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Look and Live
Author: W. A. O. Meter: 11.8.11.9 with refrain Appears in 140 hymnals Scripture: Numbers 21:8 First Line: I've a message from the Lord, hallelujah! Refrain First Line: “Look and live,” my brother, live Lyrics: 1 I’ve a message from the Lord, hallelujah!
This message unto you I’ll give,
’Tis recorded in His word, hallelujah!
It is only that you “look and live.”
Refrain:
“Look and live,” my brother, live,
Look to Jesus now, and live;
’Tis recorded in His word, hallelujah!
It is only that you “look and live.”
2 I’ve a message full of love, hallelujah!
A message, O my friend, for you,
’Tis a message from above, hallelujah!
Jesus said it, and I know ’tis true. [Refrain]
3 Life is offered unto you, hallelujah!
Eternal life thy soul shall have,
If you’ll only look to Him, hallelujah!
Look to Jesus who alone can save. [Refrain]
4 I will tell you how I came, hallelujah!
To Jesus when He made me whole—
’Twas believing on His name, hallelujah!
I trusted and He saved my soul. [Refrain] Topics: Invitation Used With Tune: [I've a message from the Lord, hallelujah!] Text Sources: Timeless Truths (http://library.timelesstruths.org/music/Look_and_Live); Faith Publishing House, Evening Light Songs, 1949, edited 1987 (492)
Look and Live
Brazen Serpent
Meter: 8.8.8.8 Appears in 18 hymnals Scripture: Numbers 21:8-9 First Line: When Israel's grieving tribes complain'd Lyrics: 1 When Israel's grieving tribes complain'd,
With fiery serpents greatly pain'd,
A serpent strait the prophet made
Of molten brass, to view display'd.
2 Around the fainting crowds attend
To heaven their mournful sigs ascend;
They hope, they look, while from the pole,
Descends a pow'r that makes them whole.
3 But, O, what healing to the heart,
Doth our redeemer's cross impart!
What life, by faith, our souls receive!
What pleasures do his sorrows give!
4 Still may I view the savior's cross,
And other objects count but loss;
Here still be fix'd my feasted eyes,
Enraptur'd with his sacrifice!
5 Jesus the savior, balmy name!
Thy worth my tongue would now proclaim;
By thy atonement set me free,
My life, my hope is all from thee. Topics: Characters and Representations of Christ Brazen Serpent; Christ Brazen serpent Text Sources: General Baptist Collection
Brazen Serpent
When I Survey the Wondrous Cross
Author: Isaac Watts (1674-1748) Meter: 8.8.8.8 Appears in 1,989 hymnals Scripture: Numbers 21:4-9 Lyrics: 1 When I survey the wondrous cross
on which the Prince of glory died,
my richest gain I count but loss,
and pour contempt on all my pride.
2 Forbid it, Lord, that I should boast,
save in the cross of Christ, my God;
all the vain things that charm me most,
I sacrifice them to his blood.
3 See, from his head, his hands, his feet,
sorrow and love flow mingled down;
did e’er such love and sorrow meet,
or thorns compose so rich a crown?
4 Were the whole realm of nature mine,
that were an offering far too small;
love so amazing, so divine,
demands my soul, my life, my all. Topics: Discipleship; Holy Week (Good Friday); Praise of God; Sunday of the Passion Used With Tune: ROCKINGHAM
When I Survey the Wondrous Cross
[I've a message from the Lord, hallelujah!]
Meter: 11.8.11.9 with refrain Appears in 109 hymnals Composer and/or Arranger: William A. Ogden Scripture: Numbers 21:8 Tune Sources: Timeless Truths (http://library.timelesstruths.org/music/Look_and_Live); Faith Publishing House, Evening Light Songs, 1949, edited 1987 (492) Tune Key: G Major Incipit: 55111 17655 44321 Used With Text: Look and Live
[I've a message from the Lord, hallelujah!]
ROCKINGHAM
Meter: 8.8.8.8 Appears in 490 hymnals Composer and/or Arranger: Edward Miller (1731-1807); David R. Riley (1947-) Scripture: Numbers 21:4-9 Tune Sources: Psalmody in Miniature, Second Supplement, 1780? Tune Key: E Flat Major Incipit: 13421 35655 17655 Used With Text: When I Survey the Wondrous Cross
ROCKINGHAM
"The wondrous Cross"
Author: Isaac Watts Hymnal: Laudes Domini #206 (1888) Scripture: Numbers 21:8 First Line: When I survey the wondrous cross Lyrics: 1 When I survey the wondrous cross,
On which the Prince of glory died,
My richest gain I count but loss,
And pour contempt on all my pride.
2 Forbid it, Lord! that I should boast,
Save in the death of Christ, my God;
All the vain things that charm me most
I sacrifice them to his blood.
3 See, from his head, his hands, his feet,
Sorrow and love flow mingled down;
Did e'er such love and sorrow meet,
Or thorns compose so rich a crown?
4 His dying crimson, like a robe,
Spreads o'er his body on the tree;
Then I am dead to all the globe,
And all the globe is dead to me.
5 Were the whole realm of nature mine,
That were a present far too small;
Love so amazing, so divine,
Demands my soul, my life, my all. Topics: Christ Agony of; Christ Blood of; Christ Crucifixion of; Christ Prince of Glory; Christ Sufferings of; Consecration Of Self; Cross of Christ Taking; Christ Compassion of Languages: English Tune Title: ROCKINGHAM (OLD)
"The wondrous Cross"
When I Survey the Wondrous Cross
Author: Isaac Watts (1674-1748) Hymnal: Common Praise (1998) #386 (1998) Meter: 8.8.8.8 Scripture: Numbers 21:4-9 Lyrics: 1 When I survey the wondrous cross
on which the Prince of glory died,
my richest gain I count but loss,
and pour contempt on all my pride.
2 Forbid it, Lord, that I should boast,
save in the cross of Christ, my God;
all the vain things that charm me most,
I sacrifice them to his blood.
3 See, from his head, his hands, his feet,
sorrow and love flow mingled down;
did e’er such love and sorrow meet,
or thorns compose so rich a crown?
4 Were the whole realm of nature mine,
that were an offering far too small;
love so amazing, so divine,
demands my soul, my life, my all. Topics: Discipleship; Holy Week (Good Friday); Praise of God; Sunday of the Passion Languages: English Tune Title: ROCKINGHAM
When I Survey the Wondrous Cross
Bread of heaven, on thee we feed
Author: Josiah Conder, 1789-1855 Hymnal: Common Praise #284 (2000) Meter: 7.7.7.7.7.7 Scripture: Numbers 21:8-9 Lyrics: 1 Bread of heaven, on thee we feed,
for thy flesh is meat indeed;
ever may our souls be fed
with this true and living bread;
day by day with strength supplied
through the life of him who died.
2 Vine of heaven, thy blood supplies
this blest cup of sacrifice;
Lord, thy wounds our healing give,
to thy cross we look and live:
Jesus, may we ever be
grafted, rooted, built in thee. Topics: Holy Communion; Proper 12 Year B Languages: English Tune Title: BREAD OF HEAVEN
Bread of heaven, on thee we feed
W. A. Ogden
1841 - 1897 Person Name: W. A. O. Scripture: Numbers 21:8 Author of "Look and Live" in Timeless Truths William Augustine Ogden USA 1841-1897. Born at Franklin County, OH, his family moved to IN when he was age six. He studied music in local singing schools at age 8, and by age 10 could read church music fairly well. Later, he could write out a melody by hearing it sung or played. He enlisted in the American Civil War in the 30th IN Volunteer Infantry. During the war he organized a male choir which became well known throughout the Army of the Cumberland. After the war, he returned home, resumed music study, and taught school. He married Jennie V Headington, and they had two children: Lowell and Marian. He worked for the Iowa Normal School, Toledo Public School System. Among his teachers: Lowell Mason, Thomas Hastings, E E Baily and B F Baker, president of the Boston Music School. He wrote many hymns, both lyrics and/or music. He later issued his first song book, “The silver song” (1870). It became quite popular, selling 500,000 copies. He went on to publish other song books. Ogden also taught music at many schools in the U S and Canada. In 1887 he became superintendent of music in the public schools of Toledo, OH. His works include: “New silver songs for Sunday school” (1872), “Crown of life” (1875), “Notes of victory” (1885), “The way of life” (1886), “Gathering jewels” (1886). He was known as a very enthusiastic person in his work and a very congenial one as well. He died at Toledo, OH.
John Perry
W. A. Ogden
Isaac Watts
1674 - 1748 Person Name: Isaac Watts (1674-1748) Scripture: Numbers 21:4-9 Author of "When I Survey the Wondrous Cross" in Common Praise (1998) Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
G. W. Kitchin
1827 - 1912 Person Name: George W. Kitchin, 1827-1912 Scripture: Numbers 21:8-9 Author of "Lift High the Cross" in Worship and Rejoice A scholar and Anglican clergyman, George W. Kitchin (b. Naughton, Suffolk, England, 1827; d. Durham, England, 1912) spent most of his life in academic institutions. Educated at Christ Church, Oxford, England, he was ordained in the Church of England in 1852. He served initially as a headmaster in Twyford, Hampshire, and then as a tutor at Oxford (1863-1883). Later he served as Dean of Winchester Cathedral from 1883 to 1894 and of Durham Cathedral from 1894 to 1912; Kitchin was also chancellor of Durham University the last few years of his life. His publications include A Life of Pope Pius II (1881), a three volume work entitled A History of France (1877), and archeological writings.
Bert Polman
G. W. Kitchin
