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Meter:11.11.11.7

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Texts

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Song for the Nations

Author: Chris Christensen Meter: 11.11.11.7 Appears in 5 hymnals First Line: May we be a shining light to the nations

Over My Head

Meter: 11.11.11.7 Appears in 9 hymnals First Line: Over my head I hear music in the air Text Sources: Traditional

Holy Spirit, Thou Art Welcome

Author: Dottie Rambo; David Huntsinger Meter: 11.11.11.7 Appears in 3 hymnals First Line: Holy Spirit, Thou art welcome in this place

Tunes

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OVER MY HEAD

Meter: 11.11.11.7 Appears in 22 hymnals Composer and/or Arranger: Nolan Williams, Jr. b. 1969 Tune Sources: Traditional Tune Key: G Major Incipit: 11131 13322 11112 Used With Text: Over My Head
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PRO OMNIBUS SANCTIS

Meter: 11.11.11.7 Appears in 199 hymnals Composer and/or Arranger: Joseph Barnby, 1838-1896 Tune Key: E Flat Major Incipit: 53455 66666 51176 Used With Text: ¡Dios, nuestro auxilio en los pasados siglos!

THOU ART WELCOME

Meter: 11.11.11.7 Appears in 3 hymnals Composer and/or Arranger: Dottie Rambo; David Huntsinger Tune Key: B Flat Major

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

Over My Head

Hymnal: African American Heritage Hymnal #169 (2001) Meter: 11.11.11.7 First Line: Over my head I see trouble in the air Lyrics: 1 Over my head I see trouble in the air. Over my head I see trouble in the air. Over my head I see trouble in the air; There must be a God somewhere! 2 Over my head I hear music in the air. Over my head I hear music in the air. Over my head I hear music in the air; There must be a God somewhere! 3 Over my head I hear singing in the air. Over my head I hear singing in the air. Over my head I hear singing in the air; There must be a God somewhere! 4 Over my head I see glory in the air. Over my head I see glory in the air. Over my head I see glory in the air; There must be a God somewhere! Scripture: Revelation 14:2 Languages: English Tune Title: OVER MY HEAD
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¡Dios, nuestro auxilio en los pasados siglos!

Author: José M. de Mora; Isaac Watts, 1674-1748 Hymnal: Culto Cristiano #321 (1964) Meter: 11.11.11.7 Lyrics: 1 ¡Dios, nuestro auxilio en los pasados siglos! ¡Nuestra esperanza en años venideros! ¡Nuestro refugio en hórrida tormenta, Y protector eterno! 2 Bajo la sombra de tu excelso trono En dulce paz tus santos moran siempre; Tu brazo solo a defendernos basta, Y nuestro amparo es cierto. 3 En nuestra vida toda y en la muerte En tu promesa nuestra fe ponemos; Y nuestros hijos cantarán gozosos Cuando hayamos ya muerto. 4 ¡Dios, nuestro auxilio en los pasados siglos! ¡Nuestra esperanza en años venideros! Se Tú defensa nuestra en esta vida, Y protector eterno. Amén. Topics: Ocasiones Especiales Principio y Fin del Añor; Special Occasion Beginning and End of the Year Languages: Spanish Tune Title: PRO OMNIBUS SANCTIS

Holy Spirit, Thou Art Welcome

Author: Dottie Rambo; David Huntsinger Hymnal: Baptist Hymnal 2008 #327 (2008) Meter: 11.11.11.7 First Line: Holy Spirit, Thou art welcome in this place Languages: English Tune Title: THOU ART WELCOME

People

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Authors, composers, editors, etc.

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby, 1838-1896 Meter: 11.11.11.7 Composer of "PRO OMNIBUS SANCTIS" in Culto Cristiano Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

John L. Bell

b. 1949 Person Name: John L. Bell, b. 1949 Meter: 11.11.11.7 Arranger of "UYAI MOSE" in Santo, Santo, Santo John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Tom Fettke

b. 1941 Meter: 11.11.11.7 Arranger of "SONG FOR THE NATIONS" in Baptist Hymnal 2008 Thomas E. Fettke (b. Bronx, New York City, 1941) Educated at Oakland City College and California State University, in Hayward, CA, Fettke has taught in several public and Christian high schools and served as minister of music in various churches, all in California. He has published over eight hundred composi­tions and arrangements (some under the pseudonyms Robert F. Douglas and David J. Allen) and produced a number of recordings. Fettke was the senior editor of The Hymnal for Worship and Celebration (1986). Bert Polman