My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
O God, Forsake Me Not
Author: Salomo Franck, 1659-1725; August Crull, 1845-1923 Meter: 6.7.6.7.6.6.6.6 Appears in 9 hymnals First Line: O God, forsake me not! Lyrics: 1 O God, forsake me not!
Your gracious presence lend me;
Lord, lead Your helpless child;
Your Holy Spirit send me
That I my course may run.
O be my light, my lot,
My staff, my rock, my shield--
O God, forsake me not!
2 O God, forsake me not!
Take not Your Spirit from me;
Do not permit the might
Of sin to overcome me.
Increase my feeble faith,
Which You alone have wrought.
O be my strength and pow'r--
O God, forsake me not!
3 O God, forsake me not!
Lord, hear my supplication!
In ev'ry evil hour
Help me resist temptation;
And when the prince of hell
My conscience seeks to blot,
Be then not far from me--
O God, forsake me not!
4 O God, forsake me not!
Lord, I am Yours forever.
O keep me strong in faith
That I may leave You never.
Grant me a blessed end
When my good fight is fought;
Help me in life and death--
O God, forsake me not!
Topics: Psalm paraphrase Psalm 71 Scripture: Psalm 38:21-22 Used With Tune: O GOTT, DU FROMMER GOTT
O God, Forsake Me Not
Today did Christ Arise
Author: Richard T. Gore, 1908- Meter: 6.7.6.7.6.6.6.6 Appears in 1 hymnal Used With Tune: VRUECHTEN
Today did Christ Arise
Lord God, we worship thee!
Author: Catherine Winkworth; Johann Franck Meter: 6.7.6.7.6.6.6.6 Appears in 60 hymnals Topics: National Days Used With Tune: NUN DANKET
Lord God, we worship thee!
NUN DANKET
Meter: 6.7.6.7.6.6.6.6 Appears in 532 hymnals Composer and/or Arranger: Johann Crüger; Felix Mendelssohn Tune Key: F Major Incipit: 55566 53432 32155 Used With Text: Nun danket alle Gott (Now Thank We All Our God)
NUN DANKET
WELLSMINSTER
Meter: 6.7.6.7.6.6.6.6 Appears in 4 hymnals Composer and/or Arranger: Frederic F. Bullard Incipit: 56176 54433 45556
WELLSMINSTER
Now Thank We All Our God
Author: Martin Rinkart Hymnal: Lutherförbundets Sångbok #E131 (1913) Meter: 6.7.6.7.6.6.6.6 Lyrics: 1 Now thank we all our God,
With heart and hands and voices;
Who wondrous things hath done,
In whom His earth rejoices;
Who from our mother's arms
Hath blessed us on our way
With countless gifts of love,
And still is ours today.
2 Oh! may this bounteous God,
Thro' all our life be near us,
With ever joyful hearts,
And blessed peace to cheer us;
And keep us in His grace,
And guide us when perplexed,
And free us from all ills,
In this world and the next.
3 All praise and thanks to God
The Father, now be given,
The Son and Him who reigns
With them in highest heaven:
The One eternal God,
Whom earth and heav'n adore:
For thus it was, is now,
And shall be evermore. Topics: Prayer and Praise Languages: English Tune Title: NUN DANKET ALLE GOTT
Now Thank We All Our God
Nu tacken Gud, allt folk!
Author: Martin Rinkart Hymnal: Lutherförbundets Sångbok #S19 (1913) Meter: 6.7.6.7.6.6.6.6 First Line: Nu tacken Gud, allt folk Lyrics: 1 Nu tacken Gud, allt folk,
Med hjärtans fröjd och gamman,
För stora ting, dem han
Gör med oss allesamman:
Den från vårt moderslif,
Af nåd och stor miskund,
Så mycket godt oss gjort
Och än gör hvarje stund.
2 Den nåderike Gud,
Han oss ock här förläne,
Att vi med hjärtans fröjd
I frid städs honom tjäne;
Och Herren, sor af nåd,
Oss vare alltid blid,
Oss vare Herren när,
Nu och i evig tid.
3 Pris vare dig, o Gud,
O Fader, Son och Ande,
Högtlofvad, store Gud!
Af oss i allo lande!
Du som af evighet,
Treenig Gud förvisst,
Har varit, är och blir,
Högtlofvad först och sist.
Topics: Lofsånger; Praises; Ordet och Gudstjänsten; The Word and the Worship Languages: Swedish Tune Title: NUN DANKET ALLE GOTT
Nu tacken Gud, allt folk!
De boca y corazón
Author: Martín Rinkart (alemán, 1586-1649); Federico Fliedner (alemán, 1845-1901) Hymnal: Las Voces del Camino #6 (2009) Meter: 6.7.6.7.6.6.6.6 First Line: De boca y corazón Lyrics: 1 De boca y corazón a nuestro Dios cantemos.
Nos dio su bendición, salud, vida y consuelo.
Tan sólo a su bondad debemos nuestro ser;
con su fidelidad nos cuida por doquier.
2 Oh bondadoso Dios, ven, danos cada día
un corazón filial y lleno de alegría.
Espíritu de amor, acepta la oración
que eleva con fervor el grato corazón. Topics: Alabanza y Celebración; Praise and Celebration; Dios; God; Familia; Family; Gratitud; Gratitude Languages: Spanish Tune Title: NUN DANKET ALLE GOTT
De boca y corazón
Gregory Murray
1905 - 1992 Person Name: A. Gregory Murray, OSB, b. 1905 Meter: 6.7.6.7.6.6.6.6 Harmonizer of "NUN DUNKET" in Gather Comprehensive
Gregory Murray
Johann Franck
1618 - 1677 Meter: 6.7.6.7.6.6.6.6 Author of "Lord God, we worship Thee!" in The Hymnal Johann Franck (b. Guben, Brandenburg, Germany, 1618; d. Guben, 1677) was a law student at the University of Köningsberg and practiced law during the Thirty Years' War. He held several positions in civil service, including councillor and mayor of Guben. A significant poet, second only to Paul Gerhardt in his day, Franck wrote some 110 hymns, many of which were published by his friend Johann Crüger in various editions of the Praxis Pietatis melica. All were included in the first part of Franck’s Teutsche Gedichte bestehend im geistliche Sion (1672).
Bert Polman
=============
Franck, Johann, son of Johann Franck, advocate and councillor at Guben, Brandenburg, was born at Guben, June 1, 1618. After his father's death, in 1620, his uncle by marriage, the Town Judge, Adam Tielckau, adopted him and sent him for his education to the schools at Guben, Cottbus, Stettin and Thorn. On June 28, 1638, he matriculated as a student of law at the University of Königsberg, the only German university left undisturbed by the Thirty Years' War. Here his religious spirit, his love of nature, and his friendship with such men as Simon Dach and Heinrich Held, preserved him from sharing in the excesses of his fellow students. He returned to Guben at Easter, 1640, at the urgent request of his mother, who wished to have him near her in those times of war during which Guben frequently suffered from the presence of both Swedish and Saxon troops. After his return from Prague, May, 1645, he commenced practice as a lawyer. In 1648 he became a burgess and councillor, in 1661 burgomaster, and in 1671 was appointed the deputy from Guben to the Landtag (Diet) of Lower Lusatia. He died at Guben, June 18, 1677; and on the bicentenary of his death, June 18, 1877, a monumental tablet to his memory was affixed to the outer wall of the Stadtkirche at Guben (Koch, iii. 378-385; Allgemeine Deutsche Biographie, vii. 211-212; the two works by Dr. Hugo Jentsch of Guben, Johann Franck, 1877, and Die Abfassungszeit der geistlichen Lieder Johann Franck's, 1876).
Of Franck's secular poems those before 1649 are much the best; his later productions becoming more and more affected and artificial, long-winded and full of classical allusions, and much inferior to those of Dach or Opitz. As a hymn writer he holds a high rank and is distinguished for unfeigned and firm faith, deep earnestness, finished form, and noble, pithy, simplicity of expression. In his hymns we miss the objectivity and congregational character of the older German hymns, and notice a more personal, individual tone; especially the longing for the inward and mystical union of Christ with the soul as in his "Jesus, meine Freude." He stands in close relationship with Gerhardt, sometimes more soaring and occasionally more profound, but neither on the whole so natural nor so suited for popular comprehension or Church use.
His hymns appeared mostly in the works of his friends Weichmann, Crüger and Peter. They were collected in his Geistliches Sion, Guben, 1674, to the number of 110; and of these the 57 hymns (the other 53 being psalm versions of no great merit) were reprinted with a biographical preface by Dr. J. L. Pasig as Johann Franck's Geistliche Lieder, Grimma, 1846. Two of those translated into English are from the Latin of J. Campanus (q. v.). Four other hymns are annotated under their own first lines:—"Brunquell aller Güter"; "Dreieinigkeit der Gottheit wahrer Spiegel"; "Jesu, meine Freude"; "Schmücke dich, o liebe Secle." The rest are:—
i. Hymns in English common use: --
i. Erweitert eure Pforten . [Advent]. Founded on Psalm xxiv. 7-10. First published in C. Peter's Andachts-Zymbeln, Freiberg, 1655, p. 25, in 7 stanzas of 8 lines; repeated 1674, p. 3, and 1846, p. 3, as above. Included in the 1688 and later editions of Crüger's Praxis pietatis, in Bollhagen's Gesang-Buch, 1736, &c.
The only translation in common use is:—-
Unfold your gates and open, a translation of st. 1, 3, 6, by A. T. Russell, as No. 30 in his Hymns & Psalms, 1851; repeated altered as No. 30 in Kennedy, 1863, and thus as No. 102 in Holy Song, 1869.
ii. Herr Gott dich loben wir, Regier. Thanksgiving for Peace. Evidently written as a thanksgiving for the conclusion of the Thirty Years' War, by the Peace of Westphalia, Oct. 24, 1648. First published in the Crüger-Runge Gesang-Buch, Berlin, 1653, No. 306, in 9 st. of 8 l., as the first of the "Hymns of Thanksgiving for Peace attained"; and repeated 1674, p. 182, and 1846, p. 77, as above. Included in Crüger's Praxis, 1653, and many later collections, and, as No. 591, in the Unverfälschter Liedersegen, 1851. The only translation in common use is:—
Lord God, we worship Thee, a very good version of st. 2, 3, 6, 8, by Miss Winkworth in her Chorale Book for England, 1863, No. 183. Repeated in full in the Society for Promoting Christian Knowledge Church Hymns, 1871; the Hymnary, 1872; the Psalmist, 1878; and in America in the Pennsylvania Lutheran Church Book, 1868. In the American Protestant Episcopal Collection, 1871; the Hymns & Songs of Praise, N. Y. 1874; and the Ohio Lutheran Hymnal, 1880, the translation of stanza 8 is omitted.
iii. Herr ich habe missgehandelt. Lent. Of this fine hymn of penitence stanza i. appeared as No. 19 in Cruger's Geistliche Kirchenmelodien , Leipzig, 1649. The full form in 8 stanzas of 6 lines is No. 41 in the Crüger-Runge Gesang-Buch, Berlin, 1653, entitled "For the forgiveness of sins," repeated 1674, p. 39, and 1846, p. 37, as above. Included in Crüger's Praxis, 1653, and others, and in the Unverfälschter Liedersegen, 1851. The only translation in common use is:—
Lord, to Thee I make confession, a very good translation, omitting st. 4, 5, 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 44, repeated in the Appendix to the Hymnal for St. John's, Aberdeen, 1865-1870; and in the Pennsylvania Lutheran Ch. Book, 1868; Evangelical Hymnal, N. Y., 1880; Ohio Lutheran Hymnal, 1880. Another translation is: "Lord, how oft I have offended," by N. L. Frothingham, 1870, p. 177.
iv. Herr Jesu, Licht der Heiden. Presentation in the Temple. Founded on the account in St. Luke ii., and probably the finest hymn on the subject. Dr. Jentsch, 1876, p. 9, thinks it was written before Dec. 8, 1669, as C. Peter, who died then, left a melody for it. We have not found the full text earlier than 1674, as above, p. 10, in 6 stanzas of 8 lines, entitled "On the Festival of the Purification of Mary" (1846, p. 10). Included in the 1688 and later editions of Crüger's Praxis, and in the Unverfälschter Liedersegen, 1851, No. 197. The translations in common use are:—
1. Light of the Gentile world , a translation, omitting st. 6, by Miss Winkworth in the first service of her Lyra Germanica, 1855, p. 193 (ed. 1876, p. 195), and thence as No. 147 in the Pennsylvania Lutheran Hymn Book, 1865. This version is in S.M. Double.
2. Light of the Gentile Nations, a good translation, omitting st. 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 80. Repeated in Dr. Thomas's Augustine Hymn Book, 1866, and in America in the Pennsylvania Lutheran Church Book, 1868, and the Ohio Lutheran Hymnal, 1880.
ii. Hymns not in English common use:
v. Du geballtes Weltgebäude. Christ above all earthly things. Stanza i. in Cruger's Kirchenmelodien, 1649, No. 116. The full text (beginning "Du o schönes) is No. 239 in the Crüger-Runge Gesang-Buch, 1653, in 8 stanzas, entitled "Longing after Eternal Life." Repeated, 1674, p. 194, and 1846, p. 60, as above. The translations are: (1) "Let who will in thee rejoice," by Miss Winkworth, 1855, p. 180 (1876, p. 182). (2) "O beautiful abode of earth," by Miss Warner, 1858 (1861, p. 233). (3) "Thou, O fair Creation-building," by N. L. Frothingham, 1870, p. 232.
vi. Unsre müden Augenlieder. Evening. Probably written while a student at Königsberg. First published in J. Weichmann's Sorgen-lägerin, Königsberg, 1648, Pt. iii., No. 4, in 7 st.; repeated 1674, p. 213, and 1846, p. 91, as above. The only translation is by H. J. Buckoll, 1842, p. 79, beginning with st. vi., "Ever, Lord, on Thee relying." [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Johann Franck
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Mendelssohn Meter: 6.7.6.7.6.6.6.6 Harmonizer of "NUN DANKET ALLE GOTT" in The Presbyterian Hymnal Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 6.7.6.7.6.6.6.6
Christian Classics Ethereal Hymnary
Small Church Music
Meter: 6.7.6.7.6.6.6.6 Editors: G. W. Briggs Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
Home/Music(smallchurchmusic.com)
List SongsAlphabetically
List Songsby Meter
List Songs byTune Name
About
Small Church Music
