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Johann Wolfgang Franck

1644 - 1710 Person Name: Johann W. Franck, 1641-1688 Composer of "KOMM, SEELE" in E. A. C. C. Hymnal Born: June 1644 (baptised: June, 17 1644) - Unterschwaningen Died: c1710 - ? Johann Wolfgang Franck was a German composer, who served at the court of the Margrave of Ansbach from 1665 to 1679 (or from 1673 to 1678). He composed a considerable body of sacred music for the court chapel, and in 1677 was made court chaplain. In January 1679 he was forced to flee after murdering one of the musician of the chapel and wounding his wife in a fit of jealousy. Already known as an opera composer through e.g. Die drey Töchter des Cecrops (the first extant German opera in full score), he found asylum in Hamburg, becoming musical director of the T am Gänsemarkt. Kapellmeister at Hamburg Cathedral from 1682 to 1686. In Hamburg he produced 14 operas between 1679 and 1686. From 1690 to 1695 he was in London, in whose concert life he was an active participant. In conjunction with Robert King, he gave there concerts between 1690 and 1693, and in 1695 he wrote a song for Colley Cibber's Love's Last Shift. Apart from his operas, Johann Wolfgang Franck wrote several books of sacred songs, also a number of songs for The Gentleman's Journal (1692-1694). --www.bach-cantatas.com/Lib/

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley, 1810 - 76 Composer of "HAWARDEN" in Service Book and Hymnal of the Lutheran Church in America Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman