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Severus Gastorius
1646 - 1682 Composer of "[Bringt Preis und Ruhm dem Heiland dar]" in Sammlung Kirchlicher Lieder Severus Gastorius (1647-1682 ) was a cantor in Jena, central Germany.
The son of a Weimar school teacher, Severus was born with the family name Bauchspiess (later Latinised to Gastorius) in Oettern, near Weimar. In 1667, he started studying at the University of Jena. From 1670, he deputized for cantor Andreas Zöll in Jena and married his daughter the following year. Gastorius assumed Zöll's position after his death in 1677. One of his friends, Samuel Rodigast, wrote the hymn "Was Gott tut, das ist wohlgetan" for Gastorius when he was sick (to cheer him up as Rodigast writes in his dedication). Even before he recovered, Gastorius set it to music based on a melody by Werner Fabricius. The tune became widely known in Germany as the cantor students of Jena cantor sang it every week at Gastorius' door as well as when they returned home. Gastorius was buried on 8 May 1682 in Jena's Johanniskirche cemetery. Gastorius had requested that the hymn "Was Gott tut, das ist wohlgetan" be sung at his funeral.
Gastorius is also credited with composing music for the funeral motet Du aber gehe hin bis das Ende komme. It was sung at the funeral of the Jena professor of medicine Johann Arnold Friderici on 2 June 1672.
--en.wikipedia.org/wiki/
Severus Gastorius
Johann Samuel Diterich
1721 - 1797 Author of "Bringt Preis und Ruhm dem Heiland dar" Diterich, Johann Samuel, eldest son of A. M. Diterich, pastor of St. Mary's Church, Berlin, was born at Berlin, Dec. 15, 1721. After studying at the Universities of Frankfurt a. Oder, and Halle, he was for some time a private tutor in Berlin. He was, in 1748, appointed diaconus of St. Mary's Church in Berlin, and regimental chaplain, becoming, in 1751, archidiaconus, and, in 1754, pastor of St. Mary's. In 1763 he was appointed private Chaplain to the Queen, and in 1770 a member of the Supreme Consistory. He died at Berlin, Jan. 14, 1797 (Koch, vi. 228-231; Allg. Deutsche Biog., v. 258-259). His hymns appeared in the following works:—
(1) Lieder für den offentlichen Gottesdienst Berlin, 1765, with 23G hymns, edited by himself and his col¬leagues in Stanzas Mary's Church. Designed as a supplement to Porst's Gesang-Buch of 1713. (2) Gesangbuch zum (foltesdienstlichen Gebrauch in den Königlich-Preus-sischen Landen, Berlin, 1780, with 447 hymns principally edited by himself. (3) Gesangbuch für die häusliche Andacht. Berlin, 1787, with 421 hymns, principally of recent date.
None of these books give names of authors. Diterich seems to have contributed about 100 hymns either original or entirely recast, besides rewriting portions of many others. He distinguished himself as a leader in the unhappy process of “modernising" and "improving" the older German hymns, by which they were reduced to 18th cent. "correctness," and had all the life polished out of them. His 1765 collection formed the model of many wretched hymn-books, and his influence is even seen in such recent collections as the Hamburg Gesang-Buch 1842, the Nassau Gesang-Buch, 1844, and the Gesang-Buch für die evang. Landeskirche im Grossherzogtum Sachsen, Weimar, 1883.
A number of the recasts from the older hymns which appear under Diterich's name are noted in this Dictionary under the names of their original authors. The following may be regarded as practically original:—
i. Schon ist der Tag von Gott bestimmt. [Second Advent.] 1765, as above, No. 129, in 8 stanzas of 7 lines. Included as No. 390 in the Nassau Gesang-Buch, 1844. The only translation in common use is:—
The trumpet sounds! the day is come! A full and good translation in Dr. H. Mills's Horae Germanica, 1845 (ed. 1856, p. 332). Dr. Hatfield included stanzas i., iv., vi., vii., altered, in his Church Hymn Book, 1872.
The following, although not in English common use, are available for hymnological purposes :—
ii. Auf Erden Wahrheit auszubreiten. Christ's Ministry. 1787, as above, No. 79, in 10 stanzas. Translated by Dr. H. Mills, 1845 (ed. 1856, p. 283), as "That men to truth might not be strangers."
iii. Auf! Jesu Jünger! freuet euch! Ascension. 1765, as above, No. 79, in 12 stanzas, and is based on E. Alber's hymn "Nun freut euch Gottes Kinder all" (q. v.). Two forms have been translated (1) “Auf, Christen, auf und freuet euch," in the Berlin Gesang-Buch, 1780, No. 114; tr. as "Rejoice, ye saints, your fears be gone," by Dr. H. Mills, 1845 (ed. 1856, p. 324); and (2) "Ihr Jünger Jesu, freuet euch," in the Trier Gesang-Buch. (R. C), 1846, p. 94. Tr. as "Rejoice, ye saints, in glad accord," by Dr. R. F. Littledale, in Lyra Messianica, 1864, p. 371.
iv. Herr, meiner Seele grossen Werth. Greatness of the Soul. 1765, as above, No. 195, in 9 stanzas. Translated by Dr. H. Mills, 1845 (ed. 1856, p. 30), as “Lord, on the soul's enduring worth."
v. Mein Heiland lebt. Er hat die Macht. Resurrection of the Dead. 1765, as above, No. 123, in 8 stanzas. Translated by Miss Manington, 1863,p. 75, "My Saviour lives, and He the might."
vi. O Jesu, wahrer Frömmigkeit. Jesus our Example. Seems to have been suggested by J. J. Rambach's "Du wesentliches Ebenbild " in his Haus Gesang-Buch, 1735, No. 84. First published 1789, as above, No. 59, in 8 stanzas. Translated by Dr. H. Mills, 1845 (ed. 1856, p. 285), as "Jesus, of what we should approve." [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Johann Samuel Diterich
