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Lord of Creation, to You Be All Praise
Author: Jack Copley Winslow Meter: 10.11.11.11 Appears in 18 hymnals
Lord of Creation, to You Be All Praise
Lord of all hopefulness, Lord of all joy
Author: Jan Struther, 1901-53 Meter: 10.11.11.11 Appears in 78 hymnals Topics: Times and Seasons Morning or Evening Used With Tune: SLANE
Lord of all hopefulness, Lord of all joy
Lord of all power
Author: Jack C. Winslow, b.1882 Meter: 10.11.11.11 Appears in 7 hymnals First Line: Lord of all power, I give You my will Topics: The Church Stewardship Used With Tune: SLANE
Lord of all power
Who Is This Jesus
Author: Delores Dufner, OSB, 1939- Hymnal: Community of Christ Sings #38 (2013) Meter: 10.11.11.11 First Line: Who is this Jesus, whose voice we have heard Topics: Communion; Easter; Epiphany; Healing; Jesus Christ; Jesus Christ The Incarnation; Jesus Christ's Humanity; Jesus Christ's Love; Jesus Christ's Ministry Scripture: Matthew 16:13-19 Languages: English Tune Title: SLANE
Who Is This Jesus
Lord of Creation, to You Be All Praise
Author: Jack C. Winslow Hymnal: Rejoice in the Lord #68 (1985) Meter: 10.11.11.11 First Line: Lord of creation, to you be all praise! Topics: Full of Grace and Truth Scripture: Isaiah 57:15 Languages: English Tune Title: SLANE
Lord of Creation, to You Be All Praise
Come, wounded Healer
Author: Martin Leckebusch, b. 1962 Hymnal: Complete Anglican Hymns Old and New #130 (2000) Meter: 10.11.11.11 First Line: Come, wounded Healer, your suff'rings reveal Topics: Hope and Consolation; Passiontide; Suffering and Sorrow; The Suffering Community; Year A Epiphany 4 Scripture: 1 Corinthians 1:18-31 Languages: English Tune Title: SLANE
Come, wounded Healer
Martin E. Leckebusch
b. 1962 Person Name: Martin Leckebusch, b. 1962 Meter: 10.11.11.11 Author of "Come, wounded Healer" in Complete Anglican Hymns Old and New
Martin E. Leckebusch
Michael Haydn
1737 - 1806 Person Name: Johann Michael Haydn, 1737-1806 Meter: 10.11.11.11 Composer (attributed to) of "NEBRASKA" in The Cyber Hymnal Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
Jan Struther
1901 - 1953 Person Name: Jan Struther (Joyce Placzek), 1901-1953 Meter: 10.11.11.11 Author of "Lord of all hopefulness, Lord of all joy" in Common Praise Jan Struther, given name: Joyce Torrens-Graham [sic Joyce Anstruther] (b. Westminster, London, England, 1901; d. New York, NY, 1953) wrote many poems and essays under the pen name of Jan Struther (derived from her mother's maiden name, Eva Anstruther). In addition to her pen name, Struther also had the married names of Mrs. Anthony Maxtone Graham and, from a second marriage, Mrs. Adolf Kurt Placzek. During World War II she moved with her children to New York City and remained there until her death. In England she is best known for her novel Mrs. Miniver (1940), which consists of sketches of British family life before World War II. Immensely popular, the book was later made into a movie. Struther also wrote comic and serious poetry, essays, and short stories, published in Betsinda Dances and Other Poems (1931), Try Anything Twice (1938), The Glass Blower (1941), and, posthumously, The Children's Bells (1957). Songs of Praise (1931) included twelve of her hymn texts.
Bert Polman
Jan Struther
Small Church Music
Meter: 10.11.11.11 Editors: Jack Copley Winslow Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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