My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Wild and Lone the Prophet's Voice
Author: Carl P. Daw, Jr. Appears in 8 hymnals Tune Title: ABERYSTWYTH Used With Tune: ABERYSTWYTH
Wild and Lone the Prophet's Voice
Have Thine own way, Lord!
Appears in 310 hymnals Tune Title: ADELAIDE Used With Tune: ADELAIDE
Have Thine own way, Lord!
O come, let us adore Him
Meter: 7.7.10 Appears in 21 hymnals Tune Title: ADESTE FIDELES (Refrain only) Used With Tune: ADESTE FIDELES (Refrain only)
O come, let us adore Him
ABERYSTWYTH
Appears in 252 hymnals Composer and/or Arranger: Joseph Parry Incipit: 11234 53213 21712 Used With Text: Wild and Lone the Prophet's Voice
ABERYSTWYTH
ADESTE FIDELES (Refrain only)
Meter: 7.7.10 Appears in 1,316 hymnals Incipit: 11512 55323 43211 Used With Text: O come, let us adore Him
ADESTE FIDELES (Refrain only)
Wild and Lone the Prophet's Voice
Author: Carl P. Daw, Jr. Hymnal: WT1995 #271 (1995) Tune Title: ABERYSTWYTH
Wild and Lone the Prophet's Voice
O come, let us adore Him
Hymnal: WT1995 #32 (1995) Meter: 7.7.10 Tune Title: ADESTE FIDELES (Refrain only)
O come, let us adore Him
Carl P. Daw Jr.
b. 1944 Person Name: Carl P. Daw, Jr. Tune Title: ABERYSTWYTH Hymnal Number: 271 Author of "Wild and Lone the Prophet's Voice" in Worship Together Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.).
Emily Brink
Carl P. Daw Jr.
Joseph Parry
1841 - 1903 Tune Title: ABERYSTWYTH Hymnal Number: 271 Composer of "ABERYSTWYTH" in Worship Together Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes.
Bert Polman
Joseph Parry
Anonymous
Person Name: anonymous Tune Title: [Alleluia to the King of kings] Hymnal Number: 401 Author of "Alleluia to the King of Kings" in Worship Together In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
