The nimble wit, the active limb?
All are too mean delights for him.
But saints are lovely in his sight,
He views his children with delight;
He sees their hope, he knows their fear,
And looks, and loves his image there.
Topics: Creation and Providence; Grace and providence; Providence in air, earth, and sea; Attributes of God; God his being, attributes, and providence; God His perfections; Perfections of God; Providence and grace; Blessings of the country; Praise for rain; Rain from heaven; Seasons of the year; Weather; Psalm for Great Britain; God great and good; Praise for temporal blessings; Compassion of God; Works of creation and providence; Blessings of a nation; Britain's happiness; Spring and winter; Summer and winter; Winter and summer
Psalm 147 Part 1
Psalm 147 Part 2
Author: Isaac Watts Meter: 8.8.8.8 Appears in 39 hymnals Scripture: Psalm 147 First Line: O Britain, praise thy mighty God Lyrics:
O Britain, praise thy mighty God,
And make his honors known abroad,
He bid the ocean round thee flow;
Not bars of brass could guard thee so.
Thy children are secure and blest;
Thy shores have peace, thy cities rest;
He feeds thy sons with finest wheat,
And adds his blessing to their meat.
Thy changing seasons he ordains,
Thine early and thy latter rains;
His flakes of snow like wool he sends,
And thus the springing corn defends.
With hoary frost he strews the ground;
His hail descends with clatt'ring sound:
Where is the man so vainly bold
That dares defy his dreadful cold?
He bids the southern breezes blow;
The ice dissolves, the waters flow:
But he hath nobler works and ways
To call the Britons to his praise.
To all the isle his laws are shown,
His gospel through the nation known;
He hath not thus revealed his word
To every land: praise ye the Lord.
Topics: Creation and Providence; Grace and providence; Providence in air, earth, and sea; Attributes of God; God his being, attributes, and providence; God His perfections; Perfections of God; Providence and grace; Blessings of the country; Praise for rain; Rain from heaven; Seasons of the year; Weather; Psalm for Great Britain; God great and good; Praise for temporal blessings; Compassion of God; Works of creation and providence; Blessings of a nation; Britain's happiness; Spring and winter; Summer and winter; Winter and summer
Psalm 147 Part 2
HARTFORD (Dykes)
Meter: 7.6.7.6.7.6.7.6 Appears in 89 hymnals Composer and/or Arranger: John B. Dykes Scripture: Psalm 147 Tune Key: E Flat Major Incipit: 32346 53353 12332 Used With Text: Sing Praise to Our Creator
HARTFORD (Dykes)
WIR PFLÜGEN
Meter: 7.6.7.6 D with refrain Appears in 287 hymnals Composer and/or Arranger: Johann Abraham Peter Schulz (1747-180); John Bacchus Dykes (1823-1876) Scripture: Psalm 147:16-18 Tune Key: A Major Incipit: 51155 31543 21556 Used With Text: All good gifts around us
WIR PFLÜGEN
Jesus, Lover of My Soul
Author: Charles Wesley Hymnal: Glory to God #440 (2013) Meter: 7.7.7.7 D Scripture: Psalm 147:3 Lyrics: 1 Jesus, lover of my soul,
let me to thy bosom fly,
while the nearer waters roll,
while the tempest still is high.
Hide me, O my Savior, hide,
till the storm of life is past.
Safe into the haven guide.
O receive my soul at last!
2 Other refuge have I none;
hangs my helpless soul on thee.
Leave, ah! leave me not alone;
still support and comfort me.
All my trust on thee is stayed;
all my help from thee I bring.
Cover my defenseless head
with the shadow of thy wing.
3 Thou, O Christ, art all I want;
more than all in thee I find.
Raise the fallen, cheer the faint,
heal the sick, and lead the blind.
Just and holy is thy name;
I am all unrighteousness.
False and full of sin I am;
thou art full of truth and grace.
4 Plenteous grace with thee is found,
grace to cover all my sin.
Let the healing streams abound;
make and keep me pure within.
Thou of life the fountain art;
freely let me take of thee.
Spring thou up within my heart.
Rise to all eternity.
Topics: Comfort; Forgiveness; Grace; Living in Christ Languages: English Tune Title: ABERYSTWYTH
Jesus, Lover of My Soul
Bueno es alabarte, oh Jehová
Hymnal: Celebremos Su Gloria #17 (1992) Scripture: Psalm 147:1-11 Lyrics: Bueno es alabarte, oh Jehová.
Bueno es alabarte, oh Jehová,
y cantar salmos a tu nombre,
oh Altísimo.
Anunciar por la mañana tu misericordia,
tu misericordia
y tu fidelidad cada noche.
Bueno es alabarte, oh Jehová.
Bueno es alabarte, oh Jehová,
y cantar salmos a tu nombre,
oh Altísimo. Topics: Adoración; Worship; Apertura del Culto; Opening of Worship; Fidelidad Divina; Divine Fidelity; Majestad Divina; Divine Majesty; Misericordia Divina; Divine Mercy Languages: Spanish Tune Title: BUENO ES ALABARTE
Bueno es alabarte, oh Jehová
Adoremos a Dios
Hymnal: Celebremos Su Gloria #87 (1992) Scripture: Psalm 147:1 First Line: Dios es espíritu Topics: Adoración; Worship; Apertura del Culto; Opening of Worship Languages: Spanish
Adoremos a Dios
Isaac Watts
1674 - 1748 Scripture: Psalm 147 Author of "Psalm 147 Part 1" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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Hymn Writers of the Church
Isaac Watts
John L. Bell
b. 1949 Person Name: John Bell Scripture: Psalm 147 Author of "Psalm 147: Sing to God, with Joy" in Sing! A New Creation John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal:
"I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)]
That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications.
Emily Brink
John L. Bell
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Scripture: Psalm 147 Composer of "HARTFORD (Dykes)" in Psalter Hymnal (Gray) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
