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The Spacious Firmament on High
Author: Joseph Addison (1672-1719) Meter: 8.8.8.8 Appears in 785 hymnals Scripture: Baruch 3:9-37, 4:1-4 Lyrics: 1 The spacious firmament on high,
with all the blue ethereal sky,
and spangled heavens, a shining frame,
their great Original proclaim.
The unwearied sun from day to day
does his Creator's power display;
and publishes to every land
the work of an almighty hand.
2 Soon as the evening shades prevail,
the moon takes up the wondrous tale,
and nightly to the listening earth
repeats the story of her birth:
whilst all the stars that round her burn,
and all the planets in their turn,
confirm the tidings, as they roll
and spread the truth from pole to pole.
3 What though in solemn silence all
move round the dark terrestrial ball,
what though no real voice nor sound,
amid their radiant orbs be found;
in reason's ear they all rejoice,
and utter forth a glorious voice;
for ever singing as they shine,
"The hand that made us is divine." Topics: Creation; Creation Used With Tune: CREATION
The Spacious Firmament on High
From the Falter of Breath
Author: John L. Bell Meter: 6.6.9 D Appears in 5 hymnals Scripture: Baruch 3:9-37, 4:1-4 Topics: Faith/Trust; Funeral; Christian Life Used With Tune: IONA BOAT SONG
From the Falter of Breath
CREATION
Meter: 8.8.8.8 Appears in 305 hymnals Composer and/or Arranger: Franz Joseph Haydn (1732-1809); Melva Treffinger Graham (1947-) Scripture: Baruch 3:9-37, 4:1-4 Tune Sources: Adapt. Dulcimer, or New York Collection of Sacred Music, 1850, alt. Incipit: 51122 31621 75671 Used With Text: The Spacious Firmament on High
CREATION
IONA BOAT SONG
Meter: 6.6.9 D Appears in 6 hymnals Composer and/or Arranger: George Black, 1931- Scripture: Baruch 3:9-37, 4:1-4 Tune Sources: Scottish trad. Tune Key: D Major Incipit: 55553 55565 35556 Used With Text: From the Falter of Breath
IONA BOAT SONG
[Hear the commandments of life]
Appears in 2 hymnals Composer and/or Arranger: Jane Marshall Scripture: Baruch 3:9 Tune Key: D Major Incipit: 11111 11 Used With Text: Psalm 19
[Hear the commandments of life]
The Spacious Firmament on High
Author: Joseph Addison (1672-1719) Hymnal: Common Praise (1998) #426 (1998) Meter: 8.8.8.8 Scripture: Baruch 3:9-37, 4:1-4 Lyrics: 1 The spacious firmament on high,
with all the blue ethereal sky,
and spangled heavens, a shining frame,
their great Original proclaim.
The unwearied sun from day to day
does his Creator's power display;
and publishes to every land
the work of an almighty hand.
2 Soon as the evening shades prevail,
the moon takes up the wondrous tale,
and nightly to the listening earth
repeats the story of her birth:
whilst all the stars that round her burn,
and all the planets in their turn,
confirm the tidings, as they roll
and spread the truth from pole to pole.
3 What though in solemn silence all
move round the dark terrestrial ball,
what though no real voice nor sound,
amid their radiant orbs be found;
in reason's ear they all rejoice,
and utter forth a glorious voice;
for ever singing as they shine,
"The hand that made us is divine." Topics: Creation; Creation Languages: English Tune Title: CREATION
The Spacious Firmament on High
From the Falter of Breath
Author: John L. Bell Hymnal: Common Praise (1998) #489 (1998) Meter: 6.6.9 D Scripture: Baruch 3:9-37, 4:1-4 Topics: Faith/Trust; Funeral; Christian Life Languages: English Tune Title: IONA BOAT SONG
From the Falter of Breath
Psalm 19
Hymnal: The United Methodist Hymnal #750b (1989) Scripture: Baruch 3:9 First Line: Hear the commandments of life Refrain First Line: Hear the commandments of life Lyrics: Response: (General)
Hear the commandments of life;
give ear, and learn wisdom. Tune Title: [Hear the commandments of life]
Psalm 19
Joseph Addison
1672 - 1719 Person Name: Joseph Addison (1672-1719) Scripture: Baruch 3:9-37, 4:1-4 Author of "The Spacious Firmament on High" in Common Praise (1998) Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time.
i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :—
1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:—
"David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.)
2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:—
“I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum)
Then follows the hymn:—"When all Thy mercies, 0 my God."
3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:—
“For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum
Joseph Addison
Joseph Haydn
1732 - 1809 Person Name: Franz Joseph Haydn (1732-1809) Scripture: Baruch 3:9-37, 4:1-4 Composer of "CREATION" in Common Praise (1998) Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music.
Bert Polman
Joseph Haydn
Melva Treffinger Graham
b. 1947 Person Name: Melva Treffinger Graham (1947-) Scripture: Baruch 3:9-37, 4:1-4 Trombone arrangement of "CREATION" in Common Praise (1998)
Melva Treffinger Graham
