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Come, we that love the Lord
Author: Isaac Watts Meter: 6.6.8.6 Appears in 1,782 hymnals First Line: Come, we that love the Lord, And let our joys be known
Come, we that love the Lord
Give to the Winds Thy Fears
Author: Paul Gerhardt; John Wesley Meter: 6.6.8.6 Appears in 516 hymnals Topics: God the Father His Providence
Give to the Winds Thy Fears
The Lord my shepherd is
Author: I. Watts Meter: 6.6.8.6 Appears in 578 hymnals Lyrics: 1 The Lord my shepherd is;
I shall be well supplied;
Since He is mine and I am His,
What can I want beside?
2 He leads me to the place
Where heavenly pasture grows,
Where living waters gently pass,
And full salvation flows.
3 If e’er I go astray,
He doth my soul reclaim;
And guides me in His own right way,
For His most holy name.
4 While He affords His aid
I cannot yield to fear;
Though I should walk through death’s dark shade,
My Shepherd’s with me there.
5 In spite of all my foes,
Thou dost my table spread;
My cup with blessings overflows,
And joy exalts my head.
6 The bounties of Thy love
Shall crown my following days;
Nor from Thy house will I remove,
Nor cease to speak Thy praise. Topics: The Church Year Second Sunday after Easter; The Church Year Second Sunday after Easter; Jesus Christ Our Shepherd Used With Tune: [The Lord my shepherd is]
The Lord my shepherd is
The praises of my tongue
Author: Isaac Watts Hymnal: Divine and Moral Songs #HVIII (1866) Meter: 6.6.8.6 Lyrics:
The praises of my tongue
I offer to the Lord,
That I was taught and learnt so young
To read his holy Word.
40
That I am taught to know
The danger I was in;
By nature, and by practice too,
A wretched slave to sin.
That I am led to see
I can do nothing well;
And whither shall a sinner flee,
To save himself from hell?
Dear Lord, this book of thine
Informs me where to go,
For grace to pardon all my sin,
And make me holy too.
41
Here I can read and learn
How Christ, the Son of God,
Did undertake our great concern;
Our ransom cost his blood.
And now he reigns above,
He sends his Spirit down,
To show the wonders of his love,
And make his Gospel known.
O may that Spirit teach,
And make my heart receive
Those truths which all thy servants preach,
And all thy saints believe.
42
Then shall I praise the Lord
In a more cheerful strain,
That I was taught to read his Word,
And have not learnt in vain.
Languages: English
The praises of my tongue
There is beyond the sky
Author: Isaac Watts Hymnal: Divine and Moral Songs #HXI (1866) Meter: 6.6.8.6 Lyrics:
There is beyond the sky
A heaven of joy and love;
And holy children, when they die,
Go to that world above.
48
There is a dreadful hell,
And everlasting pains:
There sinners must with devils dwell
In darkness, fire, and chains.
Can such a wretch as I
Escape this cursed end?
And may I hope, whene’er I die,
I shall to heaven ascend?
Then will I read and pray,
While I have life and breath,
Lest I should be cut off to–day,
And sent t’ eternal death.
Languages: English
There is beyond the sky
Hosanna to the Son
Author: Isaac Watts Hymnal: Divine and Moral Songs #HXXXV (1866) Meter: 6.6.8.6 Lyrics:
Hosanna to the Son
Of David and of God!
Who brought the news of pardon down,
And bought it with his blood!
To Christ, th’ anointed King,
Be endless blessings given:
Let the whole earth his glory sing
Who made our peace with heaven.
Languages: English
Hosanna to the Son
E. J. Hopkins
1818 - 1901 Person Name: Edward John Hopkins, Mus.D., 1818- Meter: 6.6.8.6 Composer of "ST. PHILIP" in The Evangelical Hymnal with Tunes Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
Arthur Sullivan
1842 - 1900 Person Name: A. S. Sullivan Meter: 6.6.8.6 Arranger of "NEARER HOME" in The Church Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Benjamin Beddome
1717 - 1795 Person Name: B. Beddome Meter: 6.6.8.6 Author of "Heirs of unending life" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Benjamin Beddome was born at Henley-in Arden, Warwickshire, January 23, 1717. His father was a Baptist minister. He studied at various places, and began preaching in 1740. He was pastor of a Baptist society at Bourton-on-the-Water, Gloucestershire, until his death in 1795. In 1770, he received the degree of M.A. from the Baptist College in Providence, Rhode Island. He published several discourses and hymns. "His hymns, to the number of 830, were published in 1818, with a recommendation from Robert Hall." Montgomery speaks of him as a "writer worthy of honour both for the quantity and the quality of his hymns."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
=========================
Beddome, Benjamin , M.A. This prolific hymnwriter was born at Henley-in-Arden, Warwickshire, Jan. 23, 1717, where his father, the Rev. John Beddome, was atthat time Baptist Minister. He was apprenticed to a surgeon in Bristol, but removing to London, he joined, in 1739, the Baptist church in Prescott St. At the call of this church he devoted himself to the work of the Christian ministry, and in 1740 began to preach at Bourton-on-the-Water, in Gloucestershire. Declining invitations to remove to London or elsewhere, he continued pastor at Bourton until his death, on Sep. 3, 1795, at the age of 78. Mr. Beddome was for many years one of the most respected Baptist ministers in the West of England. He was a man of some literary culture. In 1770 he received the degree of M.A. from Providence College, Rhode Island. He was the author of an Exposition of the Baptist Catechism, 1752, in great repute at the time, and reprinted by Dr. C. Evans in 1772. It was his practice to prepare a hymn every week to be sung after his Sunday morning sermon. Though not originally intended for publication, he allowed thirteen of these to appear in the Bristol Baptist Collection of Ash & Evans (1769), and thirty-six in Dr. Rippon's Baptist Selection (1787), whence a number of them found their way into the General Baptist Hymn Book of 1793 and other collections. In 1817, a posthumous collection of his hymns was published, containing 830 pieces, with an introduction by the Rev. Robert Hall, and entitled "Hymns adapted to Public Worship or Family Devotion, now first published from the Manuscripts of the late Rev. B. Beddome, M.A."
Preface dated "Leicester, Nov. 10, 1817." Some of the early copies bear the same date on the title page. Copies bearing both the 1817 and 1818 dates are in the British Museum. The date usually given is 1818. Some hymns are also appended to his Sermons, seven volumes of which were published l805—1819; and over twenty are given in the Baptist Register of various dates.
Beddome's hymns were commended by Montgomery as embodying one central idea, "always important, often striking, and sometimes ingeniously brought out." Robert Hall's opinion is just, when in his "Recommendatory Preface" to the Hymns, &c, he says, p. vii.:—
"The man of taste will be gratified with the beauty and original turns of thought which many of them ex¬hibit, while the experimental Christian will often perceive the most secret movements of his soul strikingly delineated, and sentiments pourtrayed which will find their echo in every heart."
With the exception of a few composed for Baptisms and other special occasions, their present use in Great Britain is limited, but in America somewhat extensive. One of the best is the Ordination Hymn, "Father of Mercies, bow Thine ear." Another favourite is “ My times of sorrow and of joy," composed, by a singular coincidence, to be sung on Sunday, Jan. 14, 1778, the day on which his son died, most unexpectedly, in Edinburgh. "Let party names no more," is very popular both in Great Brit, and America. "Faith, His a precious gift," "Witness, ye men and angels, now," and the hymn for Holy Baptism, "Buried beneath the yielding wave," are also found in many collections. Beddome's popularity is, however, now mainly in America.
[Rev. W. R. Stevenson, M.A.]
Beddome is thus seen to be in common use to the extent of about 100 hymns. In this respect he exceeds every other Baptist hymnwriter; Miss Steele ranking second.
The authorities for Beddome's hymns are: (1) A Collection of Hymns adapted to Public Worship, Bristol, W. Pine, 1769, the Collection of Ash & Evans; (2) Dr. Rippon's Selections 1787, and later editions; (3) Sermons printed from the Manuscripts of the late Rev. Benjamin Beddome, M.A.,... with brief Memoir of the Author, Dunstable & Lond., 1805-1819; (4) Dr. Rippon's Baptist Register, 1795, &c.; (5) The Beddome Manuscripts, in the Baptist College, Bristol; (6) and Hymns adapted to Public Worship, or Family Devotion now first published, from Manuscripts of the late Rev. B. Beddome, A.M. With a Recommendatory Preface by the Rev. R. Hall, A.M. Lond., 1817. In his Preface, Mr. Hall gives this account of the Beddome Manuscript:— "The present Editor was entrusted several years ago with the MSS, both in prose and verse, with permission from the late Messrs. S. & B. Beddome, sons of the Author, to publish such parts of them as he might deem proper. He is also indebted to a descendant of the Rev. W. Christian, formerly pastor of the Baptist Church at Sheepshead, Leicestershire, for some of the Author's valuable hymns, which had been carefully preserved in the family. From both these sources, as well as others of less consequence, the present interesting volume has been derived."
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
=======================
Beddome, Benjamin, pp. 121-124. Other hymns in common use:—
1. Great God, before Thy mercy-seat. (1817). Lent.
2. Great God, oppressed with grief and fear. (1787.) Reading H. Scripture.
3. How glorious is Thy word, 0 God. Holy Scripture. From "When Israel, &c," p. 124, i.
4. In God I ever will rejoice. Morning. From his Hymns, &c, 1817.
5. Jesus, my Lord, divinely fair. (1817.) Jesus the King of Saints. Begins with stanza ii. of “Listen, ye mortals, while I sing."
6. Rejoice, for Christ the Saviour reigns. Missions. Altered form of "Shout, for the blessed, &c," p. 123, ii.
7. Satan, the world, and sin. (1817.) In Temptation.
8. Thou, Lord of all above. (1817.) Lent.
9. Unto Thine altar, Lord. (1787.) Lent.
10. Ye saints of every rank, with joy. (1800.) Public Worship.
The dates given above are, 1787 and 1800, Rippon's Selection; and 1817 Beddome's Hymns.
--John Julian, Dictionary of Hymnology, Appendix, Part II
Benjamin Beddome
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 6.6.8.6
Christian Classics Ethereal Hymnary
The Book of Psalms for Singing
Publication Date: 1998 Publisher: Crown and Covenant Publications Meter: 6.6.8.6 Publication Place: Pittsburgh, PA
The Book of Psalms for Singing
New Hymn and Tune Book
Publication Date: 1889 Publisher: A.M.E. Z. Book Concern Meter: 6.6.8.6 Publication Place: New York
New Hymn and Tune Book
