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Nathaniel S. Godfrey
1817 - 1883 Person Name: S. N. Godfrey Composer of "ELLINGHAM" in Worship Song Born: November, 30, 1817, London, England.
Died: October 26, 1883, Southsea, Hampshire, England.
Son of an apothecary at Turvey, Bedfordshire, Godfrey was educated at St. Catharine’s College, Cambridge (summa cum laude, 1847). He served as Curate of Swansea (1847-48) and Biddenham, Bedford (1848-50). He resigned in 1858 to become minister and Perpetual Curate at St. Bartholomew’s Temperance Church in Portsea, Hampshire. While at Portsea, he was suspended for three years for practicing spiritualism.
--www.hymntime.com/tch/
Nathaniel S. Godfrey
Anna Letitia Waring
1823 - 1910 Person Name: Anna Laetitia Waring Author of "Tender mercies, on my way" in Worship Song See also in:
Hymn Writers of the Church
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Waring, Anna Laetitia, daughter of Elijah Waring, and niece of Samuel Miller Waring, was born at Neath, Glamorganshire, in 1820. In 1850 she published her Hymns and Meditations, by A. L. W., a small book of 19 hymns. The 4th edition was published in 1854. The 10th edition, 1863, is enlarged to 38 hymns. She also published Additional Hymns, 1858, and contributed some pieces to the Sunday Magazine, 1871. Her most widely known hymns are: "Father, I know that all my life," "Go not far from me, O my Strength," and "My heart is resting, O my God." The rest in common use include:—
1. Dear Saviour of a dying world. Resurrection. (1854.)
2. In heavenly love abiding. Safety in God. (1850.)
3. Jesus, Lord of heaven above. Love to Jesus desired. (1854.)
4. Lord, a happy child of Thine. Evening. (1850.)
5. My Saviour, on the [Thy] words of truth. Hope in the Word of God. (1850.) Sometimes stanza iv., "It is not as Thou wilt with me," is given separately.
6. O this is blessing, this is rest. Rest in the Love of Jesus. (1854.)
7. O Thou Lord of heaven above. The Resurrection.
8. Source of my life's refreshing springs. Rest in God. (1850.)
9. Sunlight of the heavenly day. New Year (1854.)
10. Sweet is the solace of Thy love. Safety and Comfort in God. (1850.)
11. Tender mercies on my way. Praise of Divine Mercies. (1850.)
12. Thanksgiving and the voice of melody. New Year (1854).
13. Though some good things of lower worth. Love of God in Christ, (1860.)
These hymns are marked by great simplicity, concentration of thought, and elegance of diction. They are popular, and deserve to be so. [George Arthur Crawford, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
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Waring, Anna L., p. 1233, ii. Of her hymns we have found the following in Lovell Squire's Selection of Scriptural Poetry, 3rd ed., 1848:
1. Father, I know that all my life, p. 367, ii.
2. Sweet is the solace of Thy love, p. 1233, ii. 10.
3. Though some good things of, &c., p. 1233, ii. 13.
The statement in J. Telford's The Methodist Hymn Book Illustrated, 1906, p. 271, that Miss Waring contributed to her uncle's (S. M. Waring's) Sacred Melodies, 182G, cannot be correct, as she was then only six years old. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Anna Letitia Waring
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Composer of "VIA BONA" in Song-Hymnal of Praise and Joy As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
