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Search Results

Hymnal, Number:gp11996

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Hymnals

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Published hymn books and other collections
Page scans

Global Praise 1 (Rev. ed.)

Publication Date: 2000 Publisher: The General Board of Global Ministries Publication Place: New York Editors: S T Kimbrough; Carlton Young; General Board of Global Ministries

Texts

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Text authorities

Amen siakudumisa

Author: Dieter Trautwein Appears in 38 hymnals First Line: Amen siakudumisa Topics: Praise Used With Tune: [Amen siakudumisa]
FlexScore

Shalom chaverim

Author: S T Kimbrough, Jr Appears in 32 hymnals First Line: Shalom chaverim, shalom chaverim (Shalom, my friends, shalom, my friends) Topics: Benediction Used With Tune: [Shalom chaverim, shalom chaverim] Text Sources: Trad. Hebrew blessing
FlexScore

Santo, santo, santo (Holy, holy, holy)

Author: Hartmut Handt; Joëlle Gouël Appears in 26 hymnals First Line: Santo, santo, santo ¡Mi corazón te adora! Topics: Sanctus (with Benedictus) Used With Tune: [Santo, santo, santo ¡Mi corazón te adora!] Text Sources: Argentine folk song

Tunes

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Tune authorities

[Komm, Herr, segne uns]

Appears in 5 hymnals Composer and/or Arranger: Dieter Trautwein Tune Key: f sharp minor Incipit: 15123 43212 11512 Used With Text: Komm, Herre, segne uns (Bless and keep us, Lord)

[Bèjé mouin, sé you Roua d'amou]

Appears in 5 hymnals Composer and/or Arranger: Carlton R. Young Tune Key: F Major or modal Incipit: 51314 43113 54323 Used With Text: Bejé mouin, sé you Roua d'amou (The God of love my Shepherd is)
Audio

[I AM the rock of ages cleft for me ]

Appears in 56 hymnals Composer and/or Arranger: Carlton R. Young Tune Sources: Caribbean Folk Song Tune Key: G Major or modal Incipit: 55345 53216 64566 Used With Text: Halleluja

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

Agios O Theos (Holy God)

Hymnal: GP11996 #1 (2000) First Line: Agios O Theos (Holy, holy, holy God) Lyrics: Agios O Theos, agios ischiros, agios athanatos, eleison imas. Holy, holy, holy God, holy almighty God, holy, holy almighty God, have mercy upon us. Languages: Greek Tune Title: [Agios O Theos]
Text

Aleluia

Hymnal: GP11996 #2 (2000) First Line: Aleluia, aleluia! Lyrics: Aleluia, aleluia! Aleluia, aleluia! Aleluia, aleluia! Aleluia, aleluia! Tune Title: [Aleluia, aleluia]
Text

Alleluia

Hymnal: GP11996 #3 (2000) First Line: Alleluia, alleluia Lyrics: Alleluia, alleluia, alleluia, alleluia. Tune Title: [Alleluia, alleluia]

People

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Authors, composers, editors, etc.

H. W. Baker

1821 - 1877 Person Name: Henry W. Baker Hymnal Number: 12 Author of "The God of love my Shepherd Is" in Global Praise 1 (Rev. ed.) Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel S. Wesley Hymnal Number: 53 Composer of "CORNWALL" in Global Praise 1 (Rev. ed.) Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Joseph Barnby

1838 - 1896 Hymnal Number: 57 Composer of "BETHLEHEM" in Global Praise 1 (Rev. ed.) Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman