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Forgive Our Sins As We Forgive
Author: Rosamond E. Herklots Meter: 8.6.8.6 with repeat Appears in 67 hymnals Scripture: Ephesians 4:31-32 Topics: The Way of Salvation Repentance; Christ Cross of; Forgiveness of Sins Used With Tune: DOVE OF PEACE
Forgive Our Sins As We Forgive
Jesus Loves Me
Author: Anna Bartlett Warner; David R. McGuire; Robert Bushyhead; Mas Kawashima Meter: 7.7.7.7 with refrain Appears in 613 hymnals Scripture: Ephesians 5:2 First Line: Jesus loves me, this I know Refrain First Line: Yes, Jesus loves me Lyrics: 1 Jesus loves me! This I know,
for the Bible tells me so.
Little ones to him belong;
they are weak, but he is strong.
Refrain:
Yes, Jesus loves me! Yes, Jesus loves me!
Yes, Jesus loves me! The Bible tells me so.
2 Jesus loves me--he who died,
heaven's gate to open wide.
He will wash away my sin,
let his little child come in. (Refrain)
3 Jesus loves me, this I know,
as he loved so long ago,
taking children on his knee,
saying, "Let them come to me." (Refrain)
Refrain in other languages:
Spanish:
Cristo me ama,
Cristo me ama,
Cristo me ama,
La biblia dice asi.
Swahili:
Yesu anipenda,
Yesu anipenda,
Yesu anipenda,
Biblia yasema. Topics: Meeting with God's People Baptism Used With Tune: JESUS LOVES ME Text Sources: Spanish translation from Himnario Metodista, 1968
Jesus Loves Me
Where Charity and Love Prevail
Author: Omer E. Westendorf, 1916-97 Meter: 8.6.8.6 Appears in 41 hymnals Scripture: Ephesians 4:29-32 Topics: Society; Maundy (Holy) Thursday Used With Tune: TWENTY-FOURTH Text Sources: Latin, c. 9th cent.
Where Charity and Love Prevail
[Bear with one another in love and charity]
Appears in 14 hymnals Scripture: Ephesians 4 Tune Key: d minor Incipit: 33322 23335 55555 Used With Text: There Is One Lord
[Bear with one another in love and charity]
JESUS LOVES ME
Meter: 7.7.7.7 with refrain Appears in 350 hymnals Composer and/or Arranger: William B. Bradbury; Emily R. Brink Scripture: Ephesians 5:2 Tune Key: C Major Incipit: 53323 55661 66555 Used With Text: Jesus Loves Me
JESUS LOVES ME
Blest Be the Tie That Binds
Author: John Fawcett, 1740-1817 Hymnal: Worship and Rejoice #393 (2003) Meter: 6.6.8.6 Scripture: Ephesians 4:32 Lyrics: 1 Blest be the tie that binds
our hearts in Christian love;
the fellowship of kindred minds
is like to that above.
2 Before our Father’s throne
we pour our ardent prayers;
our fears, our hopes, our aims are one,
our comforts and our cares.
3 We share our mutual woes,
each other's burdens bear;
and often for each other flows
the sympathizing tear.
4 From sorrow, toil, and pain,
and sin we shall be free;
and perfect love and friendship reign
through all eternity. Topics: Fellowship Languages: English Tune Title: DENNIS
Blest Be the Tie That Binds
Blest Be the Tie that Binds
Author: John Fawcett, 1740-1817 Hymnal: One Lord, One Faith, One Baptism #589 (2018) Meter: 6.6.8.6 Scripture: Ephesians 4:32 Lyrics: 1 Blest be the tie that binds
Our hearts in Christian love;
The fellowship of kindred minds
Is like to that above.
2 Before our Father's throne
We pour our ardent prayers;
Our fears, our hopes, our aims are one,
Our comforts and our cares.
3 We share each other's woes,
Each other's burdens bear;
And often for each other flows
The sympathizing tear.
4 From sorrow, toil, and pain,
And sin we shall be free;
And perfect love and joy shall reign
Through all eternity. Topics: The Gospel in the Christian Life The Church and Communion of the Saints; Burdens; Christian unity; Church; Comfort; Freedom; Justice/Social Concern; Prayer; Service; Sin; Suffering Languages: English Tune Title: DENNIS
Blest Be the Tie that Binds
Blest Be the Tie That Binds
Author: John Fawcett, 1740-1817 Hymnal: Lead Me, Guide Me (2nd ed.) #605 (2012) Meter: 6.6.8.6 Scripture: Ephesians 4:32 Lyrics: 1 Blest be the tie that binds
Our hearts in Christian love;
The fellowship of kindred minds
Is like to that above.
2 Before our Father's throne
We pour our ardent prayers;
Our fears, our hopes, our aims are one,
Our comforts and our cares.
3 We share each other's woes,
Each other's burdens bear;
And often for each other flows
The sympathizing tear.
4 From sorrow, toil, and pain,
And sin we shall be free;
And perfect love and joy shall reign
Through all eternity. Topics: Brotherhood and Sisterhood; Burdens; Church; Community; Dedication of a Church; Freedom; Hope; Joy; Life in Christ, Christian Life; Love for Others; Petition, Prayer; Sharing, Giving; Unity Languages: English Tune Title: DENNIS
Blest Be the Tie That Binds
Rosamond E. Herklots
1905 - 1987 Scripture: Ephesians 4:31-32 Author of "Forgive Our Sins As We Forgive" in Trinity Hymnal (Rev. ed.) Rosamond E. Herklots was born of British parents in North India. Educated at Leeds University in England, she worked for many years as secretary to an eminent neurologist, and later in the head office of the Association for Spina Bifida and Hydrocephalus in London. She began writing hymns late in life, and some achieved an immediate success.
--www.societyholytrinity.org/2007gr-hymnfestcommentary.htm
Herklots began writing poetry in her childhood and turned to hymn writing in her adult years. She wrote over seventy hymns, many specifically with children in mind.
--Presbyterian Hymnal Companion
Rosamond E. Herklots
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams (1872-1958) Scripture: Ephesians 4:32 Arranger of "LASST UNS ERFREUEN" in Church Hymnary (4th ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Jacques Berthier
1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Scripture: Ephesians 4 Composer of "[Bear with one another in love and charity]" in Gather Comprehensive Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions.
Bert Polman
Jacques Berthier
