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Meter:6.6.6.6.8.8

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Rejoice, the Lord is King!

Author: Charles Wesley Meter: 6.6.6.6.8.8 Appears in 737 hymnals First Line: Rejoice, the Lord is King: Your Lord and King adore Refrain First Line: Lift up your heart, lift up your voice Lyrics: 1 Rejoice, the Lord is King: Your Lord and King adore! Rejoice, give thanks and sing, And triumph evermore. Lift up your heart, Lift up your voice! Rejoice, again I say, rejoice! 2 Jesus, the Savior, reigns, The God of truth and love; When He has purged our stains, He took his seat above; Lift up your heart, Lift up your voice! Rejoice, again I say, rejoice! 3 His kingdom cannot fail, He rules o'er earth and heav'n; The keys of death and hell Are to our Jesus giv'n: Lift up your heart, Lift up your voice! Rejoice, again I say, rejoice! 4 Rejoice in glorious hope! Our Lord and judge shall come And take His servants up To their eternal home: Lift up your heart, Lift up your voice! Rejoice, again I say, rejoice! Baptist Hymnal, 1991 Topics: Ascension and Reign; Christ Ascension; Worship

Christ is our corner-stone

Author: John Chandler Meter: 6.6.6.6.8.8 Appears in 186 hymnals Text Sources: Latin, 7th cent.

Hills of the North, Rejoice

Author: Charles E. Oakley Meter: 6.6.6.6.8.8 Appears in 53 hymnals

Tunes

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DARWALL'S 148TH

Meter: 6.6.6.6.8.8 Appears in 472 hymnals Composer and/or Arranger: John Darwall Tune Sources: Harm. from Hymns Ancient and Modern, 1875, alt. Tune Key: D Major Incipit: 13153 17654 32231 Used With Text: Rejoice, the Lord Is King
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RHOSYMEDRE

Meter: 6.6.6.6.8.8 Appears in 86 hymnals Composer and/or Arranger: John D. Edwards Tune Key: F Major Incipit: 51122 31443 21511 Used With Text: I Call to You, My Rock
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MADRID

Meter: 6.6.6.6.8.8 Appears in 514 hymnals Composer and/or Arranger: Benjamin Carr; David Evans; David Williamson Tune Key: G Major Incipit: 17161 53142 17117 Used With Text: Come, Christians, Join to Sing

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Con cánticos, Señor

Author: James John Cummings; M. N. Hutchinson Hymnal: El Himnario #28 (1998) Meter: 6.6.6.6.8.8 Topics: Dios Su Naturaleza y Alabanza; Dios Su Alabanza; God His Praise Scripture: Psalm 33:1-12 Languages: Spanish Tune Title: DARWALL
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Con cánticos, Señor

Author: James John Cummings; M. N. Hutchinson Hymnal: El Himnario Presbiteriano #28 (1999) Meter: 6.6.6.6.8.8 Lyrics: 1 Con cánticos, Señor, mi corazón y voz te adoran con fervor ¡oh trino, Santo Dios! En tu creación te serviré, y paz y amor proclamaré. 2 Tu mano divinal trazó mi senda aquí; mis pasos cada cual guiados son por ti. En tu creación te serviré, y paz y amor proclamaré. 3 Innumerables son los bienes, y sin par, que por tu compasión recibo sin cesar. En tu creación te serviré, y paz y amor proclamaré. 4 Tú eres, oh buen Dios, mi sumo, todo bien; por eso aclamaré tu nombre por doquier. En tu creación te serviré, y paz y amor proclamaré. Topics: Dios Su Alabanza Scripture: Psalm 33:1-12 Languages: Spanish Tune Title: DARWALL

Will You Fulfill the Vow

Author: F. Richard Garland Hymnal: Discipleship Ministries Collection #142 Meter: 6.6.6.6.8.8 Refrain First Line: Then stand with Christ, trust in his grace Topics: Baptism; Covenant Renewal Languages: English Tune Title: DARWALL'S 148TH

People

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Authors, composers, editors, etc.

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel S. Wesley Meter: 6.6.6.6.8.8 Composer of "HAREWOOD" in The Hymnal Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Andrew Reed

1787 - 1862 Meter: 6.6.6.6.8.8 Author of "Hark! Hark! The Notes of Joy" in The Cyber Hymnal Reed, Andrew, D.D., son of Andrew Reed, was born in London on Nov. 27, 1787, and educated for the Congregational Ministry at Hackney College, London. He was first the pastor of the New Road Chapel, St. George's-in-the-East, and then of the Wycliffe Chapel, which was built through his exertions in 1830. His degree was conferred by Yule College, America. He died Feb. 25, 1862. As the founder of "The London Orphan Asylum," "The Asylum for Fatherless Children," “The Asylum for Idiots” "The Infant Orphan Asylum," and "The Hospital for Incurables," Dr. Reed is more fully known, and will be longer remembered than by his literary publications. His Hymn Book was the growth of years. The preparation began in 1817, when he published a Supplement to Watts, in which were a few originals. This was enlarged in 1825; and entirely superseded by his collection The Hymn Book, prepared from Dr. Watts's Psalms & Hymns and Other Authors, with some Originals, in 1842 (Preface). His hymns, mostly of a plain and practical character, numbering 21, were contributed to these various editions, and were republished with those of his wife in the Wycliffe Supplement, 1872. The best known are "Ah Jesus, let me hear Thy voice” and ”Spirit Divine, attend our prayer." All Dr. and Mrs. Reed's hymns are anonymous in The Hymn Book, 1842, but are given with their names in the Wyclife Supplement, 1872. His hymns now in common use include, in addition to those annotated under their respective first lines :— 1. Come, let us strike our harps afresh. Praise. 2. Come, my Redeemer, come. Desiring Christ's Presence. 3. Gentle Saviour, look on me. Christ's protection Desired. 4. Gracious Lord, as Thou hast taught us. Public Worship. 5. Hark, hark, the notes of joy. Missions. 6. Holy Ghost, with light divine (1817). Prayer to the Holy Spirit. Sometimes given as "Holy Ghost, Thou light divine;" and again as "Holy Spirit, Light divine." 7. Listen, sinner, mercy hails you. Invitation. Generally given as "Hear, O Sinner, mercy hails you." 8. Rich are the joys of solitude. Retirement. Some-times given as "How deep and tranquil is the joy." 9. There [comes] is an hour when I must part. Death anticipated. 10. Ye saints your music bring. Praise of the Cross. --John Julian, Dictionary of Hymnology (1907)

Sydney H. Nicholson

1875 - 1947 Person Name: Sydney H. Nicholson, 1875-1947 Meter: 6.6.6.6.8.8 Composer (desc.) of "DARWALL'S 148TH" in Psalter Hymnal (Gray) Sydney H. Nicholson, (b. St. Marylebone, London, England, 1875; d. Ashford, Kent, England, 1947) was an organist and church music educator who greatly influenced English hymnody. Educated at Oxford's New College, the Royal College of Music in London, and in Frankfurt, Germany, he became organist at several famous cathedrals, including Westminster Abbey (1919-1928). Nicholson founded and administered the School of English Church Music at Chislehurst in 1927; this important institution, with branches throughout the English-speaking world, was renamed the Royal School of Church Music in 1945. Located in Canterbury after World War II, its headquarters were moved to Addington Palace, Croydon, in 1954. Nicholson was music adviser for the 1916 Supplement of Hymns Ancient and Modern and prepared the way for its 1950 edition. He wrote Church Music: a Practical Handbook (1920) and Quires and Places Where They Sing (1932) and composed operettas, anthems, and hymn tunes. In 1938 he was knighted for his contributions to church music. Bert Polman

Hymnals

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Published hymn books and other collections

The Methodist Hymn-Book with Tunes

Publication Date: 1933 Publisher: Methodist Conference Office Meter: 6.6.6.6.8.8 Publication Place: London

Small Church Music

Meter: 6.6.6.6.8.8 Editors: Charles E. Oakley Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 6.6.6.6.8.8