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Hymnal, Number:cw1941

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Hymnals

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Published hymn books and other collections

Christian Worship

Publication Date: 1941 Publisher: Judson Press Publication Place: Philadelphia Editors: B. Fred Wise; Judson Press

Texts

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Text authorities

Praise the Lord, His Glories Show

Author: Henry F. Lyte, 1793-1847 Meter: 7.7.7.7 with alleluia Appears in 158 hymnals First Line: Praise the Lord, His glories show, Alleluia! Topics: Adoration and Praise Scripture: Psalm 150 Used With Tune: LLANFAIR
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There's a Wideness in God's Mercy

Author: Frederick W. Faber Appears in 900 hymnals Topics: God--Love and Mercy Used With Tune: RICHARDS
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Let Us With Gladsome Mind

Author: John Milton, 1608-1674 Meter: 7.7.7.7 Appears in 545 hymnals First Line: Let us with a gladsome mind Refrain First Line: For His mercies aye endure Topics: God--Love and Mercy Used With Tune: INNOCENTS

Tunes

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Tune authorities
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VENI EMMANUEL

Appears in 279 hymnals Tune Sources: Ancient plain song, 13th century Incipit: 13555 46543 4531 Used With Text: O Come, O Come, Emmanuel
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LLANFAIR

Meter: 7.7.7.7 with alleluia Appears in 232 hymnals Composer and/or Arranger: Robert Williams, c. 1781-1821 Incipit: 11335 43254 34321 Used With Text: Praise the Lord, His Glories Show
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DUNDEE

Appears in 822 hymnals Tune Sources: From the Scottish Psalter, 1615 Incipit: 13451 23432 11715 Used With Text: God Moves in a Mysterious Way

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

O Worship the King

Author: Robert Grant, 1785-1838 Hymnal: CW1941 #94 (1941) Meter: 10.10.11.11 First Line: O worship the King, all glorious above Lyrics: 1 O worship the King, all-glorious above, And gratefully sing His wonderful love; Our Shield and Defender, the Ancient of days, Pavilioned in splendor, and girded with praise. 2 Thy bountiful care, what tongue can recite? It breathes in the air, it shines in the light; It streams from the hills, it descends to the plain; And sweetly distils in the dew and the rain. 3 Frail children of dust, and feeble as frail, In Thee do we trust, nor find Thee to fail; Thy mercies, how tender! how firm to the end! Our Maker, Defender, Redeemer, and Friend. 4 Our Father and God, how faithful Thy love! While angels delight to hymn Thee above; The humbler creation, though feeble their lays, With true adoration shall lisp to Thy praise. Amen. Topics: Adoration and Praise Languages: English Tune Title: LYONS
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Joyful, Joyful We Adore Thee

Author: Henry van Dyke, 1852-1933 Hymnal: CW1941 #95 (1941) First Line: Joyful, joyful, we adore Thee Lyrics: 1 Joyful, joyful, we adore Thee, God of glory, Lord of love; Hearts unfold like flowers before Thee, Opening to the sun above. Melt the clouds of sin and sadness, Drive the dark of doubt away; Giver of immortal gladness, Fill us with the light of day! 2 All Thy works with joy surround Thee, Earth and heaven reflect Thy rays, Stars and angels sing around Thee, Center of unbroken praise: Field and forest, vale and mountain, Flowery meadow, flashing sea, Chanting bird and flowing fountain, Call us to rejoice in Thee. 3 Thou art giving and forgiving, Ever blessing, ever blest, Wellspring of the joy of living, Ocean depth of happy rest! Thou our Father, Christ our Brother, All who live in love are Thine; Teach us how to love each other, Lift us to the Joy divine. 4 Mortals, join the mighty chorus Which the morning stars began; Father love is reigning o’er us, Brother love binds man to man. Ever singing, march we onward, Victors in the midst of strife; Joyful music leads us Sunward In the triumph song of life. Amen. Topics: Adoration and Praise Languages: English Tune Title: HYMN TO JOY

Men and Children Everywhere

Author: John J. Moment Hymnal: CW1941 #96 (1941) Meter: 7.7.7.7.7.7 with refrain Refrain First Line: Holy, holy, To our God all glory be Topics: Adoration and Praise Languages: English Tune Title: ROCK OF AGES

People

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Authors, composers, editors, etc.

J. H. Gilmore

1834 - 1918 Person Name: Joseph H. Gilmore, 1834-1918 Hymnal Number: 405 Author of "He Leadeth Me, O Blessed Thought" in Christian Worship Joseph H. Gilmore (b. Boston, MA, 1834; d. Rochester, NY, 1918) Educated at Brown University, Providence, Rhode Island, and Newton Theological Seminary, Newton, Massachusetts, Gilmore was ordained to the Baptist ministry in 1862. He served churches in Fisherville, New Hampshire, and Rochester, New York. In 1868 he was appointed to the English faculty at the University of Rochester, where he served until retirement in 1911. He published various literary works, including Outlines of English and American Literature (1905). Bert Polman ============ Gilmore, Joseph Henry, M. A., Professor of Logic in Rochester University, New York, was born at Boston, April 29, 1834, and graduated in Arts at Brown University, and in Theology at Newton Theological Institution. In the latter he was Professor of Hebrew in 1861-2. For some time he held a Baptist ministerial charge at Fisherville, New Hampshire, and at Rochester. He was appointed Professor at Rochester in 1868. His hymn, "He leadeth me, O blessed thought" (Ps. xxiii.), is somewhat widely known. It was written at the close of a lecture in the First Baptist Church, Philadelphia, and is dated 1859. It is in the Baptist Hymnal [and Tune] Book, Philadelphia, 1871. [Rev. F. M. Bird, M. A.] -- John Julian, Dictionary of Hymnology (1907)

K.

Person Name: "K" in John Rippon's Selection Hymnal Number: 406 Author of "How Firm a Foundation, Ye Saints of the Lord" in Christian Worship In John Rippon's A Selection of Hymns (1787, plus numerous subsequent editions), "How Firm a Foundation" (no. 128) is attributed simply to "K—". Two other hymns in the collection bear the same mark, "In songs of sublime adoration and praise," and "The Bible is justly esteemed." The author of the hymn has never been definitively identified, but the most common candidates are listed below. I. Robert Keen(e) The most likely possibility is Robert Keene, who served as precentor at Rippon's church. The evidence for connecting K with Keene comes (1) from his close acquaintance with Rippon, (2) Rippon's tune book, and (3) the testimony (of sorts) of Thomas Walker. After Rippon started publishing a tune book, A Selection of Psalm and Hymn Tunes (1792), to go with his hymnal, both books were cross-referenced against each other; the tunes suggested for "How Firm a Foundation" were GEARD (no. 156) and BROUGHTON (no. 172). Both GEARD and BROUGHTON first appeared in Rippon's tune book and were probably written for it. BROUGHTON is by T. [Thomas] Walker., and GEARD is by R. [Robert] Keene, thus the association with "K.", but the connection is speculative at best. Julian, in his article on "How Firm" in the Dictionary of Hymnology, notes that Walker later assisted Alexander Fletcher with his A Collection of Hymns (1822), and in that collection the text is attributed to Keen. II. George Keith In Josiah Miller's Singers and Songs of the Church (1869), "How Firm" is attributed to George Keith. According to Julian, the motivation behind this attribution was Daniel Sedgwick—-Miller credits him in the preface with having contributed special hymnological knowledge--yet Julian notes that Sedgwick garnered his information from "an old woman whom Sedgwick met in an almshouse." Keith was a publisher in London, and was the son-in-law of Dr. Gill, Rippon's distinguished predecessor at Carter Lane. III. Thomas Kirkham In 19th century editions of Rippon's Selection, the hymn was attributed to "Kirkham." Thomas Kirkham published A Collection of Hymns in 1788, yet "How Firm" was not included. His connection to Rippon is unclear. IV. Kennedy/Kennady Still other collections offer a different possiblity: a Kennedy or Kennady. This attribution appears as early as 1826 in Nettleton's Village Hymns. In Spurgeon's Our Own Hymn Book (1866), he offers "Kirkham or Kennedy, 1787." This person has yet to be identified. V. John Rippon In his preface to the Selection, Rippon wrote: In most places, where the names of the authors were known, they are put at full length, but the hymns which are not so distinguished, or which have only a single letter prefixed to them, were, many of them composed by a person unknown, or else have undergone some considerable alterations. Since Rippon is known to have significantly altered hymns in his collection ("All hail the power of Jesus' name," being a notable example), Rippon likely deserves at least partial credit for texts bearing the mark "K." —Chris Fenner with contributions from Eric Stedfeld, Peter Irvine, and Peter Rehwaldt See also "How Firm a Foundation".

Jane Borthwick

1813 - 1897 Person Name: Jane Borthwick, 1813-1897 Hymnal Number: 408 Translator of "My Jesus, As Thou Wilt!" in Christian Worship Miss Jane Borthwick, the translator of this hymn and many others, is of Scottish family. Her sister (Mrs. Eric Findlater) and herself edited "Hymns from the Land of Luther" (1854). She also wrote "Thoughts for Thoughtful Hours (1859), and has contributed numerous poetical pieces to the "Family Treasury," under the signature "H.L.L." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ================================= Borthwick, Jane, daughter of James Borthwick, manager of the North British Insurance Office, Edinburgh, was born April 9, 1813, at Edinburgh, where she still resides. Along with her sister Sarah (b. Nov. 26, 1823; wife of the Rev. Eric John Findlater, of Lochearnhead, Perthshire, who died May 2, 1886) she translated from the German Hymns from the Land of Luther, 1st Series, 1854; 2nd, 1855; 3rd, 1858; 4th, 1862. A complete edition was published in 1862, by W. P. Kennedy, Edinburgh, of which a reprint was issued by Nelson & Sons, 1884. These translations, which represent relatively a larger proportion of hymns for the Christian Life, and a smaller for the Christian Year than one finds in Miss Winkworth, have attained a success as translations, and an acceptance in hymnals only second to Miss Winkworth's. Since Kennedy's Hymnologia Christiana, 1863, in England, and the Andover Sabbath Hymn Book, 1858, in America, made several selections therefrom, hardly a hymnal in England or America has appeared without containing some of these translations. Miss Borthwick has kindly enabled us throughout this Dictionary to distinguish between the 61 translations by herself and the 53 by her sister. Among the most popular of Miss Borthwick's may be named "Jesus still lead on," and "How blessed from the bonds of sin;" and of Mrs. Findlater's "God calling yet!" and "Rejoice, all ye believers." Under the signature of H. L. L. Miss Borthwick has also written various prose works, and has contributed many translations and original poems to the Family Treasury, a number of which were collected and published in 1857, as Thoughts for Thoughtful Hours (3rd edition, enlarged, 1867). She also contributed several translations to Dr. Pagenstecher's Collection, 1864, five of which are included in the new edition of the Hymns from the Land of Luther, 1884, pp. 256-264. Of her original hymns the best known are “Come, labour on” and "Rest, weary soul.” In 1875 she published a selection of poems translated from Meta Heusser-Schweizer, under the title of Alpine Lyrics, which were incorporated in the 1884 edition of the Hymns from the Land of Luther. She died in 1897. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ======================== Borthwick, Jane, p. 163, ii. Other hymns from Miss Borthwick's Thoughtful Hours, 1859, are in common use:— 1. And is the time approaching. Missions. 2. I do not doubt Thy wise and holy will. Faith. 3. Lord, Thou knowest all the weakness. Confidence. 4. Rejoice, my fellow pilgrim. The New Year. 5. Times are changing, days are flying. New Year. Nos. 2-5 as given in Kennedy, 1863, are mostly altered from the originals. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============= Works: Hymns from the Land of Luther