Search Results

Scripture:Numbers 11:4-6

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextFlexScoreFlexPresentAudio

Come, Holy Ghost, Our Souls Inspire

Author: Rabanus Maurus; John Cosin Meter: 8.8.8.8 Appears in 238 hymnals Scripture: Numbers 11:4-29 Lyrics: 1 Come, Holy Ghost, our souls inspire, and lighten with celestial fire; thou the anointing Spirit art, who dost thy seven-fold gifts impart. 2 Thy blessed unction from above is comfort, life, and fire of love; enable with perpetual light the dullness of our mortal sight. 3 Teach us to know the Father, Son, and thee, of both, to be but one, that through the ages all along this may be our endless song: 4 Praise to thine eternal merit, Father, Son, and Holy Spirit. Amen. Topics: Baptism; Christian Year Pentecost; Gift of the Holy Spirit; Ordination/Installation; Prayer; The Triune God Used With Tune: VENI CREATOR SPIRITUS

Numbers

Author: Charlotte E. Couchman Appears in 1 hymnal Scripture: Numbers 1-36 First Line: When I was very young Used With Tune: [When I was very young]

Tunes

tune icon
Tune authorities
FlexScoreAudio

VENI CREATOR SPIRITUS

Meter: 8.8.8.8 Appears in 145 hymnals Composer and/or Arranger: Healey Willan Scripture: Numbers 11:4-29 Tune Sources: Plainsong, Mode VIII Tune Key: B Flat Major Incipit: 56545 65122 11561 Used With Text: Come, Holy Ghost, Our Souls Inspire

[When I was very young]

Appears in 1 hymnal Composer and/or Arranger: Charlotte E. Couchman Scripture: Numbers 1-36 Used With Text: Numbers

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextAudio

Come, Holy Ghost, Our Souls Inspire

Author: Rabanus Maurus; John Cosin Hymnal: Glory to God #278 (2013) Meter: 8.8.8.8 Scripture: Numbers 11:4-29 Lyrics: 1 Come, Holy Ghost, our souls inspire, and lighten with celestial fire; thou the anointing Spirit art, who dost thy seven-fold gifts impart. 2 Thy blessed unction from above is comfort, life, and fire of love; enable with perpetual light the dullness of our mortal sight. 3 Teach us to know the Father, Son, and thee, of both, to be but one, that through the ages all along this may be our endless song: 4 Praise to thine eternal merit, Father, Son, and Holy Spirit. Amen. Topics: Baptism; Christian Year Pentecost; Gift of the Holy Spirit; Ordination/Installation; Prayer; The Triune God Languages: English Tune Title: VENI CREATOR SPIRITUS

Numbers

Author: Charlotte E. Couchman Hymnal: Each Little Dewdrop #12 (1998) Scripture: Numbers 1-36 First Line: When I was very young Languages: English Tune Title: [When I was very young]

People

person icon
Authors, composers, editors, etc.

Rabanus Maurus

776 - 856 Scripture: Numbers 11:4-29 Author (attributed to) of "Come, Holy Ghost, Our Souls Inspire" in Glory to God Rabanus Maurus (c. 776-856) or Hrabanus Magnentius Maurus, was born of noble parents at Mainz, and educated at Fulda and Tours under Alcuin, who is reputed to have given him the surname, Maurus, after the saint of that name. In 803, he became director of the school at the Benedictine Abbey at Fulda. He was ordained priest in 814, spending the following years in a pilgrimage to Palestine. In 822, he became Abbott at Fulda, retiring in 842. In 847, he became archbishop of Mainz. He died at Winkel on the Rhine, February 4, 856. This distinguished Carolingian poet-theologian wrote extensive biblical commentaries, the Encyclopaedic De Universo, De Institutione Clericorum, and other works which circulated widely during the Middle Ages. Some of his poems, with English translations, are in Helen Waddell's Mediaeval Latin Lyrics. He is the author of: O Come, Creator Spirit, come Christ, the fair glory of the holy angels Come, Holy Ghost, our souls inspire Come, Holy Ghost, Creator blest Creator Spirit, by whose aid --The Hymnal 1940 Companion, New York: The Church Pension Fund (1949) =========================== Hrabanus (Rabanus) Maurus, son of one Ruthard, was born probably at Mainz, about 776. At an early age he was sent to the Monastery of Fulda to receive a religious education. In 801 he was ordained Deacon, and the following year he went to the monastic school of St. Martin at Tours to study under Alcuin, a celebrated teacher of that time, who gave to Hrabanus the name of Maurus to which Hrabanus added Magnentius. On his return to Fulda in 804 he became the head of the school connected with the Monastery. Towards him Ratgar the abbot showed great unkindness, which arose mainly from the fact that Ratgar demanded the students to build additions to the monastery, whilst Hrabanus required them at the same time for study. Hrabanus had to retire for a season, but Ratgar's deposition by Ludwig the Pious, in 817, opened up the way for his return, and the reopening of the school In the meantime, in 814, he had been raised to the Priesthood. Egil, who succeeded Ratgar as abbot, died in 822, and Hrabanus was appointed in his stead. This post he held for some time, until driven forth by some of the community. In 847, on the death of Archbishop Otgar, Ludwig the younger, with whom Hrabanus had sided in his demand for German independence as against the imperialism of his elder brother Lothar, rewarded him with the Archbishopric of Mainz, then the metropolitan see of Germany. He held this appointment to his death on Feb. 4, 856. He was buried first in St. Alban's, Mainz, and then, during the early days of the Reformation, in St. Maurice, Halle, possibly because of the opposition he is known to have made to the doctrine of Transubstantiation. With German historians Hrabanus is regarded as the father of the modern system of education in that country. His prose works were somewhat numerous, but the hymns with which his name is associated are few. We have the "Christe sanctorum decus Angelorum”; “Tibi Christe, splendor Patris”; and the "Veni Creator Spiritus”; but recent research convinces us that the ascription in each case is very doubtful; and none are received as by Hrabanus in Professor Dümmler's edition of the Carmina of Hrabanus in the Poetae Latini aevi Carolini, vol. ii. 1884. Dümmler omits them even from the "hymns of uncertain origin." --John Julian, Dictionary of Hymnology, Appendix I (1907) ======================= http://en.wikipedia.org/wiki/Rabanus_Maurus

John Cosin

1594 - 1672 Person Name: John Cosin Scripture: Numbers 11:4-29 Translator of "Come, Holy Ghost, Our Souls Inspire" in Glory to God The following note is from Bird's "Songs of the Spirit," p. 171. "Cosin was a native of Norwich, and scholar of Caius College, Cambridge; Prebend of Durham, 1624; Rector of Branspeth, 1626; in 1660, Dean and then Bishop of Durham. His 'Collection of Private Devotions for the Hours of Prayer,' much offended the Puritans, who styled it 'a book of Cozening Devotions.' This work contains ten short hymns (three of them from the Latin), which are supposed to be his. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ======================= Cosin, John, D.D., son of Giles Cosin, of Norwich, born at Norwich Nov. 30, 1594; educated at the Free School of that city and Caius College, Cambridge. Taking Holy Orders he became (besides holding minor appointments) Prebendary of Durham Cathedral; Rector of Brancepeth, 1626; Master of Peterhouse, Cambridge, 1634, and Vice-Chancellor of the University and Dean of Peterborough, 1640. He suffered much at the hands of the Puritans; but after the Restoration in 1660, he became Dean and then Bishop of Durham. Died at Westminster, Jan. 15, 1672. His translation of the Veni Greater Spiritus (q. v.), 44. “Come, Holy Ghost, our souls inspire," was included in his Collection of Private Devotions, 1627. --John Julian, Dictionary of Hymnology (1907)

Healey Willan

1880 - 1968 Scripture: Numbers 11:4-29 Arranger of "VENI CREATOR SPIRITUS" in Glory to God Healey Willan (b. Balham, London, England, October 12, 1880; d. Toronto, Ontario, February 16, 1968), theory teacher, composer and organist, was born into an Anglo-Catholic family in England and served several churches in the London area, becoming known especially for his adaptations of Gregorian chant to be able to be sung in English translation. In 1913 he moved to Canada where he led the theory department and was organist at the Toronto Conservatory of Music. He also was organist at St. Paul’s, Canada’s largest Anglican church, and after 1921 at the smaller Church of St. Mary Magdalene. By invitation, he composed an anthem for the coronation of Queen Elizabeth II, a singular honor for one not residing in England. Emily Brink