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Hymnal, Number:rs1900

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Hymnals

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Published hymn books and other collections
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Redemption Songs

Publication Date: 1937 Publisher: Pickering & Inglis Ltd. Publication Place: London Editors: Pickering & Inglis Ltd.

Texts

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Count Your Blessings

Author: Johnson Oatman Appears in 254 hymnals First Line: When upon life's billows you are tempest-toss'd Refrain First Line: Count your blessings, name them one by one Topics: Praise and Opening Used With Tune: [When upon life's billows you are tempest-toss'd]
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Follow Me

Appears in 35 hymnals First Line: I hear my dying Saviour say Topics: Christian Life and Service Used With Tune: [I hear my dying Saviour say]
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'Tis so Sweet to Trust

Author: Louisa M. R. Stead Meter: 8.7.8.7 D Appears in 418 hymnals First Line: 'Tis so sweet to trust in Jesus Refrain First Line: Jesus, Jesus, how I trust Him! Topics: Christian Life and Service Used With Tune: FALL RIVER

Tunes

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[Have you been to Jesus for the cleansing pow'r?]

Appears in 209 hymnals Composer and/or Arranger: Elisha A. Hoffman Incipit: 35111 53511 11233 Used With Text: Washed in the Blood
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CONVERSE

Meter: 8.7.8.7 D Appears in 882 hymnals Composer and/or Arranger: Charles C. Converse Incipit: 55653 11651 31532 Used With Text: What a Friend!
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[Take the name of Jesus with you]

Appears in 326 hymnals Composer and/or Arranger: W. H. Doane Incipit: 51321 21561 76165 Used With Text: The Precious Name

Instances

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Published text-tune combinations (hymns) from specific hymnals
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I am the Door

Hymnal: RS1900 #C1a (1937) First Line: I am the Door, I am the Door Topics: Choruses Scripture: John 10:9 Languages: English Tune Title: [I am the Door, I am the Door]
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I am the Door

Hymnal: RS1900 #C1b (1937) First Line: I am the Door, I am the Door Topics: Choruses Scripture: John 10:9 Languages: English Tune Title: [I am the Door, I am the Door]
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Something More than Gold

Author: John Martin Hymnal: RS1900 #C2 (1937) First Line: A certain man of whom we read Refrain First Line: O yes, my friend! there's something more Lyrics: 1 A certain man of whom we read Who lived in days of old, Though he was rich, he felt his need Of something more than gold. Refrain: O yes, my friend! there’s something more, something more than gold, To know your sins are all forgiv'n is something more than gold. 2 It happen'd on a certain day This little man was told That Jesus soon would pass that way With something more than gold. [Refrain] 3 He climb'd a tree above the crowd So that he might behold The blessed One with pow'r to give something more than gold. [Refrain] 4 The Saviour came along the way, And saw him on the tree, Then calling to him Jesus said: 'I must abide with thee!' [Refrain] 5 So he obey'd, and soon he found The half had not been told, The blessing Jesus brought to him Was better far than gold. [Refrain] Topics: Choruses Languages: English Tune Title: [A certain man of whom we read]

People

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Authors, composers, editors, etc.

Knowles Shaw

1834 - 1878 Hymnal Number: 463 Author of "Bringing in the Sheaves" in Redemption Songs Knowles Shaw (1834-1878), a name familiar in many western households--was born near New London, in Morgan Township, Ohio, on the 13th of October, 1834. His mother's maiden name was Huldah Griffin, and by both of his parents he was of Scottish extraction. His early life was spent in Rush County, Indiana, where he first began to play the violin, furnishing the music for many a dance. While the ball was going on he was converted, ceasing to play in the middle of the piece he was performing. Very soon thereafter he entered the ministry of the Christian Church. On the 11th of January, 1855, he married Miss Martha Finley. Most of his time after entering the ministry was spent in the West and South, and on account of his wonderful vocal powers he was called the "singing evangelist." As a singer he was considered, in some respects, equal to Sankey and Bliss. reporters of the press al spoke of his singing as something wonderful. Soon after beginning to preach, he began to compose and to write music. His first song was "The Shining Ones," still popular. He published at different times five singing-books: "Shining Pearls," "Golden Gate," "Sparkling Jewels," "The Gospel Trumpet," and the "Morning Star." "Bringing in the Sheaves" was one of the last songs from his hand. His last meeting was held in Dallas, Texas, in May 1878. He was killed by a railroad accident, going from Dallas to McKinney, on the 7th of June, 1878. During his ministry he baptized over eleven thousand persons. --A History and Biographical Cyclopedia of Butler County, Ohio. Cincinnati, 1882. DNAH Archives

Joseph Haydn

1732 - 1809 Person Name: Franz Joseph Haydn Hymnal Number: 492b Composer of "AUSTRIAN HYMN" in Redemption Songs Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

Rowland Hugh Prichard

1811 - 1887 Person Name: R. H. Pritchard Hymnal Number: 66 Composer of "HYFRYDOL" in Redemption Songs Rowland H. Prichard (sometimes spelled Pritchard) (b. Graienyn, near Bala, Merionetshire, Wales, 1811; d. Holywell, Flintshire, Wales, 1887) was a textile worker and an amateur musician. He had a good singing voice and was appointed precentor in Graienyn. Many of his tunes were published in Welsh periodicals. In 1880 Prichard became a loom tender's assistant at the Welsh Flannel Manufacturing Company in Holywell. Bert Polman