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Again We Keep This Solemn Fast
Author: Gregory the Great, c. 540-604; Peter J. Scagnelli, b. 1949 Meter: 8.8.8.8 Appears in 17 hymnals Scripture: Matthew 6:1-18 Topics: Fasting Used With Tune: OLD HUNDREDTH
Again We Keep This Solemn Fast
Our dear Father (The Lord's prayer)
Appears in 723 hymnals Scripture: Matthew 6 First Line: Our dear Father who art in Heaven Topics: Living the Christian Life Worship and Adoration; Living the Christian Life Confession and Repentance Used With Tune: [Our dear Father who art in Heaven]
Our dear Father (The Lord's prayer)
Set Your Mind on God's Kingdom
Appears in 1,746 hymnals Scripture: Matthew 6 First Line: "No servant can be the slave of two masters; Topics: Scripture Readings
Set Your Mind on God's Kingdom
ERHALT UNS, HERR
Meter: 8.8.8.8 Appears in 192 hymnals Composer and/or Arranger: Johann Sebastian Bach (1685-1750) Scripture: Matthew 6:16-21 Tune Key: f minor Incipit: 13171 32134 45344 Used With Text: The Glory of These Forty Days
ERHALT UNS, HERR
[Prepare the way of the Lord]
Appears in 32 hymnals Composer and/or Arranger: Jacques Berthier, 1923-1994 Scripture: Matthew 6 Tune Key: e minor Incipit: 33133 22234 45565 Used With Text: Wait for the Lord
[Prepare the way of the Lord]
I WANT TO BE A CHRISTIAN
Meter: 8.6.8.3.6.8.3 Appears in 91 hymnals Composer and/or Arranger: Frederick J. Work, 1879-1942 Scripture: Matthew 6:21 Tune Sources: Negro Spiritual Tune Key: E Flat Major Incipit: 11335 32111 35653 Used With Text: Lord, I Want to Be a Christian
I WANT TO BE A CHRISTIAN
Set Your Mind on God's Kingdom
Hymnal: Seventh-day Adventist Hymnal #791 (1985) Scripture: Matthew 6 First Line: "No servant can be the slave of two masters; Topics: Scripture Readings
Set Your Mind on God's Kingdom
The Lord's Prayer
Hymnal: Seventh-day Adventist Hymnal #834 (1985) Scripture: Matthew 6 First Line: Our Father which art in heaven, Hallowed be thy name. Topics: Canticles and Prayers
The Lord's Prayer
Pope Gregory I
540 - 604 Person Name: Gregory the Great, c. 540-604 Scripture: Matthew 6:1-18 Author (attributed to) of "Again We Keep This Solemn Fast" in Gather Comprehensive Gregory I., St., Pope. Surnamed The Great. Was born at Rome about A.D. 540. His family was distinguished not only for its rank and social consideration, but for its piety and good works. His father, Gordianus, said to have been the grandson of Pope Felix II. or III., was a man of senatorial rank and great wealth; whilst his mother, Silvia, and her sisters-in-law, Tarsilla and Aemiliana, attained the distinction of canonization. Gregory made the best use of his advantages in circumstances and surroundings, so far as his education went. "A saint among saints," he was considered second to none in Rome in grammar, rhetoric, and logic. In early life, before his father's death, he became a member of the Senate; and soon after he was thirty and accordingly, when his father died, he devoted the whole of the large fortune that he inherited to religious uses. He founded no less than six monasteries in Sicily, as well as one on the site of his own house at Rome, to which latter he retired himself in the capacity of a Benedictine monk, in 575. In 577 the then Pope, Benedict I, made him one of the seven Cardinal Deacons who presided over the seven principal divisions of Rome.
The following year Benedict's successor, Pelagius II, sent him on an embassy of congratulation to the new emperor Tiberius, at Constantinople. After six years' residence at Constantinople he returned to Rome. It was during this residence at Rome, before he was called upon to succeed Pelagius in the Papal chair, that his interest was excited in the evangelization of Britain by seeing some beautiful children, natives of that country, exposed for sale in the slave-market there ("non Angli, sed Angeli"). He volunteered to head a mission to convert the British, and, having obtained the Pope's sanction for the enterprise, had got three days' journey on his way to Britain when he was peremptorily recalled by Pelagius, at the earnest demand of the Roman people.
In 590 he became Pope himself, and, as is well known, carried out his benevolent purpose towards Britain by the mission of St. Augustine, 596. His Papacy, upon which he entered with genuine reluctance, and only after he had taken every step in his power to be relieved from the office, lasted until 604, when he died at the early age of fifty-five. His Pontificate was distinguished by his zeal, ability, and address in the administration of his temporal and spiritual kingdom alike, and his missionaries found their way into all parts of the known world. In Lombardy he destroyed Arianism; in Africa he greatly weakened the Donatists; in Spain he converted the monarch, Reccared: while he made his influence felt even in the remote region of Ireland, where, till his day, the native Church had not acknowledged any allegiance to the See of Rome. He advised rather than dictated to other bishops, and strongly opposed the assumption of the title of "Universal Patriarch" by John the Faster of Constantinople, on the ground that the title had been declined by the Pope himself at the Council of Chalcedon, and declared his pride in being called the “Servant of God's Servants." He exhibited entire toleration for Jews and heretics, and his disapproval of slavery by manumitting all his own slaves. The one grave blot upon his otherwise upright and virtuous character was his gross flattery in congratulating Phocas on his accession to the throne as emperor in 601, a position the latter had secured with the assistance of the imperial army in which he was a centurion, by the murder of his predecessor Mauricius (whose six sons had been slaughtered before their father's eyes), and that of the empress Constantina and her three daughters.
Gregory's great learning won for him the distinction of being ranked as one of the four Latin doctors, and exhibited itself in many works of value, the most important of which are his Moralium Libri xxxv., and his two books of homilies on Ezekiel and the Gospels. His influence was also great as a preacher and many of his sermons are still extant, and form indeed no inconsiderable portion of his works that have come down to us. But he is most famous, perhaps, for the services he rendered to the liturgy and music of the Church, whereby he gained for himself the title of Magister Caeremoniarum. His Sacramentary, in which he gave its definite form to the Sacrifice of the Mass, and his Antiphonary, a collection which he made of chants old and new, as well as a school called Orplianotrophium, which he established at Rome for the cultivation of church singing, prove his interest in such subjects, and his success in his efforts to render the public worship of his day worthy of Him to Whom it was addressed. The Gregorian Tones, or chants, with which we are still familiar after a lapse of twelve centuries, we owe to his anxiety to supersede the more melodious and flowing style of church music which is popularly attributed to St. Ambrose, by the severer and more solemn monotone which is their characteristic.
The contributions of St. Gregory to our stores of Latin hymns are not numerous, nor are the few generally attributed to him quite certainly proved to be his. But few as they are, and by whomsoever written, they are most of them still used in the services of the Church. In character they are well wedded to the grave and solemn music which St. Gregory himself is supposed to have written for them.
The Benedictine editors credit St. Gregory with 8 hymns, viz. (1) “Primo dierum omnium;" (2) "Nocte surgentes vigilemus;" (3) "Ecce jam noctis tenuatur tunbra;" (4) “Clarum decus jejunii;" (5) "Audi benigne conditor;" (6) "Magno salutis gaudio;" (7) “Rex Christe factor omnium;" (8) "Lucis Creator Optime." Daniel in his vol. i. assigns him three others. (9) “Ecce tempus idoneum;" (10) "Summi largitor praemii;" (11) "Noctis tempus jam praeterit." For translations of these hymns see under their respective first lines. (For an elaborate account of St. Gregory, see Smith and Wace's Dictionary of Christian Biography.) [Rev. Digby S. Wrangham, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
===================
Gregory I., St., Pope, p. 469, i. We have been unable to discover any grounds which justified the Benedictine editors and Daniel in printing certain hymns (see p. 470, i.) as by St. Gregory. Modern scholars agree in denying him a place among hymnwriters; e.g., Mr. F. H. Dudden, in his Gregory the Great (London, 1905, vol. i.,p. 276), says "The Gregorian authorship of these compositions [the hymns printed by the Benedictine editors] however cannot be maintained... Gregory contributed ... nothing at all to the sacred music and poetry of the Roman Church." [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Pope Gregory I
Peter J. Scagnelli
b. 1949 Person Name: Peter J. Scagnelli, b. 1949 Scripture: Matthew 6:1-18 Translator of "Again We Keep This Solemn Fast" in Gather Comprehensive
Peter J. Scagnelli
Johann Sebastian Bach
1685 - 1750 Person Name: Johann Sebastian Bach (1685-1750) Scripture: Matthew 6:16-21 Adapter and Harmonizer of "ERHALT UNS, HERR" in Common Praise (1998) Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
