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A day of awful grandeur dawns
Author: Anon. Appears in 3 hymnals Lyrics: 1 A day of awful grandeur dawns,
And lo! the Judge appears;
Ye heavens, retire before his face;
And sink, ye darkened stars,
And sink, ye darkened stars.
2 The day approaches, O my soul,
The great decisive day
Which from the verge of mortal life
Shall bear thee far away.
3 Yet does one short, preparing hour
One precious hour remain;
Rouse, then, my soul, with all thy power,
Nor let it pass in vain. Topics: Second Advent Executive Judgment Used With Tune: GRANDEUR
A day of awful grandeur dawns
A few more years shall roll
Author: Horatius Bonar Appears in 381 hymnals Lyrics: 1 A few more years shall roll,
A few more seasons come,
And we shall meet the loved who now
Are sleeping in the tomb:
Then, O may Lord, prepare
My soul for that great day;
O, wash me in thy precious blood,
And take my sins away!
2 A few more storms shall beat
On this wild, rocky shore,
And we shall be where tempests cease,
And surges swell no more:
Then, O my Lord, prepare
My soul for that calm day;
O, wash me in thy precious blood,
And take my sins away!
3 A few more struggles here,
A few more partings sore,
A few more toils, a few more tears,
And we shall weep no more:
Then, O my Lord, prepare
My soul for that blest day;
O, wash me in thy precious blood,
And take my sins away!
4 'Tis but a little while,
And He shall come again,
Who died that we might live, who lives
That we may with him reign:
Then, O my Lord, prepare
My soul for that glad day;
O, wash me in thy precious blood,
And take my sins away! Topics: Waiting for Christ Closing Work Used With Tune: BONAR
A few more years shall roll
A glory gilds the sacred page
Author: Wm. Cowper Appears in 379 hymnals Lyrics: 1 A glory gilds the sacred page,
Majestic like the sun;
It gives a light to every age,
It gives, but borrows none.
2 The Spirit breathes upon the word,
And brings the truth to sight;
Precepts and promises afford
A sanctifying light.
3 The hand that gave it, still supplies
The gracious light and heat;
His truths upon the nations rise,
They rise, but never set.
4 Let everlasting thanks be thine,
For such a bright display;
It makes a world of darkness shine
With beams of heavenly day. Topics: Worship Holy Scriptures Used With Tune: ORTONVILLE
A glory gilds the sacred page
ORTONVILLE
Appears in 726 hymnals Composer and/or Arranger: Thomas Hastings First Line: A glory in the Word we find Tune Key: A Flat Major Incipit: 51122 32156 61655 Used With Text: A glory in the Word we find
ORTONVILLE
HOW FAR FROM HOME?
Appears in 14 hymnals First Line: A thrilling cry we hear the sound Tune Sources: Arranged Tune Key: E Flat Major Incipit: 11117 61135 54266 Used With Text: A thrilling cry we hear the sound
HOW FAR FROM HOME?
A day of awful grandeur dawns
Author: Anon. Hymnal: SDAH1886 #893 (1886) Lyrics: 1 A day of awful grandeur dawns,
And lo! the Judge appears;
Ye heavens, retire before his face;
And sink, ye darkened stars,
And sink, ye darkened stars.
2 The day approaches, O my soul,
The great decisive day
Which from the verge of mortal life
Shall bear thee far away.
3 Yet does one short, preparing hour
One precious hour remain;
Rouse, then, my soul, with all thy power,
Nor let it pass in vain. Topics: Second Advent Executive Judgment Tune Title: GRANDEUR
A day of awful grandeur dawns
A few more years shall roll
Author: Horatius Bonar Hymnal: SDAH1886 #817 (1886) Lyrics: 1 A few more years shall roll,
A few more seasons come,
And we shall meet the loved who now
Are sleeping in the tomb:
Then, O may Lord, prepare
My soul for that great day;
O, wash me in thy precious blood,
And take my sins away!
2 A few more storms shall beat
On this wild, rocky shore,
And we shall be where tempests cease,
And surges swell no more:
Then, O my Lord, prepare
My soul for that calm day;
O, wash me in thy precious blood,
And take my sins away!
3 A few more struggles here,
A few more partings sore,
A few more toils, a few more tears,
And we shall weep no more:
Then, O my Lord, prepare
My soul for that blest day;
O, wash me in thy precious blood,
And take my sins away!
4 'Tis but a little while,
And He shall come again,
Who died that we might live, who lives
That we may with him reign:
Then, O my Lord, prepare
My soul for that glad day;
O, wash me in thy precious blood,
And take my sins away! Topics: Waiting for Christ Closing Work Tune Title: BONAR
A few more years shall roll
A glory gilds the sacred page
Author: Wm. Cowper Hymnal: SDAH1886 #180 (1886) Lyrics: 1 A glory gilds the sacred page,
Majestic like the sun;
It gives a light to every age,
It gives, but borrows none.
2 The Spirit breathes upon the word,
And brings the truth to sight;
Precepts and promises afford
A sanctifying light.
3 The hand that gave it, still supplies
The gracious light and heat;
His truths upon the nations rise,
They rise, but never set.
4 Let everlasting thanks be thine,
For such a bright display;
It makes a world of darkness shine
With beams of heavenly day. Topics: Worship Holy Scriptures Tune Title: ORTONVILLE
A glory gilds the sacred page
William Cowper
1731 - 1800 Person Name: Wm. Cowper First Line: A glory gilds the sacred page Hymnal Number: 180 Author of "A glory gilds the sacred page" in The Seventh-Day Adventist Hymn and Tune Book William Cowper (pronounced "Cooper"; b. Berkampstead, Hertfordshire, England, 1731; d. East Dereham, Norfolk, England, 1800) is regarded as one of the best early Romantic poets. To biographers he is also known as "mad Cowper." His literary talents produced some of the finest English hymn texts, but his chronic depression accounts for the somber tone of many of those texts. Educated to become an attorney, Cowper was called to the bar in 1754 but never practiced law. In 1763 he had the opportunity to become a clerk for the House of Lords, but the dread of the required public examination triggered his tendency to depression, and he attempted suicide. His subsequent hospitalization and friendship with Morley and Mary Unwin provided emotional stability, but the periods of severe depression returned. His depression was deepened by a religious bent, which often stressed the wrath of God, and at times Cowper felt that God had predestined him to damnation.
For the last two decades of his life Cowper lived in Olney, where John Newton became his pastor. There he assisted Newton in his pastoral duties, and the two collaborated on the important hymn collection Olney Hymns (1779), to which Cowper contributed sixty-eight hymn texts.
Bert Polman
============
Cowper, William, the poet. The leading events in the life of Cowper are: born in his father's rectory, Berkhampstead, Nov. 26, 1731; educated at Westminster; called to the Bar, 1754; madness, 1763; residence at Huntingdon, 1765; removal to Olney, 1768; to Weston, 1786; to East Dereham, 1795; death there, April 25, 1800.
The simple life of Cowper, marked chiefly by its innocent recreations and tender friendships, was in reality a tragedy. His mother, whom he commemorated in the exquisite "Lines on her picture," a vivid delineation of his childhood, written in his 60th year, died when he was six years old. At his first school he was profoundly wretched, but happier at Westminster; excelling at cricket and football, and numbering Warren Hastings, Colman, and the future model of his versification. Churchill, among his contemporaries or friends. Destined for the Bar, he was articled to a solicitor, along with Thurlow. During this period he fell in love with his cousin, Theodora Cowper, sister to Lady Hesketh, and wrote love poems to her. The marriage was forbidden by her father, but she never forgot him, and in after years secretly aided his necessities. Fits of melancholy, from which he had suffered in school days, began to increase, as he entered on life, much straitened in means after his father's death. But on the whole, it is the playful, humorous side of him that is most prominent in the nine years after his call to the Bar; spent in the society of Colman, Bonnell Thornton, and Lloyd, and in writing satires for The Connoisseur and St. James's Chronicle and halfpenny ballads. Then came the awful calamity, which destroyed all hopes of distinction, and made him a sedentary invalid, dependent on his friends. He had been nominated to the Clerkship of the Journals of the House of Lords, but the dread of appearing before them to show his fitness for the appointment overthrew his reason. He attempted his life with "laudanum, knife and cord,"—-in the third attempt nearly succeeding. The dark delusion of his life now first showed itself—a belief in his reprobation by God. But for the present, under the wise and Christian treatment of Dr. Cotton (q. v.) at St. Albans, it passed away; and the eight years that followed, of which the two first were spent at Huntingdon (where he formed his lifelong friendship with Mrs. Unwin), and the remainder at Olney in active piety among the poor, and enthusiastic devotions under the guidance of John Newton (q. v.), were full of the realisation of God's favour, and the happiest, most lucid period of his life. But the tension of long religious exercises, the nervous excitement of leading at prayer meetings, and the extreme despondence (far more than the Calvinism) of Newton, could scarcely have been a healthy atmosphere for a shy, sensitive spirit, that needed most of all the joyous sunlight of Christianity. A year after his brother's death, madness returned. Under the conviction that it was the command of God, he attempted suicide; and he then settled down into a belief in stark contradiction to his Calvinistic creed, "that the Lord, after having renewed him in holiness, had doomed him to everlasting perdition" (Southey). In its darkest form his affliction lasted sixteen months, during which he chiefly resided in J. Newton's house, patiently tended by him and by his devoted nurse, Mrs. Unwin. Gradually he became interested in carpentering, gardening, glazing, and the tendance of some tame hares and other playmates. At the close of 1780, Mrs. Unwin suggested to him some serious poetical work; and the occupation proved so congenial, that his first volume was published in 1782. To a gay episode in 1783 (his fascination by the wit of Lady Austen) his greatest poem, The Task, and also John Gilpin were owing. His other principal work was his Homer, published in 1791. The dark cloud had greatly lifted from his life when Lady Hesketh's care accomplished his removal to Weston (1786): but the loss of his dear friend William Unwin lowered it again for some months. The five years' illness of Mrs. Unwin, during which his nurse of old became his tenderly-watched patient, deepened the darkness more and more. And her death (1796) brought “fixed despair," of which his last poem, The Castaway, is the terrible memorial. Perhaps no more beautiful sentence has been written of him, than the testimony of one, who saw him after death, that with the "composure and calmness" of the face there “mingled, as it were, a holy surprise."
Cowper's poetry marks the dawn of the return from the conventionality of Pope to natural expression, and the study of quiet nature. His ambition was higher than this, to be the Bard of Christianity. His great poems show no trace of his monomania, and are full of healthy piety. His fame as a poet is less than as a letter-writer: the charm of his letters is unsurpassed. Though the most considerable poet, who has written hymns, he has contributed little to the development of their structure, adopting the traditional modes of his time and Newton's severe canons. The spiritual ideas of the hymns are identical with Newton's: their highest note is peace and thankful contemplation, rather than joy: more than half of them are full of trustful or reassuring faith: ten of them are either submissive (44), self-reproachful (17, 42, 43), full of sad yearning (1, 34), questioning (9), or dark spiritual conflict (38-40). The specialty of Cowper's handling is a greater plaintiveness, tenderness, and refinement. A study of these hymns as they stood originally under the classified heads of the Olney Hymns, 1779, which in some cases probably indicate the aim of Cowper as well as the ultimate arrangement of the book by Newton, shows that one or two hymns were more the history of his conversion, than transcripts of present feelings; and the study of Newton's hymns in the same volume, full of heavy indictment against the sins of his own regenerate life, brings out the peculiar danger of his friendship to the poet: it tends also to modify considerably the conclusions of Southey as to the signs of incipient madness in Cowper's maddest hymns. Cowper's best hymns are given in The Book of Praise by Lord Selborne. Two may be selected from them; the exquisitely tender "Hark! my soul, it is the Lord" (q. v.), and "Oh, for a closer walk with God" (q. v.). Anyone who knows Mrs. Browning's noble lines on Cowper's grave will find even a deeper beauty in the latter, which is a purely English hymn of perfect structure and streamlike cadence, by connecting its sadness and its aspiration not only with the “discord on the music" and the "darkness on the glory," but the rapture of his heavenly waking beneath the "pathetic eyes” of Christ.
Authorities. Lives, by Hayley; Grimshaw; Southey; Professor Goldwin Smith; Mr. Benham (attached to Globe Edition); Life of Newton, by Rev. Josiah Bull; and the Olney Hymns. The numbers of the hymns quoted refer to the Olney Hymns. [Rev. H. Leigh Bennett, M.A.]
--John Julian, Dictionary of Hymnology (1907)
================
Cowper, W. , p. 265, i. Other hymns are:—
1. Holy Lord God, I love Thy truth. Hatred of Sin.
2. I was a grovelling creature once. Hope and Confidence.
3. No strength of nature can suffice. Obedience through love.
4. The Lord receives His highest praise. Faith.
5. The saints should never be dismayed. Providence. All these hymns appeared in the Olney Hymns, 1779.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=====================
Cowper, W., p. 265, i. Prof. John E. B. Mayor, of Cambridge, contributed some letters by Cowper, hitherto unpublished, together with notes thereon, to Notes and Queries, July 2 to Sept. 24, 1904. These letters are dated from Huntingdon, where he spent two years after leaving St. Alban's (see p. 265, i.), and Olney. The first is dated "Huntingdon, June 24, 1765," and the last "From Olney, July 14, 1772." They together with extracts from other letters by J. Newton (dated respectively Aug. 8, 1772, Nov. 4, 1772), two quotations without date, followed by the last in the N. & Q. series, Aug. 1773, are of intense interest to all students of Cowper, and especially to those who have given attention to the religious side of the poet's life, with its faint lights and deep and awful shadows. From the hymnological standpoint the additional information which we gather is not important, except concerning the hymns "0 for a closer walk with God," "God moves in a mysterious way," "Tis my happiness below," and "Hear what God, the Lord, hath spoken." Concerning the last three, their position in the manuscripts, and the date of the last from J. Newton in the above order, "Aug. 1773," is conclusive proof against the common belief that "God moves in a mysterious way" was written as the outpouring of Cowper's soul in gratitude for the frustration of his attempted suicide in October 1773.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Cowper
Aaron R. Wolfe
1821 - 1902 Person Name: A. R. Wolfe First Line: A parting hymn we sing Hymnal Number: 1112 Author of "A parting hymn we sing " in The Seventh-Day Adventist Hymn and Tune Book Wolfe, Aaron Robarts, was born at Mendham, New Jersey, Sep. 6, 1821, and educated at Williams College, 1844; and the Union Theological Seminary, New York, 1851. On April 9, 1851, he was licensed by the Third Presbytery of New York. For some lime he had charge of a school for young ladies at Tallahassee, Florida; and in 1859 he established "The Hillside Seminary for Young Ladies" at Montclair, New Jersey. In 1858 he contributed 7 hymns under the signature "A. R. W." to Hastings's Church Melodies. These are:—
1. A Parting hymn we sing. Close of Holy Communion.
2. Complete in Thee, no work of mine. Complete in Christ. Published in the N. Y. Evangelist, 1850 or 51.
3. Draw near, O Holy Dove, draw near. Holy Communion.
4. How blest indeed are they. In the Likeness of Christ.
5. My God, I thank Thee for the guide. Conscience.
6. Mysterious influence divine. The Cross of Christ.
7. Thou Maker of our mortal frame. Chief end of Man.
The most popular of these hymns are Nos. 1, 2, and 3. [Rev. F. M. Bird, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Aaron R. Wolfe
Edward Denny
1796 - 1889 Person Name: Sir Edward Denny First Line: A pilgrim through this lonely world Hymnal Number: 311 Author of "A pilgrim through this lonely world" in The Seventh-Day Adventist Hymn and Tune Book Denny, Sir Edward, Bart . Sir Edward Denny, son of Sir E. Denny, 4th baronet, of Tralee Castle, County of Kerry, was born 2 Oct., 1796, and succeeded his father in August, 1831. He is a member of the Plymouth Brethren, and has contributed largely to their hymnody. His first publication, in which many of his hymns appeared, was A Selection of Hymns, Lond. Central Tract Depot, 1839. This was followed by Hymns & Poems , Lond., 1848 (third ed., 1870). He has also published several prose works. Many of his hymns are popular, and are in extensive use as:—" A pilgrim through this lonely world"; "Bride of the Lamb, rejoice, rejoice"; “Bright with all His crowns of glory"; “Light of the lonely pilgrim's heart”; "Sweet feast of love divine," and several others. In addition to these, which are separately annotated, and those which are confined in their use to the congregations of the "Brethren," there are also nearly 20 in limited use in Great Britain and America.
Of these the following appeared, first in his Selection of Hymns, 1839; then, in the Appendix to Hymns for the Poor of the Flock, 1841; and then in his Hymns & Poems, 1848-70 :—
1. Break forth, 0 earth, in praises. Praise for Redemption. This is given in several collections in Great Britain and America.
2. Children of God, in all your need. The Great High Priest. In limited use.
3. Children of light, arise and shine. Looking unto Jesus. In numerous hymnals in G. Britain and America.
4. Children of light, awake, awake. Advent . This hymn is an application of the Parable of the Ten Virgins to the Second Coming of Christ.
5. Dear Lord, amid the throng that pressed. The Holy Women at the Cross. The use of this hymn in America is somewhat extensive.
6. Hope of our hearts, 0 Lord, appear. The Second Advent desired. In the Hymns for the Poor of the Flock, 1837; and the author's Hymns & Poems, 1848-60, and various collections in Great Britain and America.
7. Joy to the ransomed earth. Jesus the King. Its use is limited.
8. Lo 'tis the heavenly army. The Second Advent. The original of this hymn is in 4 stanzas of 10 lines and as such it is usually given: but in the Peoples Hymnal, 1867, it is arranged in 4 stanzas of 8 lines, and is also slightly altered.
9. 0 grace divine! the Saviour shed. Good Friday. In limited use.
10. 0 what a bright and blessed world. The New Earth. This hymn is based upon Gen. v. 29, as interpreted from a Millennial point of view. Christ is regarded as the Rest (Noah-Rest) of His people, and the remover of the curse from the earth.
11. Sweet was the hour, 0 Lord, to Thee. Christ at the Well of Sychar. Limited in use.
12. Thou vain deceitful world, farewell. Forsaking the World for Christ. In several collections.
13. Through Israel's land the Lord of all . Mission to the Jews. In addition to its use in its full form, it is also given as: "O Zion, when thy Saviour came," as in Dr. Walker's Psalms & Hymns, 1855-71; Snepp's Songs of Grace & Glory, and others. This opens with stanza ii.
14. 'Tis finish'd all—our souls to win. Jesus the Guide and Friend. In several collections.
15. 'Tis He, the Mighty Saviour comes . Missions . Given in Snepp, and one or two others.
16. 'Tis night, but O the joyful morn. Hope. In a few hymnals; also, beginning with stanzas ii., "Lord of our hearts, beloved of Thee," in Dr. Hatfield's Church Hymn Book, N. Y., 1872.
17. To Calvary, Lord, in Spirit now. Good Friday. This is given in several hymnals, including Spurgeon's Our Own Hymn Book, 1866, &c.
The next is in the Selection of 1839, and the Hymns & Poems, 1848-70:—
18. 0 Blessed Lord, Thy feeble Sheep. The Good Shepherd. Its use is limited.
The three with which we close are from J. G, Deck's Psalms & Hymns, 1842, Pt. ii., and the Hymns & Poems, 1848-70:—
19. Hark to the trump! behold it breaks . The Resurrection . The design of this hymn is thus described, by the author: "These lines are supposed to be the utterance of the saints at the blessed moment when they are actually ascending to meet the Lord in the air, as described in 1 Cor. xv. 51-57 and 1 Thess. iv. 16-18. It is given in several collections."
20. Isles of the deep, rejoice, rejoice. Missions.
21. Where, in this waste unlovely [and desert] world! Rest for the Weary. Its use is limited.
-- John Julian, Dictionary of Hymnology (1907)
=====================
Denny, Sir Edward, Bart., p. 287, ii., died in London, June 13, 1889. Additional pieces from his Selection of Hymns, 1839, are in modern collections including:—
1. O wondrous hour! when, Jesus, Thou. Good Friday .
2. 'Tis past, the dark and dreary night. Easter.
3. While in sweet communion feeding. Holy Communion.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Edward Denny
