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Hymnal, Number:hime1881

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Hymnals

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Published hymn books and other collections
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Himnario de la Iglesia Metodista Episcopal

Publication Date: 1881 Publisher: Iglesia Metodista Episcopal Publication Place: Mexico

Texts

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Text authorities
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Alabad al Trino Dios

Author: J. B. Appears in 39 hymnals First Line: A Dios, el Padre celestial Used With Tune: OLD HUNDRED
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Alabanza y accion de gracias

Appears in 41 hymnals First Line: Cantad alegres al Señor Used With Tune: DUQUE Text Sources: Copiado
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"Velad y orad."

Author: Carlos Wesley; A. J. P. Appears in 15 hymnals First Line: Yo tengo que guardar Used With Tune: BOYLSTON

Tunes

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ADORACION

Appears in 796 hymnals Composer and/or Arranger: Ithamar Conkey Tune Key: C Major Incipit: 51317 65155 63234 Used With Text: El pan de la vida
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ROCKINGHAM

Appears in 348 hymnals Composer and/or Arranger: Lowell Mason Tune Key: G Major or modal Incipit: 17123 53232 16512 Used With Text: Pan para el alma
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NOCHE SERENA

Appears in 981 hymnals Composer and/or Arranger: William Henry Monk Tune Key: E Flat Major Incipit: 33215 65543 34565 Used With Text: Conmigo sé

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Alabanza á la Trinidad

Author: G. H. Rule Hymnal: HIME1881 #1 (1881) First Line: A la divina Trinidad Languages: Spanish Tune Title: OLD HUNDRED
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Alabad al Trino Dios

Author: J. B. Hymnal: HIME1881 #2 (1881) First Line: A Dios, el Padre celestial Languages: Spanish Tune Title: OLD HUNDRED
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Alabanza y accion de gracias

Hymnal: HIME1881 #3 (1881) First Line: Cantad alegres al Señor Languages: Spanish Tune Title: DUQUE

People

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Authors, composers, editors, etc.

Felix Mendelssohn-Bartholdy

1809 - 1847 Hymnal Number: 83 Composer of "ANGELES CANTORES" in Himnario de la Iglesia Metodista Episcopal Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

Samuel Sebastian Wesley

1810 - 1876 Hymnal Number: 99 Composer of "AURELIA" in Himnario de la Iglesia Metodista Episcopal Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

William Henry Monk

1823 - 1889 Hymnal Number: 159 Composer of "NOCHE SERENA" in Himnario de la Iglesia Metodista Episcopal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman