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Scripture:Psalm 95:1-7

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VENITE

Appears in 453 hymnals Scripture: Psalm 95 First Line: O come, let us sing unto the Lord Topics: Prose Psalms Used With Tune: [VENITE] ROBINSON
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Venite exultemus

Author: J. H. Appears in 2 hymnals Scripture: Psalm 95 First Line: O come let us lift up our voice Lyrics: 1 O come let us lift up our voice, and sing unto the Lord: In him our rock of health rejoyce let us with one accord. 2 Yea let us come before his face, to give him thanks and praise: In singing Psalmes unto his grace, let us be glad alwaies. 3 For why? the Lord he is no doubt, a great and mighty God: A King above all gods throughout, in all, the world abroad. 4 The secrets of the earth so deep and corners of the land: The tops of hills that are so steep, he hath them in his hand. 5 The sea and waters all are his, for he the same hath wrought: The earth and all that therein is, his hand hath made of nought. 6 Come let us bow and praise the Lord, before him let us fall: And kneel to him with one accord, for he hath made us all. 7 For why? he is the Lord our God, for us he doth provide; We are his flock, he doth us feed, his sheep and he our guide. 8 To day if ye his voice will heare, then harden not your heart: As ye with grudging many a yeare provoked him in desart. 9 Whereas your fathers tempted me, my power for to prove: My wondrous works when they did see, yet still they would me move. 10 Twice twenty years they did me grieve and I to them did say, They erre in heart, and not believe they have not known my way. 11 Wherefore I sware, when that my wrath was kindled in my brest: That they should never tread the path, to enter in my rest.

Venite, Exultemus Domino (O Come and Let Us Sing)

Author: Taizé Community Appears in 2 hymnals Scripture: Psalm 95:1 First Line: Venite, exultemus Domino (O come and let us sing to God, our hope) Topics: Gathering, Centring, and Invocation; Hope; Justice Used With Tune: [O come let us sing to God, our hope]

Tunes

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[VENITE] RUSSELL

Appears in 8 hymnals Composer and/or Arranger: W. Russell, 1777 - 1813 Scripture: Psalm 95 Tune Key: G Major Incipit: 51366 71271 Used With Text: VENITE
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[VENITE] GOSS

Appears in 16 hymnals Composer and/or Arranger: J. Goss, 1800 - 1880 Scripture: Psalm 95 Tune Key: A Major Incipit: 13243 21171 Used With Text: VENITE
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[VENITE]

Appears in 15 hymnals Composer and/or Arranger: R. Cooke, 1768 - 1814 Scripture: Psalm 95 Tune Key: G Major Incipit: 32176 71234 55645 Used With Text: VENITE

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Venite Exulatmus

Hymnal: Hymnal, Amore Dei #C2 (1890) Scripture: Psalm 95 First Line: O come, let us sing unto the Lord Languages: English
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Venite Exultemus Domino

Hymnal: Augsburg Songs for Sunday Schools and other services #C7 (1885) Scripture: Psalm 95 First Line: O come, let us sing unto the Lord Languages: English Tune Title: [O come, let us sing unto the Lord]

Venite, Exultemus Domino

Hymnal: The Methodist Hymn-Book with Tunes #C1a (1933) Scripture: Psalm 95 First Line: O come let us sing unto the Lord Topics: Ancient Hymns and Canticles Languages: English Tune Title: [O come, let us sing unto the Lord]

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Scripture: Psalm 95:6 Arranger of "FOREST GREEN" in Trinity Hymnal (Rev. ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Henry Van Dyke

1852 - 1933 Person Name: Henry Van Dyke, 1852-1933 Scripture: Psalm 95:6 Author of "Joyful, Joyful, We Adore Thee" in Lift Up Your Hearts See biography and works at CCEL

Jaroslav J. Vajda

1919 - 2008 Person Name: Jaroslav J. Vajda, 1919- Scripture: Psalm 95:6 Author of "Now the Silence" in Worship and Rejoice Jaroslav J. Vajda (b. Lorain, Ohio, 1919; d. 2008) Born of Czechoslovakian parents, Vajda was educated at Concordia College in Fort Wayne, Indiana, and Concordia Theological Seminary in St. Louis, Missouri. Ordained as a Lutheran pastor in 1944, he served congregations in Pennsylvania and Indiana until 1963. He was editor of the periodicals The Lutheran Beacon (1959-1963) and This Day (1963-1971) and book editor and developer for Concordia Publishing House in St. Louis from 1971 until his retirement in 1986. Working mainly with hymn texts, Vajda served on several Lutheran commissions of worship. A writer of original poetry since his teens, he was the author of They Followed the King (1965) and Follow the King (1977). His translations from Slovak include Bloody Sonnets (1950), Slovak Christmas (1960), An Anthology of Slovak Literature (1977), and contributions to the Lutheran Worship Supplement (1969) and the Lutheran Book of Worship (1978). A collection of his hymn texts, carols, and hymn translations was issued as Now the Joyful Celebration (1987); its sequel is So Much to Sing About (1991). Vajda's hymns are included in many modern hymnals, and he was honored as a Fellow of the Hymn Society in the United States and Canada in 1988. Bert Polman