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Henry Ramsden Bramley

1833 - 1917 Person Name: Henry Ramsden Bramley, 1833-1917 Tune Title: A VIRGIN UNSPOTTED Hymnal Number: 37 Author of "Then let us adore him, and praise his great love" in The New English Hymnal English clergyman, a high-church Anglican. Text editor of Christmas Carols New and Old, 1871 (John Stainer was the music editor), a seminal work in the second period of carol revival. The usual four-part setting of "The First Nowell" appeared in this book. Published a number of translations of hymns and carols from the Latin. ============================= Bramley, Henry Ramsden, M.A., was born June 4, 1833, at Addingham, near Otley, Yorks, matriculated at Oriel College, Oxford, 1852, Scholar of University College 1853, Fellow of Magdalen 1857 (B.A. 1856, M.A. 1859). He was ordained D. 1856, P. 1858, was from 1861 to 1889 Vicar of Horspath, Oxon, and from 1895 to 1901 Canon and Precentor of Lincoln. His hymns and translations appeared principally in his own Christmas Carols (p. 212, ii.) and in the different Lyras edition by Mr. Shipley, generally marked as by " H. R. B." Of these, "The great God of Heaven is come down to earth" (Christmas), p. 212, ii., is in the English Hymnal, 1906. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

G. B. Timms

1910 - 1997 Person Name: G. B. Timms, 1910-1997 Tune Title: ABBOT'S LEIGH Hymnal Number: 185 Author of "Sing we of the blessèd Mother" in The New English Hymnal Full name George Boorne Timms

Cyril Taylor

1907 - 1991 Person Name: Cyril Taylor, 1907-91 Tune Title: ABBOT'S LEIGH Hymnal Number: 185 Composer of "ABBOT'S LEIGH" in The New English Hymnal Cyril V. Taylor (b. Wigan, Lancashire, England, 1907; d. Petersfield, England, 1992) was a chorister at Magdalen College School, Oxford, and studied at Christ Church, Oxford, and Westcott House, Cambridge. Ordained a priest in the Church of England in 1932, he served the church as both pastor and musician. His positions included being a producer in the religious broadcasting department of the BBC (19391953), chaplain of the Royal School of Church Music (1953-1958), vicar of Cerne Abbas in Dorsetshire (1958-1969), and precentor of Salisbury Cathedral (1969-1975). He contributed twenty hymn tunes to the BBC Hymn Book (1951), which he edited, and other tunes to the Methodist Hymns and Psalms (1983). He also edited 100 Hymns for Today (1969) and More Hymns for Today (1980). Writer of the booklet Hymns for Today Discussed (1984), Taylor was chairman of the Hymn Society of Great Britain and Ireland from 1975 to 1980. Bert Polman

Herbert Stanley Oakeley

1830 - 1903 Person Name: Herbert Oakley, 1830-1903 Tune Title: ABENDS Hymnal Number: 251 Composer of "ABENDS" in The New English Hymnal

John Reynell Wreford

1800 - 1891 Person Name: John Wreford, 1800-81 Tune Title: ABERDEEN (ST PAUL) Hymnal Number: 491 Author of "Lord, while for all mankind we pray" in The New English Hymnal Wreford, John Reynell, an English Unitarian minister, was born December 12, 1800, at Barnstaple; educated at Manchester College, and in 1826 became pastor of a Church in Birmingham. In 1831, on account of the failure of his voice, he withdrew from the active work of the ministry and, in conjunction with Rev. Hugh Hutton, established a school at Edgbaston. He wrote a History of Presbyterian Nonconformity in Birmingham, 1832, and Lays of Loyalty, 1837. He contributed fifty-five hymns to Rev. J. R. Beard's Collection, 1837. His most popular and valuable hymn is the one given in this book. The last years of his life were spent in retirement at Bristol, where he died in 1891. —Hymn Writers of the Church by Charles Nutter ================= Wreford, John Keynell, D.D., born Dec. 12, 1800, educated at Manchester College, York, and in 1826 succeeded the Rev. James Yates as co-pastor to the Rev. John Kentish at the New Meeting, Birmingham. In 1830 he published a translation of Cellerier's Discourse on the Authenticity and Divine Origin of the Old Testament. In the following year, in consequence of failure of voice, he withdrew from the Ministry, and in conjunction with the Rev. Hugh Hutton, Minister of the Old Meeting, opened a school at Edgbaston. In 1832 he published a Sketch of the History of Presbyterian Nonconformity in Birmingham; and in 1837, Lays of Loyalty, in celebration of the Queen's accession. He also contributed, in 1837, to the Rev. J. R. Beard's Collection of Hymns for Public and Private Worship 55 hymns, of which the following are still in common use:— 1. God of the ocean, earth, and sky. God seen in His Works. In various collections, including those by Page Hopps, G. Dawson, and others. 2. Lord, I believe; Thy power I own. For increase of Faith. In Martineau's Hymns, &c, 1840. 3. Lord, while for all mankind we pray. National Hymn. This is in a large number of collections of various denominations, and is by far the most popular of his hymns. Sometimes it begins with stanza iii., "O! guard our shores from every foe." 4. When my love to Christ[God]grows weak. Passiontide. In Longfellow and Johnson's Unitarian Hymns of the Spirit, Boston, U. S. A., 1864, "When my love to God grows weak." This is repeated in Martineau's Hymns, &c, 1873. Dr. Wreford was also the author of several volumes of verse, chiefly devotional. The latter years of his life he spent in retirement at Bristol, and died there in 1881. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907)

Joseph Parry

1841 - 1903 Person Name: Joseph Parry, 1841-1903 Tune Title: ABERYSTWYTH Hymnal Number: 383b Composer of "ABERYSTWYTH" in The New English Hymnal Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman

William John Blew

1808 - 1894 Person Name: William Blew, 1808-94 Tune Title: ACH GOTT UND HERR Hymnal Number: 131 Translator of "O King most high of earth and sky" in The New English Hymnal Blew, William John, M.A., son of William Blew, born April 13, 1808, and educated at Great Ealing School, and Wadham College, Oxford, where he graduated B.A. in 1830, and M.A., 1832. On taking Holy Orders, Mr. Blew was Curate of Nuthurst and Cocking, and St. Anne's, Westminster, and for a time Incumbent of St. John's next Gravesend. Besides translations from Homer (Iliad, bks. i., ii., &c.) and Æschylus (Agamemnon the King), and works on the Book of Common Prayer, including a paraphrase on a translation of the same in Latin, he edited the Breviarium Aherdonense, 1854; and published a pamphlet on Hymns and Hymn Books, 1858; and (with Dr. H. J. Gauntlett) The Church Hymn and Tune Book, 1852, 2nd ed. 1855. Tho hymns in this last work are chiefly translations by Mr. Blew of Latin hymns. They were written from 1845 to 1852, and printed on fly-sheets for the use of his congregation. Many of these translations have come into common use. The following original hymns were also contributed by him to the same work:— 1. Christ in the Father's glory bright. Morning. 2. God's ark is in the field. Evening. The second stanza of this hymn is from Bp. Cosin's Hours, in his Collection of Private Devotions, 1627. 3. Hark, through the dewy morning. Morning. 4. Lord of the golden day. Evening. 5. 0 Lord, Thy wing outspread. Whitsuntide. 6. 0 Thou, Who on Thy sainted quire. Whitsuntide. 7. Sleeper, awake, arise. Epiphany. 8. Sweet Babe, that wrapt in twilight. Epiphany. 9. Ye crowned kings, approach ye. Epiphany. This is written to the tune “Adeste fideles," and might easily be mistaken as a free translation of the "Adeste." Mr. Blew has also translated The Altar Service of the Church of England, in the year 1548, into English. His translations are terse, vigorous, musical, and of great merit. They have been strangely overlooked by the compilers of recent hymn-books. He died Dec. 27, 1894. -- John Julian, Dictionary of Hymnology (1907)

Charles William Humphreys

1840 - 1921 Person Name: C. W. Humphreys, 1840-1921 Tune Title: ACH GOTT UND HERR Hymnal Number: 306 Translator of "Strengthen for service, Lord, the hands" in The New English Hymnal

Joseph Addison

1672 - 1719 Person Name: Joseph Addison, 1672-1719 Tune Title: ADDISON'S (LONDON) Hymnal Number: 267 Author of "The spacious firmament on high" in The New English Hymnal Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time. i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :— 1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:— "David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.) 2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:— “I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum) Then follows the hymn:—"When all Thy mercies, 0 my God." 3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:— “For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum

John Sheeles

Person Name: J. Sheeles, 1688-1761 Tune Title: ADDISON'S (LONDON) Hymnal Number: 267 Composer of "ADDISON'S (LONDON)" in The New English Hymnal