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Meter:10.10.10.10.10.10

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Texts

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And now, O Father, mindful of the love

Author: William Bright Meter: 10.10.10.10.10.10 Appears in 92 hymnals Topics: liturgical Communion Songs
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Thou, who at thy first Eucharist didst pray

Author: W. H. Turton Meter: 10.10.10.10.10.10 Appears in 76 hymnals Refrain First Line: Thus may we all one Bread, one Body be Topics: liturgical Communion Songs
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Be Still, My Soul

Author: Jane Borthwick; Kathrina von Schlegel Meter: 10.10.10.10.10.10 Appears in 177 hymnals First Line: Be still, my soul: the Lord is on thy side Topics: Funeral Hymns; God the Father His Providence; Peace Spiritual; Serenity

Tunes

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YORKSHIRE

Meter: 10.10.10.10.10.10 Appears in 137 hymnals Composer and/or Arranger: John Wainwright, 1723-68 Tune Key: C Major Incipit: 11234 53456 56712 Used With Text: Christians, awake!
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FINLANDIA

Meter: 10.10.10.10.10.10 Appears in 280 hymnals Composer and/or Arranger: Jean Sibelius, 1865-1957 Tune Sources: The Hymnbook, 1955 Tune Key: F Major Incipit: 32343 23122 33234 Used With Text: Be Still, My Soul
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MORECAMBE

Meter: 10.10.10.10.10.10 Appears in 321 hymnals Composer and/or Arranger: Frederick C. Atkinson, 1841-1897 Tune Key: C Major Incipit: 33343 65443 17656 Used With Text: Spirit of God, Descend Upon My Heart

Instances

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Published text-tune combinations (hymns) from specific hymnals

Psalm 34:1-10

Hymnal: The Book of Psalms for Singing #34C (1998) Meter: 10.10.10.10.10.10 First Line: In every time I'll always bless the LORD Tune Title: YORKSHIRE
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Christians, Awake!

Author: John Byrom, 1692-1763 Hymnal: African Methodist Episcopal Church Hymnal #117 (2011) Meter: 10.10.10.10.10.10 First Line: Christians, awake! salute the happy morn Lyrics: 1 Christians, awake! salute the happy morn, Whereon the Savior of the world was born; Rise to adore the mystery of love, Which hosts of angels chanted from above; With them the joyful tidings first begun Of God Incarnate and the Virgin’s Son. 2 Then to the watchful shepherds it was told, Who heard the angelic herald’s voice, "Behold, I bring good tidings of a Savior’s birth To you and all the nations upon earth: This day hath God fulfilled His promised word, This day is born a Savior, Christ the Lord." 3 He spake, and straightaway the celestial choir In hymns of joy, unknown before, conspire; The praises of redeeming love they sang, And heaven’s whole orb with alleluias rang; God’s highest glory was their anthem still, Peace upon earth, and unto men good will. 4 Then may we hope, the angelic hosts among, To sing, redeemed, a glad triumphal song; He that was born upon this joyful day Around us all His glory shall display; Saved by His love, incessant we shall sing Eternal praise to heaven’s Almighty King. Amen. Topics: Jesus Christ Advent and Nativity; Adoration; Jesus Advent and Nativity; Morning Scripture: Luke 2:11 Languages: English Tune Title: YORKSHIRE
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Eternal Ruler, of the ceaseless round

Author: John White Chadwick, 1840-1904 Hymnal: Complete Anglican Hymns Old and New #154 (2000) Meter: 10.10.10.10.10.10 First Line: Eternal Ruler of the ceaseless round Lyrics: 1 Eternal Ruler of the ceaseless round of circling planets singing on their way; guide of the nations from the night profound into the glory of the perfect day; rule in our hearts, that we may ever be guided and strengthened and upheld by thee. 2 We are of thee, the children of thy love, by virtue of thy well-belovèd Son; descend, O Holy Spirit, like a dove, into our hearts, that we may be as one: as one with thee, to whom we ever tend; as one with him, our Brother and our Friend. 3 We would be one in hatred of all wrong, one in our love of all things sweet and fair, one with the joy that breaketh into song, one with the grief that trembles into prayer, one in the pow'r that makes thy children free to follow truth, and thus to follow thee. 4 O clothe us with thy heav'nly armour, Lord, thy trusty shield, thy sword of love divine; our inspiration be thy constant word; we ask no victories that are not thine: give or withhold, let pain or pleasure be; enough to know that we are serving thee. Topics: Christian unity; Grace and Providence; Pentecost; The Serving Community; Year A Baptism of Christ; Year A Epiphany 2; Year B Lent 1; Year B Proper 10; Year C Baptism of Christ; Years A, B, and C Christmas 2 Scripture: Ephesians 1:5 Languages: English Tune Title: SONG 1

People

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Authors, composers, editors, etc.

Georgia Elma Harkness

1891 - 1974 Person Name: Georgia Harkness Meter: 10.10.10.10.10.10 Author (stanza 3) of "This Is My Song" in Voices Together Georgia Elma Harkness (1891-1974), first woman to teach theology in an American seminary, was once a household name, but few today know who she is–and all of her writings are out of print. We need to recover the work of this neglected theologian for the life of the church today. Born 21 April 1891, Harkness was the youngest of four children born to Joseph Warren Harkness and Lillie Merrill Harkness. She was born in Harkness, NY, a town in the Adirondacks named for her grandfather. A Methodist, she was personally converted in a revival as a teenager, and sensed a calling to serve the church. Her family was upper middle class and progressive, thereby giving her opportunities for education beyond what was available to most girls and women of her era. Avoiding the women’s colleges, she earned a B.A. (philosophy) from Cornell University in 1912. In a later age, Harkness would probably have gone straight to a seminary and training for the ministry, but seminaries did not admit women as regular, degree-seeking, students and ordained women were very rare. Harkness intended to volunteer for overseas mission work after her graduation from Cornell, but family problems prevented this. She taught high school for six (6) years, but was restless. She wanted to do more to serve the church and she wanted to pursue studies in theology. So, she went to Boston University (related to the Methodists). Denied entrance because of her sex to BU’s School of Theology, she matriculated in the Department of Religion of the Graduate School and earned a Ph.D. in philosophy of religion in 1923 with a dissertation entitled, ”The Relations Between Philosophy of Religion and Ethics in the Thought of Thomas Hill Green.” (Green (1836-1882), was a liberal British Idealist philosopher and social reformer who died 10 years before Harkness’ birth. ) For the next 15 years, Harkness taught courses in religion and philosophy at Elmira College in Elmira, NY–at the time a women’s college, but now co-educational. During summers and sabbatical leaves, Harkness continued her theological education by attending Harvard Divinity School, Yale Divinity School, and Union Theological Seminary (NY) always with the status of “special” (non-degree) student. In 1926, she was ordained by the Methodist Church (later part of the United Methodist Church), but, along with all other women, she was not admitted to any Conference (and, thus, could not function as a minister) until 1956. From 1937 to 1940, Harkness was Professor of Philosophy and Religious Studies at Mount Holyoke College in Massachussetts and from 1940-1949, she was Professor of Applied Theology at Garrett Biblical Institute near Chicago, IL. Garrett Biblical Institute, now known as Garrett-Evangelical Theological Seminary, is a post-baccalaureate Methodist theological seminary whose main mission is the preparation of divinity students for ordained ministry. Harkness was the first woman hired to teach theology at any seminary in the U.S. Today, the Chair of Applied Theology at Garrett-Evangelical Theological Seminary is known as the Georgia Harkness Chair of Applied Theology. Harkness ended her active teaching ministry at The Pacific School of Religion, an ecumenical seminary related to the United Church of Christ outside of San Francisco,CA. She was Professor of Applied Theology at PSR from 1949 until her retirement in 1960. Her early interests in global missions and in global and ecumenical Christianity never left Harkness. Unable to be a missionary herself, Harkness did support work for Methodist global missions, including writing materials for them, especially the Methodist Board of World Peace and and the Board of Social and Economic Relations. After World War II, Harkness also did much to support the global ecumenical work of the World Council of Churches, serving on both the Faith and Order and Church and World Commissions. Her hymn, “The Hope of the World,” was chosen by the Hymn Society of America (now the Hymn Society in the United States and Canada) for the Second global meeting of the World Council of Churches which was held in Evanston, IL in 1954 and had as it’s theme, “Christ, the Hope of the World.” Harkness had previously played key roles in the Life and Work conference at Oxford (1937), and at the first assembly of the World Council of Churches in Amsterdam, 1948. In the 1957-1958 school year, Harkness served as Visiting Professor at both the International Christian University in Japan and the ecumenical Union Theological Seminary, Manila, the Philippines. This pioneer for women in ministry and early feminist theologian usually was irenic and balanced in her approach to such matters. Living in a very patriarchal and sexist era, she knew the dangers of appearing to male-dominated structures as “shrill,” or “strident,” in her advocacy of equality, and so was quick to praise opening or partial steps even while continuing to push for full gender equality in home, church, and society. Typical of Harkness’ approach on these matters, she advocated equal ordination and ministry for decades, but when the 1956 Methodist meeting in Minneapolis opened the door for full pastoral ministry for women, Harkness let younger female colleagues take the lead in advocating for the motion on the floor. However, her caution did not mean timidity, for at the World Council of Churches in 1948, Harkness openly confronted Karl Barth himself on his theology of female subordination! Though Barth’s influence intimidated many, Harkness refuted him point-by-point in open debate and the great man’s startled reaction showed that he was completely unused to confronting strong, independent women! (A year later, when someone mentioned the event to him, Barth replied, “Remember me not of that woman!”) Harkness wrote over 30 books in her lifetime. She dealt with numerous theological subjects: Christian ethics, social concern in global contexts, equality of the sexes, racial equality and integration (though she was not an active participant in the Civil Rights struggle, she openly supported its goals and there was much personal correspondence between Harkness and African America leaders such as Martin Luther King, Jr., and Howard Thurman), the nature of the church, a study from her own Wesleyan Methodist perspective of Calvin’s ethics, prayer and the life of devotion, mysticism, the Holy Spirit, eschatology (partially anticipating themes later made more prominent by Wolfhart Pannenberg and Jürgen Moltmann), the relation of religion to philosophy and to science, secularism (which she saw as more of a challenge than a reason to celebrate, contrasting with the early work of Harvey Cox), and apologetics. Concerned to be understood by a wide audience, Harkness wrote with clarity and a refusal to cloak her thought in academic obscurantism (which led her critics to charge her with a lack of depth or profundity), but always a wide awareness of the history of Christian thought and of current trends on the global scene. She characterized her theological perspective as that of a “chastened liberalism.” She had been raised in the optimism of the late 19th C., been educated in the traditions of Idealism and Borden Parker Bowne’s “Boston Personalism,” as well as the Social Gospel. Even after World War I and into the Great Depression, Harkness could declare her faith in human moral progress, her strong pacifism, and rejoice that belief in Original Sin was disappearing. “The faster it goes, the better,” she remarked to The Christian Century. Yet she interacted with the rise of Neoorthodoxy in the perspectives of Barth, Brunner, Suzanne de Dietrich, Reinhold Niebuhr, and Paul Tillich. On the eve of the Second World War, Harkness called on liberal Protestantism to recall the meaning of the cross and the power of the resurrection. Not surrendering her pacifism, she stated that although she remained committed to liberalism, “it was a chastened and deepened liberalism.” Human moral progress was possible, but did not follow an evolutionary certainty, and was dependant always on the grace of God. She still considered traditional formulations of original sin to be problematic, but recognized anew the power of sin in both individuals and social structures. Harkness’ books are entirely out of print and the influence she once had is largely eclipsed, even among contemporary feminist theologians. Yet the Chair of Applied Theology at Garrett-Evangelical Theological Seminary is named for her and so is a scholarship for women ministry students over 30 at Pacific School of Religion. The church historian Rosemary Skinner Keller wrote a secondary study of Harkness, Georgia Harkness: For Such a Time as This (Abingdon Press, 1992) and in the Doctrine volume of his 3-part Systematic Theology, James Wm. McClendon lists Harkness (along with Walter Rauschenbusch, E.Y. Mullins, D.C. MacIntosh, W.T. Conner, and Dale Moody) as among the guiding forerunners of his approach. Rebekah Miles, Professor of Ethics at Southern Methodist University’s Perkins School of Theology, has just edited a reader of Harkness’ early essays, Georgia Harkness: The Remaking of a Liberal Theologian (Westminster/John Knox Press, 2010). Miles had previously written a biographical and theological sketch of Harkness as a chapter in Makers of Christian Theology in America, ed., Mark Toulouse and James Duke (Nashville: Abingdon Press, 1997). --pilgrimpathways.wordpress.com/2010/02/20/

Omer Westendorf

1916 - 1997 Meter: 10.10.10.10.10.10 Author of "All Praise to You (Stewards of Earth)" in Voices United Omer Westendorf, one of the earliest lyricists for Roman Catholic liturgical music in English, died on October 22, 1997, at the age of eighty-one. Born on February 24, 1916, Omer got his start in music publishing after World War II, when he brought home for his parish choir in Cincinnati some of the Mass settings he had discovered in Holland. Interest in the new music being published in Europe led to his creation of the World Library of Sacred Music, initially a music-importing firm that brought much of this new European repertoire to U.S. parishes. Operating out of a garage in those early years, Omer often joked about the surprised expressions of visitors who stopped by and found a wide range of sheet music in various states of “storage” (read disarray). Later, as World Library Publications, the company began publishing some of its own music, including new works with English texts by some of those same Dutch composers, for example, Jan Vermulst. In 1955 World Library published the first edition of The Peoples Hymnal, which would become the People's Mass Book in 1964, one of the first hymnals to reflect the liturgical reforms proposed by Vatican II. Omer also introduced the music of Lucien Deiss to Catholic parishes through the two volumes of Biblical Hymns and Psalms. Using his own name and several pen names, Omer composed numerous compositions for liturgical use, though his best-known works may be the texts for the hymns “Where Charity and Love Prevail,” “Sent Forth by God’s Blessing,” and especially “Gift of Finest Wheat.” As he lay dying, his family and friends gathered around his bed to sing his text “Shepherd of Souls, in Love, Come, Feed Us.” NPM honored Omer as its Pastoral Musician of the Year in 1985. --liturgicalleaders.blogspot.com/2008 =========================== Pseudonyms: Paul Francis Mark Evans J. Clifford Evers --Letter from Tom Smith, Executive Director of The Hymn Society, to Leonard Ellinwood, 6 February 1980. DNAH Archives.

Kathrina von Schlegel

1697 - 1797 Person Name: Katharina von Schlegel Meter: 10.10.10.10.10.10 Author of "Be Still, My Soul" in Trinity Hymnal (Rev. ed.) Schlegel, Catharina Amalia Dorothea von. Little is known of this lady. According to Koch, iv., p. 442, she was born Oct. 22, 1697, and was "Stiftsfräulein" in the Evangelical Lutheran Stift (i.e. Protestant nunnery) at Cöthen. On applying to Cöthen, however, her name did not occur in the books of the Stift; and from the correspondence which she carried on, in 1750-52, with Heinrich Ernst, Count Stolberg, it would rather seem that she was a lady attached to the little ducal court at Cöthen. (manuscript from Dr. Eduard Jacobs, Wernigerode, &c.) Further details of her life it has been impossible to obtain. The only one of her hymns which has passed into English is:— Stille, mein Wille, dein Jesus hilft siegen. Cross and Consolation. A fine hymn on waiting for God. It appeared in 1752, as above, No. 689, in 6 stanzas of 6 lines; and is included in Knapp's Evangelischer Lieder-Schatz, 1837, No. 2249 (1865, No. 2017). The translation in common "Be still my soul!—-the Lord is on thy side." This is a good translation, omitting stanzas iii., by Miss Borthwick, in Hymns from the Land of Luther, 2nd Ser., 1855, p. 37 (1884, p. 100). [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Hymnals

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Published hymn books and other collections

Small Church Music

Meter: 10.10.10.10.10.10 Editors: James Quinn, b 1919 Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 10.10.10.10.10.10

The Book of Psalms for Singing

Publication Date: 1998 Publisher: Crown and Covenant Publications Meter: 10.10.10.10.10.10 Publication Place: Pittsburgh, PA