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Venid a Mí, Venid a Descansar
Author: Edward J. Bickersteth, 1825-1906; Vernon L. Peterson, 1932- Meter: 10.10.10.10 Appears in 1 hymnal Topics: Oracion Used With Tune: PENITENTIA
Venid a Mí, Venid a Descansar
Señor, el Día Pronto Se Me Va
Author: Vernon L. Peterson, 1932- Meter: 10.10.10.10 Appears in 1 hymnal Topics: Arrepentimiento y Perdon Used With Tune: EVENTIDE
Señor, el Día Pronto Se Me Va
Si Fui Motivo de Dolor, Señor
Author: C. C. Battersby; Sara M. de Hall Meter: 10.10.10.4 Appears in 22 hymnals First Line: Si fui motivo de dolor Topics: Arrepentimiento y Perdon Used With Tune: CAMACUÁ
Si Fui Motivo de Dolor, Señor
PENITENTIA
Meter: 10.10.10.10 Appears in 59 hymnals Composer and/or Arranger: Edward Dearle, 1806-1891 Tune Key: D Major Incipit: 33451 22343 32165 Used With Text: Venid a Mí, Venid a Descansar
PENITENTIA
Venid a Mí, Venid a Descansar
Author: Edward J. Bickersteth, 1825-1906; Vernon L. Peterson, 1932- Hymnal: HVL1990 #53 (1990) Meter: 10.10.10.10 Topics: Oracion Languages: Spanish Tune Title: PENITENTIA
Venid a Mí, Venid a Descansar
Señor, el Día Pronto Se Me Va
Author: Vernon L. Peterson, 1932- Hymnal: HVL1990 #63 (1990) Meter: 10.10.10.10 Topics: Arrepentimiento y Perdon Languages: Spanish Tune Title: EVENTIDE
Señor, el Día Pronto Se Me Va
Si Fui Motivo de Dolor, Señor
Author: C. C. Battersby; Sara M. de Hall Hymnal: HVL1990 #58 (1990) Meter: 10.10.10.4 First Line: Si fui motivo de dolor Topics: Arrepentimiento y Perdon Languages: Spanish Tune Title: CAMACUÁ
Si Fui Motivo de Dolor, Señor
Edward Henry Bickersteth
1825 - 1906 Person Name: Edward J. Bickersteth, 1825-1906 Meter: 10.10.10.10 Hymnal Number: 53 Author of "Venid a Mí, Venid a Descansar" in Himnos de Vida y Luz Bickersteth, Edward Henry, D.D., son of Edward Bickersteth, Sr. born at Islington, Jan. 1825, and educated at Trinity College, Cambridge (B.A. with honours, 1847; M.A., 1850). On taking Holy Orders in 1848, he became curate of Banningham, Norfolk, and then of Christ Church, Tunbridge Wells. His preferment to the Rectory of Hinton-Martell, in 1852, was followed by that of the Vicarage of Christ Church, Hampstead, 1855. In 1885 he became Dean of Gloucester, and the same year Bishop of Exeter. Bishop Bickersteth's works, chiefly poetical, are:—
(l) Poems, 1849; (2) Water from the Well-spring, 1852; (3) The Rock of Ages, 1858 ; (4) Commentary on the New Testament, 1864; (5) Yesterday, To-day, and For Ever, 1867; (6) The Spirit of Life, 1868; (7) The Two Brothers and other Poems, 1871; (8) The Master's Home Call, 1872 ; (9) The Shadowed Home and the Light Beyond, 1874; (10) The Beef and other Parables, 1873; (11) Songs in the House of Pilgrimage, N.D.; (12) From Year to Year, 1883.
As an editor of hymnals, Bp. Bickersteth has also been most successful. His collections are:—
(1) Psalms & Hymns, 1858, based on his father's Christian Psalmody, which passed through several editions; (2) The Hymnal Companion, 1870; (3) The Hymnal Companion revised and enlarged, 1876. Nos. 2 and 3, which are two editions of the same collection, have attained to an extensive circulation. [Ch. of England Hymnody.]
About 30 of Bp. Bickersteths hymns are in common use. Of these the best and most widely known are:—" Almighty Father, hear our cry"; "Come ye yourselves apart and rest awhile"; "Father of heaven above"; "My God, my Father, dost Thou call"; "O Jesu, Saviour of the lost"; "Peace, perfect peace"; "Rest in the Lord"; "Stand, Soldier of the Cross"; " Thine, Thine, for ever"; and "Till He come.” As a poet Bp. Bickersteth is well known. His reputation as a hymn-writer has also extended far and wide. Joined with a strong grasp of his subject, true poetic feeling, a pure rhythm, there is a soothing plaintiveness and individuality in his hymns which give them a distinct character of their own. His thoughts are usually with the individual, and not with the mass: with the single soul and his God, and not with a vast multitude bowed in adoration before the Almighty. Hence, although many of his hymns are eminently suited to congregational purposes, and have attained to a wide popularity, yet his finest productions are those which are best suited for private use.
-John Julian, Dictionary of Hymnology (1907)
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Bickersteth, Edward Henry, p. 141, ii. Bishop Bickersteth's 1890 edition of his Hymnal Companion is noted on p. 1312, i., and several of his own hymns and translations, which appear therein for the first time, are annotated in this Appendix. One of these, "All-merciful, Almighty Lord," for the Conv. of St. Paul, was written for the 1890 edition of Hymnal Companion.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Bickersteth, B. H., p. 141, ii. Bp. Bickersteth died in London, May 16, 1906.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Henry Bickersteth
Edward Dearle
1806 - 1891 Person Name: Edward Dearle, 1806-1891 Meter: 10.10.10.10 Hymnal Number: 53 Composer of "PENITENTIA" in Himnos de Vida y Luz
Edward Dearle
William Henry Monk
1823 - 1889 Person Name: William Henry Monk, 1823-1889 Meter: 10.10.10.10 Hymnal Number: 63 Composer of "EVENTIDE" in Himnos de Vida y Luz William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
