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O Love Divine, How Sweet Thou Art
Author: Charles Wesley Meter: 8.8.6.8.8.6 Appears in 379 hymnals First Line: O Love divine, how sweet Thou art! When shall I find my willing heart
O Love Divine, How Sweet Thou Art
Let All the Earth Their Voices Raise
Author: Isaac Watts Meter: 8.8.6.8.8.6 Appears in 166 hymnals Lyrics: 1. Let all the earth their voices raise
To sing the choicest psalm of praise,
To sing and bless Jehovah’s name:
His glory let the heathens know,
His wonders to the nations show,
And all His saving works proclaim.
2. The heathens know Thy glory, Lord,
The wondering nations read Thy Word,
In Britain is Jehovah known:
Our worship shall no more be paid
To gods which mortal hands have made;
Our maker is our God alone.
3. He framed the globe, He built the sky,
He made the shining worlds on high,
And reigns complete in glory there:
His beams are majesty and light;
His beauties, how divinely bright!
His temple, how divinely fair!
4. Come the great day, the glorious hour,
When earth shall feel His saving power,
And barbarous nations fear His name;
Then shall the race of man confess
The beauty of His holiness,
And in His courts His grace proclaim. Used With Tune: ARIEL Text Sources: The Psalms of David, 1719
Let All the Earth Their Voices Raise
O Glorious Hope of Perfect Love
Author: John Wesley; Charles Wesley Meter: 8.8.6.8.8.6 Appears in 222 hymnals Lyrics: 1. O glorious hope of perfect love!
It lifts me up to things above;
It bears on eagles’ wings.
It gives my ravished soul a taste,
And makes me for some moments feast
With Jesus’ priests and kings,
With Jesus’ priests and kings.
2. Rejoicing now in earnest hope,
I stand, and from the mountain top
See all the lands below.
Rivers of milk and honey rise,
And all the fruits of paradise
In endless plenty grow,
In endless plenty grow.
3. A land of corn, and wine, and oil;
Favored with God’s peculiar smile,
With ev’ry blessing blest;
There dwells the Lord our Righteousness,
And keeps His own in perfect peace,
And everlasting rest,
And everlasting rest.
4. Oh, that I might at once go up;
No more on this side of Jordan stop,
But now the land possess;
This moment end my legal years,
Sorrows and sins, and doubts and fears,
A howling wilderness,
A howling wilderness! Used With Tune: ARIEL Text Sources: Hymns and Sacred Poems, by John and Charles Wesley, 1742
O Glorious Hope of Perfect Love
And Am I Only Born to Die?
Author: Charles Wesley Hymnal: The Cyber Hymnal #1 Meter: 8.8.6.8.8.6 Lyrics: 1. And am I only born to die?
And must I suddenly comply
With nature’s stern decree?
What after death for me remains?
Celestial joys, or hellish pains,
To all eternity?
2. How then ought I on earth to live,
While God prolongs the kind reprieve
And props the house of clay?
My sole concern, my single care,
To watch, and tremble, and prepare
Against the fatal day.
3. No room for mirth or trifling here,
For worldly hope, or worldly fear,
If life so soon is gone:
If now the Judge is at the door,
And all mankind must stand before
The inexorable throne!
4. No matter which my thoughts employ,
A moment’s misery, or joy;
But O! when both shall end,
Where shall I find my destined place?
Shall I my everlasting days
With fiends, or angels spend?
5. Nothing is worth a thought beneath
But how I may escape the death
That never, never dies;
How make mine own election sure,
And, when I fail on earth, secure
A mansion in the skies.
6. Jesus, vouchsafe a pitying ray,
Be Thou my guide, be Thou my way
To glorious happiness;
Ah, write the pardon on my heart,
And whensoe’er I hence depart,
Let me depart in peace. Languages: English Tune Title: VENETIA
And Am I Only Born to Die?
The Morning dawns; on gilded height
Author: John Brownlie Hymnal: Hymns of the Russian Church #5 (1920) Meter: 8.8.6.8.8.6 Lyrics:
The Morning dawns; on gilded height
The glory of the early light
Awaits the rising sun
Awake, my soul, to life awake!
Inspired with hope thy task o'ertake,
And fill the day begun.
O Light, beyond our utmost light,
To Whom our day is as the night,
Our sun a feeble star;
Lead me to where Thy glories rise,
Beyond the earth, beyond the skies,
On fairer fields afar.
Thou art the Light, eternal Christ,
Whose glory at the first sufficed
To fire the endless spheres;
Night has no more abiding place,
Before the brightness of Thy face
The darkness disappears.
O that a searching ray would shine
Within this darkened soul of mine,
And bid my night depart!
Then would the joy of life abound,
And morning music ever sound
Within my joyless heart.
Languages: English
The Morning dawns; on gilded height
Loss and Gain.
Author: Joseph Morris Hymnal: Favourite Welsh Hymns #5 (1854) Meter: 8.8.6.8.8.6 First Line: In Eden—Memory e'er will tell Lyrics:
In Eden—Memory e’er will tell,
How honours thick as dew that fell
Were lost: alas, man’s crown!
On Calvary, did Mercy bring
More lofty honours—I will sing
The Victor’s high renown.
Languages: English
Loss and Gain.
J. Hart
1712 - 1768 Meter: 8.8.6.8.8.6 Author of "The Sabbath" Hart, Joseph, was born in London in 1712. His early life is involved in obscurity. His education was fairly good; and from the testimony of his brother-in-law, and successor in the ministry in Jewin Street, the Rev. John Hughes, "his civil calling was" for some time "that of a teacher of the learned languages." His early life, according to his own Experience which he prefaced to his Hymns, was a curious mixture of loose conduct, serious conviction of sin, and endeavours after amendment of life, and not until Whitsuntide, 1757, did he realize a permanent change, which was brought about mainly through his attending divine service at the Moravian Chapel, in Fetter Lane, London, and hearing a sermon on Rev. iii. 10. During the next two years many of his most earnest and impassioned hymns were written. These appeared as:—
Hymns composed on Various Subjects, with the Author's Experience, London, 1759. During this year he became the Minister of the Independent Chapel, Jewin Street, London. In 1762 he added a Supplement to his Hymns; and in 1765 an Appendix. In modern editions of his Hymns these three are embodied in one volume as:— Hymns composed on Various Subjects: With the Author's Experience, The Supplement and Appendix. By the Rev. Joseph Hart, late Minister of the Gospel in Jewin Street, London. Allott & Co. [no date].
Hart died on May 24, 1768. At one time his hymns were widely used, especially by Calvinistic Nonconformists. Many of them are of merit, and are marked by great earnestness, and passionate love of the Redeemer. The best known are: “Come, Holy Spirit, come"; “Come, ye sinners, poor and wretched"; "This God is the God we adore"; and "Lord, look on all assembled here." Those which are more limited in their use include:—
i. From his Hymns, &c, 1759.
1. Descend from heaven, celestial Dove. Whitsuntide. No. 6, in 6 stanzas of 6 lines. In Snepp's Songs of Grace & Glory., 1872, No. 374, st. iv., v. are omitted. It is in extensive use in America.
2. Great High Priest, we view Thee stooping. High Priesthood of Christ. No. 56, pt. ii., in 3 stanzas of 8 lines. In Snepp's Songs of Grace & Glory, 1872, No. 236; Hatfield's Church Hymn Book, N. Y., 1872, No. 435, &c.
8. How wondrous are the works of God. Redeeming Love. No. 21, in 9 stanzas of 4 lines. In the Scottish Evangelical Union Hymnal, 1878, st. i.-iv. are given as No. 11.
4. If ever it could come to pass. Final Perseverance. No. 58, in 3 stanzas of 6 lines. Repeated in Snepp's Songs of Grace & Glory, 1872, No. 729.
6. Jesus is our God and Saviour . Faith and Repentance. No. 54, in 7 stanzas of 8 lines. In Snepp's Songs of Grace & Glory, 1872, No. 146, st. iv. is omitted. In the London Hymn Book (enlarged), 1879, st. iii. and v. are given as "Nothing but Thy blood, 0 Jesus."
6. Jesus, while He dwelt below. Gethsemane. No. 75, in 23 stanzas of 6 lines. In Snepp's Songs of Grace & Glory, 1872, No. 230, sixteen stanzas are broken up into three parts: (i.) "Jesus, while He dwelt below"; (ii.) "Full of love to man's lost race"; (iii.) "There my God bore all my guilt." A cento is also given in Hatfield's Church Hymn Book, N. Y., 1872, No. 441, as "Many woes had Christ [He] endured." It is composed of st. viii., ix., xiii., xx., xxiii., slightly altered. In the Scottish Evangelical Union Hymnal, 1878, No. 34, 8 stanzas are given in two parts: pt. i. as, "Jesus, while He dwelt below"; pt. ii. "Eden from each flowery bed."
7. Lamb of God, we fall before Thee. Christ All in All. No. 17 in 4 stanzas of 8 lines. It is in various collections, and as altered in Kennedy , 1863, No. 1171, is much improved.
8. Let us all with grateful praises. Christmas. No. 14 in 7 stanzas of 8 lines. In Spurgeon's 0ur Own Hymn Book, 1866, it is reduced to 4 stanzas of 4 lines.
9. Lord, look on all assembled here. For a Public Fast. No. 96, in 8 stanzas of 4 lines. It is in several of the older hymnbooks.
10. Lord, we lie before Thy feet. Lent. No. 74, in 6 stanzas of 6 lines, and based on 2 Chron. xx. 20. In Spurgeon's 0ur Own Hymn Book, 1866, stanza i., iii., vi. are given as No. 585.
11. Mercy is welcome news indeed. God's Mercy in pardoning Sin. No. 51, in 6 stanzas of 4 lines, on St. Luke vii. 42. In Spurgeon, 1866, No. 544.
12. Much we talk of Jesu's blood. Passiontide. No. 41, in 4 st. of 8 lines, on Lam. i. 12. In Spurgeon, 1866, it is abridged to 4 stanzas of 4 lines.
13. Bow from the garden to the cross. Good Friday. No. 63, in 9 stanzas of 4 lines, and entitled, "The Crucifixion." In Spurgeon, 1866, No. 274, st. ii.-v., vi.-ix. are given as "See how the patient Jesus stands."
14. The Fountain of Christ Assist me to sing. The Fountain. No. 86, in 8 stanzas of 8 lines on Zech. xiii. 1. In Spurgeon, 1866, st. i., v., vii., viii., are given as No. 375.
15. The moon and stars shall lose their light. Advent. No. 48, in 4 stanzas of 4 lines, on St. Matt. xxiv. 35. In Spurgeon, 1866.
16. The sinner that truly believes. Saving Faith. No. 88, in 5 stanzas of 4 lines, and entitled, "Saving Faith" In Spurgeon, 1866, No. 533, st. ii. is omitted, and the opening line is altered to "The moment a sinner believes."
ii. From his Supplement, 1762.
17. Behold what awful pomp. Advent. No. 52, in 8 stanzas of 4 lines. It is usually abridged as in the American Methodist Episcopal Hymns, 1849, No. 1107.
18. Christ is the Eternal Rock. The Offices of Christ. No. 27, in 6 stanzas of 8 lines. In Windle's Metrical Psalter & Hymnal, 1862, stanzas i., ii., v. are given as No. 53.
19. Christians, dismiss your fear. Easter. No. 33, in 4 stanzas of 8 lines into Dr. Alexander's Augustine Hymn Book, 1849, No. 79, in 7 stanzas of 4 lines.
20. Dismiss us with Thy blessing, Lord. Close of Service. No. 78, in 2 stanzas of 4 lines. In a few collections.
21. Gird thy loins up, Christian soldier. The Christian Armour . No. 29, in 5 stanzas of 8 lines, on Eph. vi. 11. Found in several of the older, and a few of the modern collections.
22. Glory to God on high, Our peace, &c. Holy Communion. No. 3, in 6 stanzas of 4 lines. In Hatfield's Church Hymn Book, 1872, No. 704, st. v., vi. are omitted.
23. Holy Ghost, inspire our praises. On behalf of Ministers. No. 77, in 5 stanzas of 8 lines. In the Scottish Evangelical Union Hymnal, 1878, No. 412, st. iii.-v. are given as, "Happy soul that hears and follows."
24. Jesus once for sinners slain. Holy Communion. No. 18, in 6 stanzas of 4 lines. In American use.
25. Lord, help us on Thy word to feed. Close of Service. No. 80, in 2 stanzas of 4 lines. In several modern hymnbooks.
26. O for a glance of heavenly day. Lent. No. 64, in 5 stanzas of 4 lines. In Hatfield's Church Hymn Book, 1872, and other American collections it is usually repeated in full. In Bickersteth's Christian Psalmody, 1833, it was given as, "Lord, shed a beam of heavenly day," and this is repeated in modern hymnbooks.
27. Once more before we part. Close of Service. No. 79, in 2 stanzas of 4 lines. Popular in Great Britain and America.
28. Once more we come before our God. Before a Sermon. No. 21, in 6 stanzas of 4 lines, into Hatfield, 1872, No. 111, and others.
29. Sons of God by bless'd adoption. Burial. No. 45, in 3 stanzas of 8 lines, into Snepp's Songs of Grace & Glory, 1872, No. 981, as "Sons of God by blest adoption."
30. Suffering Saviour, Lamb of God . Holy Communion. No. 14, in 8 stanzas of 4 lines. In W. F. Stevenson's Hymns for Church & Home, 1873, st. iii., vii. are omitted.
31. That doleful night before His death. Holy Communion. No. 17, in 2 stanzas of 8 lines. In the Scottish Evangelical Union Hymnal, 1878, st. i. 11. 4-8, and st. ii., are given as, "To keep Thy Feast, Lord, we are met."
iii. From his Appendix, 1765.
32. Christians, in your several stations. Christian Duty. No. 7, in 5 stanzas of 6 lines. It is slightly altered in Snepp's Songs of Grace & Glory, 1872, No. 742, and dated 1759 in error.
33. Prayer was [is] appointed to convey. Prayer. No. 12 in 6 stanzas of 4 lines into Snepp's Songs of Grace & Glory, 1872, No. 542, with alterations and the omission of st. ii., v. In some American collections it begins, "Prayer is to God, the soul's sure way."
--John Julian, Dictionary of Hymnology (1907)
=======================
Hart, Joseph, p. 492, ii. Other hymns in common use are—
1. The blest memorials of Thy grief (1762). Holy Communion.
2. To comprehend the great Three-One (1759). Holy Trinity.
3. Vain man, thy fond pursuits forbear (1759). Death.
4. When the blest day of Pentecost (1759). Whitsuntide.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
J. Hart
S. J. Vail
1818 - 1883 Meter: 8.8.6.8.8.6 Composer of "HOLMES (Vail)" In his youth Silas Jones Vail learned the hatter's trade at Danbury, Ct. While still a young man, he went to New York and took employment in the fashionable hat store of William H. Beebe. Later he established himself in business as a hatter at 118 Fulton Street, where he was for many years successful. But the conditions of trade changed, and he could not change with them. After his failure in 1869 or 1870 he devoted his entire time and attention to music. He was the writer of much popular music for use in churches and Sunday schools. Pieces of music entitled "Scatter Seeds of Kindness," "Gates Ajar," "Close to Thee," "We Shall Sleep, but not Forever," and "Nothing but Leaves" were known to all church attendants twenty years ago. Fanny Crosby, the blind authoress, wrote expressly for him many of the verses he set to music.
--Vail, Henry H. (Henry Hobart). Genealogy of some of the Vail family descended from Jeremiah Vail at Salem, Mass., 1639, p. 234.
S. J. Vail
Samuel Sebastian Wesley
1810 - 1876 Person Name: S. S. Wesley, 1810-1876 Meter: 8.8.6.8.8.6 Composer of "CORNWALL" in Common Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
Small Church Music
Meter: 8.8.6.8.8.6 Editors: Edward Osler Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Small Church Music
The Book of Psalms for Singing
Publication Date: 1998 Publisher: Crown and Covenant Publications Meter: 8.8.6.8.8.6 Publication Place: Pittsburgh, PA
The Book of Psalms for Singing
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 8.8.6.8.8.6
Christian Classics Ethereal Hymnary
