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O Love, How Deep, How Broad, How High
Author: Benjamin Webb Meter: 8.8.8.8 Appears in 139 hymnals Scripture: Ephesians 3:18 Lyrics: 1 O love, how deep, how broad, how high,
beyond all thought and fantasy,
that God, the Son of God, should take
our mortal form for mortals' sake!
2 For us baptized, for us he bore
his holy fast and hungered sore;
for us temptation sharp he knew,
for us the tempter overthrew.
3 For us he prayed; for us he taught;
for us his daily works he wrought:
by words and signs and actions thus
still seeking not himself, but us.
4 For us to evil power betrayed,
scourged, mocked, in purple robe arrayed,
he bore the shameful cross and death;
for us gave up his dying breath.
5 For us he rose from death again;
for us he went on high to reign;
for us he sent his Spirit here
to guide, to strengthen, and to cheer.
6 All glory to our Lord and God
for love so deep, so high, so broad
the Trinity, whom we adore
forever and forevermore.
Topics: Doxologies; Cross of Christ; Epiphany & Ministry of Christ; Suffering of Christ; Atonement; Cross of Christ; Doxologies; Easter; Epiphany & Ministry of Christ; Suffering of Christ; Trinity Used With Tune: DEO GRACIAS Text Sources: Latin, 15th cent.
O Love, How Deep, How Broad, How High
Just as I Am, Without One Plea
Author: Charlotte Elliott Meter: 8.8.8.6 Appears in 2,110 hymnals Scripture: Ephesians 3:19-21 Lyrics: The Hymnal 1982 #693 Psalter Hymnal #263 Trinity Hymnal #502
Charlotte Elliott Charlotte Elliott Charlotte Elliott
1 Just as I am, without one plea
but that thy blood was shed for me,
and that thou bidd'st me come to thee,
O Lamb of God, I come, I come.
2 Just as I am, though tossed about
with many a conflict, many a doubt,
fightings within, and fears without,
O Lamb of God, I come, I come.
3 Just as I am, thou wilt receive,
wilt welcome, pardon, cleanse, relieve,
because thy promise I believe,
O Lamb of God, I come, I come.
4 Just as I am (thy love unknown
has broken ev'ry barrier down),
now to be thine, and thine alone,
O Lamb of God, I come, I come.
5 Just as I am, of that free love
the breadth, depth, length, and height to prove.
here for a season, then above--
O Lamb of God, I come, I come.
Topics: Call and Response Used With Tune: SAFFRON WALDEN
Just as I Am, Without One Plea
Hymn 135
Author: Isaac Watts Meter: 8.8.8.8 Appears in 280 hymnals Scripture: Ephesians 3:16 First Line: Come, dearest Lord, descend and dwell Lyrics:
Come, dearest Lord, descend and dwell
By faith and love in every breast;
Then shall we know, and taste, and feel
The joys that cannot be expressed.
Come, fill our hearts with inward strength,
Make our enlarged souls possess,
And learn the height, and breadth, and length
Of thine unmeasurable grace.
Now to the God whose power can do
More than our thoughts or wishes know,
Be everlasting honors done
By all the church, through Christ his Son.
Hymn 135
DEO GRACIAS
Meter: 8.8.8.8 Appears in 99 hymnals Composer and/or Arranger: Carl Schalk Scripture: Ephesians 3:18 Tune Sources: English, 15th cent. Tune Key: c minor Incipit: 11717 76511 75454 Used With Text: O Love, How Deep, How Broad, How High
DEO GRACIAS
SAFFRON WALDEN
Meter: 8.8.8.6 Appears in 33 hymnals Composer and/or Arranger: A. H. Brown Scripture: Ephesians 3:19-21 Tune Key: D Major Incipit: 32151 16554 32143 Used With Text: Just as I Am, Without One Plea
SAFFRON WALDEN
On Bended Knee
Hymnal: Praise Hymnal #19 (2020) Scripture: Ephesians 3:14-15 First Line: On bended knee I come
On Bended Knee
He Is Here
Hymnal: Praise Hymnal #35 (2020) Scripture: Ephesians 3:16-17 First Line: He is here! Hallelujah!
He Is Here
Jesus, Lover of My Soul
Author: Charles Wesley Hymnal: Glory to God #440 (2013) Meter: 7.7.7.7 D Scripture: Ephesians 3:16-19 Lyrics: 1 Jesus, lover of my soul,
let me to thy bosom fly,
while the nearer waters roll,
while the tempest still is high.
Hide me, O my Savior, hide,
till the storm of life is past.
Safe into the haven guide.
O receive my soul at last!
2 Other refuge have I none;
hangs my helpless soul on thee.
Leave, ah! leave me not alone;
still support and comfort me.
All my trust on thee is stayed;
all my help from thee I bring.
Cover my defenseless head
with the shadow of thy wing.
3 Thou, O Christ, art all I want;
more than all in thee I find.
Raise the fallen, cheer the faint,
heal the sick, and lead the blind.
Just and holy is thy name;
I am all unrighteousness.
False and full of sin I am;
thou art full of truth and grace.
4 Plenteous grace with thee is found,
grace to cover all my sin.
Let the healing streams abound;
make and keep me pure within.
Thou of life the fountain art;
freely let me take of thee.
Spring thou up within my heart.
Rise to all eternity.
Topics: Comfort; Forgiveness; Grace; Living in Christ Languages: English Tune Title: ABERYSTWYTH
Jesus, Lover of My Soul
Charles Wesley
1707 - 1788 Scripture: Ephesians 3:15 Author of "Let Saints On Earth in Concert Sing" in Church Hymnal, Mennonite Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Anonymous
Person Name: Unknown Scripture: Ephesians 3:16-19 Author of "Holy Spirit, gift bestower" in Church Hymnary (4th ed.) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Benjamin Webb
1819 - 1885 Scripture: Ephesians 3:18 Translator of "O Love, How Deep, How Broad, How High" in Psalter Hymnal (Gray) Benjamin Webb (b. London, England, 1819; d. Marylebone, London, 1885) originally translated the text in eight stanzas, although six only appear in Lift Up Your Hearts. It was published in The Hymnal Noted (1852), produced by his friend John Mason Neale. Webb received his education at Trinity College, Cambridge, England, and became a priest in the Church of England in 1843. Among the parishes he served was St. Andrews, Wells Street, London, where he worked from 1862 to 1881. Webb's years there coincided with the service of the talented choir director and organist Joseph Barnby, and the church became known for its excellent music program. Webb edited The Ecclesiologist, a periodical of the Cambridge Ecclesiological Society (1842-1868). A composer of anthems, Webb also wrote hymns and hymn translations and served as one of the editors of The Hymnary (1872).
Bert Polman
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Webb, Benjamin, M.A., was born in London in 1820, and was educated in St. Paul's School; whence he passed to Trinity College, Cambridge, in 1838, B.A. 1842, M.A. 1845. Ordained by the Bishop [Monk] of Gloucester and Bristol he was Assistant Curate of Kemeston in Gloucestershire, 1843-44; of Christ Church, St. Pancras, 1847-49; and of Brasted, Kent, 1849-51; at which date he was presented to the P. C. of Sheen in Staffordshire, which he held until 1862, when he became Vicar of St. Andrews, Wells Street, London. In 1881 the Bishop [Jackson] of London collated him to the Prebend of Portpool in St. Paul's Cathedral. Mr. Webb was one of the Founders of the Cambridge Camden, afterwards the Ecclesiological Society; and the Editor of the Ecclesiologist from 1842 to 1868, as well as the General Editor of the Society's publications. His first appearance in print was as joint editor of Bishop Montague's Articles of Inquiry in 184; in 1843 he was joined with Mr. J. M. Neale in An Essay on Symbolism, and A Translation of Durandus; in 1847 he put forth his valuable work on Continental Ecclesiology; in 1848 he was joint editor with Dr. Mill of Frank’s Sermons, for the Anglo-Catholic Library, and with the Rev. J. Fuller-Russell of Hierurgia Anglicana. After the decease of his father-in-law (Dr. Mill), he edited Dr. Mill's Catechetical Lectures, 1856; a second edition of Dr. Mill's Christian Advocates Publications on the Mythical Interpretation of the Gospels, 1861; and of Dr. Mill's Sermons on our Lord's Temptation, 1873. He was also one of the editors of the Burntisland reprint of the Sarum Missal. One of his most valuable works is Instructions and Prayers for Candidates for Confirmation, of which the third edition was published in 1882. Mr. Webb was one of the original editors of the Hymnal Noted, and of the sub-Committee of the Ecclesiological Society, appointed to arrange the words and the music of that book; and was also the translator of some of the hymns. In conjunction with the Rev. Canon W. Cooke he was editor of the Hymnary, 1872, for which office his habitual reconstruction and composition of the words of the anthems used at St. Andrew's, Wells Street, as well as his connection with the Hymnal Noted, eminently qualified him. His original hymns contributed to the Hymnary, 1871 and 1872, were:--
1. Assessor to thy King. St. Bartholomew. In the Hymnary, 1872.
2. Behold He comes, thy King most holy. Advent. Originally written to be sung in St. Andrew's Church, Wells Street, as an anthem to the music of Schumann's Advent-lied, and afterwards published in the Hymnary, 1872.
3. Praise God, the Holy Trinity. Hymn of Faith. Originally written for use in St. Andrew's, Wells Street, and subsequently in the Hymnary, 1872.
4. Praise the Rock of our salvation. Dedication of a Church. Published in the Hymnary, 1872. Mr. Webb's authorised text is in the Westminster Abbey Hymn Book, 1883.
5. Ye angel hosts above. Universal Praise to God. In the Hymnary, 1872.
He died in London, Nov. 27, 1885. [Rev. William Cooke, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Benjamin Webb
